Tag Archives: William Hogarth

Morning

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An old woman, the prude, is standing near a crowd of people huddled around a bonfire in Covent Garden. She is crossing Covent Garden Piazza, disapproving of the amorous scenes outside the notorious Tom King’s Coffee House. The print shows the morning and is part of a series representing the progress of the day.

  • Printmaker: Cook, Thomas, approximately 1744-1818, printmaker.
  • Title: Morning [graphic] / designed by Wm. Hogarth ; engraved by T. Cook.
  • Publication: [London] : Published August the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London, [1 August 1797]

Catalog Record

Hogarth 797.08.01.01++ Box 310

Acquired January 2021

Evening

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The third print in the series “Four Times of the Day” is set at Sadler’s Wells. “A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton’s Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof.”–British Museum online catalogue.

  • Printmaker: Cook, Thomas, approximately 1744-1818, printmaker.
  • Title: Evening [graphic] / designed by Wm. Hogarth ; engraved by T. Cook.
  • Publication: [London] : Published December the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London, [1 December 1797]

Catalog Record

Hogarth 797.12.01.01++ Box 310

Acquired January 2021

Going to court he’s arrested at St. James’s Gate

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“Piracy of plate IV of Hogarth’s Rake’s Progress with considerable differences: a scene in St James’s Street with the Rake (here named Ramble) emerging from a sedan-chair to be arrested for debt; figures in the foreground include a Welshman, probably the creditor, honouring St David’s day (March 1st) with a leek in his hat, “Nanny” offering a handful of money to reprieve her former lover, and a lamp-lighter carelessly spilling oil on the Rake’s coat; in the distance to left, a group of street-boys point to “Taffy”, a mannikin, perched on a lamp-post, and beyond the gate of St James’s Palace.”–British Museum online catalogue.

  • Printmaker: Bowles, Thomas, -1767, printmaker.
  • Title: Going to court he’s arrested at St. James’s Gate [graphic].
  • Publication: [London] : [John Bowles], [1735]

Catalog Record

Hogarth 735.00.00.20+ Box 200

Acquired January 2021

The jolly Bachanalians

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The musical score with lyrics of a drinking song “The jolly Bacchanalians” with a copy of William Hogarth’s “A midnight modern conversation” which shows a large party of men smoking, drinking, and singing around a table with a large bowl in the center. Several of the men are clearly intoxicated, one has fallen off his chair, lost his wig and is sprawled on the ground.

  • Title: The jolly Bachanalians [graphic] : set by Mr. Galliard.
  • Publication: [London] : [Printed for the proprietors & sold by J. Newbery at the Bible & Sun in St. Paul’s Church Yard], [1746]

Catalog Record

Hogarth 746.00.00.22 Box 105

Acquired January 2021

Noon

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A copy of the second print in William Hogarth’s series “Four Times of the Day”: Set outside St Giles’s-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist’s head on a platter and reading “Good Eating”, a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.

  • Printmaker: Cook, Thomas, approximately 1744-1818, printmaker.
  • Title: Noon [graphic] / designed by Wm. Hogarth ; engraved by T. Cook.
  • Publication: [London] : Published October the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London, [1 October 1797]

Catalog Record

Hogarth 797.10.01.03++ Box 310

Acquired January 2021

Die Entdeckung

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A German copy of Hogarth’s “The Discovery” (1743?): a scene in a bedoom where four gentlemen stand beside a curtained bed in which a black woman reclines; she reaches out to touch the chin of one of the men who has evidently just pulled back the curtain. The scene is thought to record a practical joke carried out on the lothario John Highmore by his friends: having arranged an assignation with an attractive young woman, they replaced her with a black prostitute. When he discovered the swap, on climbing into bed, they appeared from hiding. See Paulson.

  • Printmaker: Heintz, C. F., printmaker.
  • Title: Die Entdeckung [graphic] / lith. v. C. F. Heintz.
  • Publication: [Germany?] : [publisher not identified], [between 1833 and 1836]

Catalog Record

Hogarth 830.00.00.01 Box 140

Acquired January 2021

Simon Lord Fraser of Lovat

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Portrait of the elderly Simon Fraser, 11th Lord Lovat, whole length, sitting on a chair, its back carved with a scallop shell; he holds a book in his right hand with his left hand in his waistcoat. To his right is a small side table with a quill pen in ink bottle and along the wall shelves of books.

  • Title: Simon Lord Fraser of Lovat [graphic].
  • Publication: [London] : [R. Walker], [1746]

Catalog Record

746.00.00.31

Acquired January 2021

Night

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A copy of the fourth print in William Hogarth’s series “Four Times of the Day”, set at the intersection of Rummer Court and Charing Cross. Le Sueur’s equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as “Oak Apple Day”). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber’s which is decorated with oak leaves and advertises “Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum”; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio.

  • Printmaker: Cook, Thomas, approximately 1744-1818, printmaker.
  • Title: Night [graphic] / designed by Wm. Hogarth ; engraved by T. Cook.
  • Published: [London] : Published February the 1.st 1798 by G.G. & J. Robinson Pater-noster Row London, [1 February 1798]

Catalog Record

Hogarth 798.02.01.01++ Box 310

Acquired January 2021

A country inn yard at the time of an election

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“Copy of scene in the “Old Angle In”, an inn with the sign of an angel that gives the proprietor as ‘Toms. Bates’, and a stop for coaches on the road to London; in foreground a large woman enters a coach, the man to her left helps her in with a hand on her round backside, a man with a protruding belly stands waiting, behind him a boy holds out a hat for tips; to the left a refreshment seller yells out advertising her goods, two drunken guests lean out from a window above with a pipe and a horn, and two figures embrace in the doorway below, the watchdog lies asleep in his kennel on the right; a crowd of election campaigners at the far end of the inn.”–British Museum online catalogue.

  • Title: A country inn yard at the time of an election [graphic] / invented & painted by Wm. Hogarth.
  • Publication: [London?] : [publisher not identified], [between 1747 and 1800]

Catalog Record

Hogarth 747.00.00.01 Box 105

Acquired January 2021

Hudibras in tribulation

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“Hudibras and Ralpho are in the stocks, the knight’s boots, sword and pistols taking the place of the fiddle; a sympathetic widow, accompanied by her maid, addresses Hudibras while villagers gather round to mock, and a small boy urinates on Ralpho’s foot”–British Museum online catalogue.

  • Title: Hudibras in tribulation [graphic] : Part 2 Canto 1, l. 87.
  • Publication: [London] : [Robert Sayer], [between 1768 and 1794]

Catalog Record

Folio 75 H67 768B

Acquired January 2021