He marries a rich old widow

description belowCopy in reverse of the first state of Plate 5 of Hogarth’s ‘The Rake’s Progress’ (Paulson 136): Tom and a wealthy old woman are being married in the dilapidated church of St. Marylebone. The bride has only one eye and growths on her forehead; the IHS on the wall behind her serve as a mock halo. In contrast the old woman is attended by a beautiful young woman who has already caught Tom’s eye. In the background on the left, the elderly pew opener pushes Sarah Young, carrying Tom’s child in her arms, and Sarah’s mother; she shakes her keys in their faces to prevent them from entering the church to stop the marriage. Two dogs in the lower left of the image mirror the courtship of Tom and his bride; the courted dog has only one eye. The clergyman is assisted at the altar by a clerk, and a charity-boy kneels at the bride’s feet offering a hassock. The Poor Box on the left is covered with a cobweb; there is a crack down the center of the slab with the Commandments on the wall behind the clergyman.

  • Title: He marries a rich old widow [graphic].
  • Publication: [London] : Publish’d wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill, March 25, 1768.

Catalog Record

Hogarth 768.03.25.05+ Box 210

Acquired December 2019

Lonsdale magazine, or, Provincial repository

see description belowWith illustrations (some in color), aquatints, engravings and wood engraving of a geological map, a tea plant, genealogy table (folded) and many estates, manors, castles and churches in England.

  • Title: Lonsdale magazine, or, Provincial repository : for the year 1820[-22] comprising topographical and biographical sketches, critiques upon new works, literary, scientific, and philosophical essays, original poetry, entertaining tales and anecdotes. Commercial and miscellaneous intelligence, etc. Forming a pleasing variety of useful and elegant reading / edited by J. Briggs.
  • Published: Kirby Lonsdale [England] : A. Foster [etc.], 1820-1822.

Catalog Record

61 L862

Acquired May 2019

Protestant descendency

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“An ancient Gothic church in the middle distance stands on a grassy hill inscribed ‘Protestant Ascendency’; under the hill (left) is a cave, ‘Cave of Catholic Ascendency’, in which are barrels of ‘Gun . Pow[der]’. A fat bare-footed friar walks away from the cave towards the picture-plane, carrying a lighted candle, and slyly laying a train of powder on the road to the cave. Standing round the church is a crowd of country people, listening to a parson who holds out to them a ‘Petition to Parliament’. They are unconscious, not only that the ground beneath them is mined, but that men (right) are tugging at a rope looped round the steeple, which is about to crash. The rope-pullers are in the foreground (right); at the extreme end is Wellington with his back to the church, straining hard. Next is Peel, wearing an orange waistcoat (cf. British Museum Satires No. 15690) badly stained by the rope; Brougham, a broom-girl dressed as in British Museum Satires No. 14769, is next, with Mackintosh in Highland costume beside him. In front of them is Burdett, very tall and thin, holding up his hat and shouting ‘Down with it–never mind the People’ [see British Museum Satires No. 16058]. In front is O’Connell, in wig and gown, shouting, ‘By St Patrick I’ve got the Rope over at Last.’ Behind these principals are more men, tugging at a second rope. On a green field topping a cliff behind the church-breakers is Eldon wearing a smock and guiding a plough; he turns to shout to the petitioners by the church, who will be crushed by the falling tower: ‘Look to your selves People.’ Along the horizon (left) is a Papist procession with lighted tapers, the Host, crosses, a grotesque Pope, and figures under a canopy. It approaches St. Paul’s whose dome rises above the sky-line. On the extreme right is the Monument (see British Museum satires no. 15688, &c.) in flames.”–British Museum online catalogue.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: Protestant descendency [graphic] : a pull at the Church / [man with an umbrella] Esq. del.
  • Publication: [London] : Pub. March 19, 1829, by T. McLean, 26 Haymarket …, [19 March 1829]

Catalog Record 

829.03.19.01+

Acquired October 2018

An apparition

In a churchyard, a resurrection man holding a lantern, his hat and shovel at his feet, is surprised by ghost, rising from grave. In the background is a church and in the foreground, a skull and bone.

  • PrintmakerNewton, Richard, 1777-1798, printmaker.
  • TitleAn apparition [graphic].
  • Edition[State with aquatint].
  • PublicationLondon : Pubd. by W. Holland, No. 50 Oxford Street, May 1, 1790.

Catalog Record & Digital Collection

790.05.01.02.1+

Acquired November 2016

The church in danger, or, A very uncommon parish dinner

lwlpr34635-726x1024

“Satire showing an announcement from a pulpit in a church requesting the wardens to meet to consider eating the church.”–British Museum online catalogue.

  • TitleThe church in danger, or, A very uncommon parish dinner [graphic].
  • PublicationLondon : Published by Thos. McLean, 26 Haymarket, [ca. 1830]

Catalog Record & Digital Collection

830.00.00.158

Acquired June 2016

The west prospect of St. Martin’s Church in the Fields, Westminster

lwlpr34232 (1024x813)

“View of the west front of the church, a graveyard to the right; in sky a scroll with a dedication to Browne Willis Esq; a flag flying from the top of the tower.”–British Museum online catalogue.

  • PrintmakerVertue, George, 1684-1756, printmaker.
  • TitleThe west prospect of St. Martin’s Church in the Fields, Westminster [graphic].
  • Publication[London : publisher not identified], 1744]

Catalog Record & Digital Collection

Topos L847 no. 148+

Acquired May 2016

Hot cross bunns, two a penny bunns

lwlpr34238 (811x1024)

“A stout and burly woman stands at a street-door with a large basket of buns. A young woman and three children buy; the children help themselves, the woman holds a plate which she fills with buns. In the background (left) is a Georgian church with pediment and cupola; a fat parson in his surplice hurries along to escape from a woman and two children, who beg from him.”–British Museum online catalogue.

  • PrintmakerMerke, Henri, printmaker.
  • TitleHot cross bunns, two a penny bunns [graphic] / Rowlandson delin. ; Merke sculp.
  • PublicationLondon : Pubd. May 4, 1799, at Ackermann’s Gallery, 101 Strand, [4 May 1799]

Catalog Record & Digital Collection

799.05.04.01+

Acquired March 2016

Wife & no wife, or, A trip to the Continent

lwlpr33259 (1024x824)

“The interior of a large church or cathedral. Burke, dressed as a Jesuit, standing within a low, semicircular wall at the foot of a crucifix, marries the Prince of Wales and Mrs. Fitzherbert. The Prince is about to put the ring on her finger. Fox gives her away, holding her left wrist. Beside him (right) stands Weltje in back view but looking to the left at the ceremony. A napkin is under his left arm, bottles project from his coat-pockets, and the tags on his shoulder denote the liveried manservant. To the left of Fox appears the profile of George Hanger. On the left North sits, leaning against the altar wall, sound asleep, his legs outstretched. He wears his ribbon but is dressed as a coachman, his hat and whip beside him. All the men wear top-boots to suggest a runaway match. Behind the Prince in a choir seat is a row of kneeling monks who are chanting the marriage service. The crucifix is partly covered by a curtain, but the legs and feet are painfully distorted … On the wall and pillars of the church are four framed pictures: ‘David watching Bathsheba bathing’, ‘St. Anthony tempted by monsters’, ‘Eve tempting Adam with the apple’, and ‘Judas kissing Christ’, the last being over the head of Fox.”–British Museum online catalogue.

  • PrintmakerGillray, James, 1756-1815, printmaker.
  • TitleWife & no wife, or, A trip to the Continent [graphic] / design’d by Carlo Khan.
  • PublicationLondon : Publish’d by Willm. Holland, No. 66 Drury Lane, London, March 27, 1786.

Catalog Record & Digital Collection

786.03.27.01.2++

Acquired October 2015

The sleepy congregation

Click for larger image

A view of the interior of a church where the congregation (right) sleeps as the clergyman in his pulpit reads from the gospel; he uses a magnifying glass to read the text; an hour glass extends from the side of the pulpit. Below the clergyman sits the clerk who holds his eyeglasses in his hand and eyes the exposed bosom of a young woman asleep on the left rather than the volume before him. The young woman’s holds in her hands a fan and book open to the word “matrimony”. Above the stained-glass windows a cupid hovers with his bow.

  • Title: The sleepy congregation [graphic] = La congregation tout endormi / W. Hogarth pinxt. et sculpt.
  • Created: [Paris?] : [s.n.], [1790s?]

Catalog Record & Digital Collection

Hogarth 790.00.00.02

Acquired April 2013