A harlots progress. Plate VI

description belowA copy in reverse of William Hogarth’s Plate 6 of A harlot’s progress: A dilapidated room with Moll Hackabout’s friends, mostly prostitutes, gathered around her open coffin, several of them weeping; one young woman stands with her back to the scene as she gazes at herself in the mirror. On the right, a clergyman spills his brandy as he surreptitiously gropes beneath a woman’s skirt; Moll’s serving woman, standing at the coffin with a wine bottle and glass in hand scowls at the pair. Under the window and to the left, the undertaker flirts with a pretty young prostitute who picks a handkerchief from his pocket. In the foreground Moll’s small son plays with a spinning top. Sprigs of yew (rosemary?) decorate her coffin; a plate of yew rests on the floor at the parson’s feet, another spring at her son’s feet.

  • Title: A harlots progress. Plate VI [graphic] : Her funeral properly attended = Pompe de ses funérailles / invented & painted by Wm. Hogarth.
  • Publication: [London] : [publisher not identified], [not before 25 March 1768]

Catalog Record

Hogarth 768.03.25.14+ Box 210

Acquired December 2019

 

A harlot’s progress. Plate V

description belowA copy in reverse of William Hogarth’s Plate 5 of A harlot’s progress: In a squalid room Moll Hackabout, wrapped in a sheet, is dying while two doctors (Richard Rock and Jean Misaubin) argue over their remedies. Her serving-woman reaches out to them in alarm to get their attention for the invalid, while another woman rifles through Moll’s portmanteau (with her initials as in Plate 1). A small boy knelling next to Moll’s chair scratches his head as he turns a joint of meat roasting in front of the fire while a pot overflows on the grate. An over-turned table with an advertisement “Practical scheme … ‘Anodyne” litters the floor in the foreground.

  • Title: A harlot’s progress. Plate V [graphic] : In a high salivation at the point of death = Elle meurt en passant par le grand-reméde / invented & painted by Wm. Hogarth.
  • Publication: [London] : [publisher not identified], [not before 25 March 1768]

Catalog Record

Hogarth 768.03.25.13+ Box 210

Acquired December 2019

Is arrested going to court

description belowCopy in reverse of the first state of Plate 4 of Hogarth’s ‘The Rake’s Progress’ (Paulson 135): In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell’s sedan chair in St. James’s Street; Tom is presumably on his way to White’s gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom’s elegant walking stick. Above them a careless lamplighter spills some oil on Tom’s head. To the left a Welshman, probably the creditor, honouring St David’s day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James’s Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline.

  • Title: Is arrested going to court [graphic].
  • Publication: [London] : Publish’d wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill, March 25, 1768.

Catalog Record 

Hogarth 768.03.25.04+ Box 210

Acquired December 2019

Confined in the Fleet Prison

description belowCopy (reversed) of the first state of Plate 7 of Hogarth’s ‘The Rake’s Progress’ (Paulson 138): A room in the Fleet Prison (after the painting at Sir John Soane’s Museum); Tom sits at a table, to right, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth’s father); in the background an alchemist works at a forge.”–British Museum online catalogue.

  • Title: Confined in the Fleet Prison [graphic].
  • Publication: [London] : Publish’d wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill, March 25, 1768.

Catalog Record

Hogarth 768.03.25.07+ Box 210

Acquired December 2019

The messenger of mortality

see description belowFirst line: Fair lady, lay your costly robes aside …
Woodcut image: a scene in a room with two windows and a table with a lighted candle. On the right Death wearing a crown and holding an arrow and hourglass stands next to a lady who is holding her child’s hand. Beside the child stands a gentleman (doctor). On the ground at Death’s feet are a shovel and emblems of power(?).

  • Title: The messenger of mortality, or, A dialogue between Death and the lady.
  • Publication: [York, England] : Carrall, printer, Walmgate, York, [between 1822 and 1834]

Catalog Record 

822.00.00.64+

Acquired June 2019

Interior of an English workhouse* under the new Poor Law Act

Emaciated and shaven-headed paupers treated as slaves by cruel overseers: adults beating hemp and children picking rope in the foreground, others in the background manacled to the wall or hanging from the ceiling, tied up by their feet and hands; to right, a manager with a scourge seizing an elderly man, and a man pulling a cart, which he says is full of dead infants to be sold to surgeons; to left, a manager turning away the starving poor who beg to be let in.”–British Museum online catalogue.

  • PrintmakerGrant, C. J. (Charles Jameson), active 1830-1852, printmaker.
  • TitleInterior of an English workhouse* under the new Poor Law Act [graphic].
  • Publication[London] : Printed and published by G. Drake, 12, Houghton-Street, Clare-Market, [ca. 1833]

Catalog Record & Digital Collection

Folio 75 G750 833 Copy 2 (Oversize)

Acquired December 2016

Water cresses, come buy my water cresses

lwlpr34239 (833x1024)

“A decrepit old man stands at the door of a house of ill fame at the corner of Portland Street; Mrs Burke is on the door-plate. One hand is on the knocker; he turns to scowl at a woman (right) who holds out a bunch of water-cress from a large shallow basket slung from the hip. A child clings to her shoulders; a little girl (left) with a small basket also offers him a bunch. Two young courtesans lean from a first-floor window. In the background (right), behind a spiked gate, are trees and a large house (or houses).”–British Museum online catalogue.

  • PrintmakerMerke, Henri, printmaker.
  • TitleWater cresses, come buy my water cresses [graphic] / Rowlandson delin. ; Merke sculp.
  • PublicationLondon : Pub. Mar. 1, 1799, at R. Ackermann’s, 101 Strand, [1 March 1799]

Catalog Record & Digital Collection

799.03.01.06+

Acquired March 2016

Hot cross bunns, two a penny bunns

lwlpr34238 (811x1024)

“A stout and burly woman stands at a street-door with a large basket of buns. A young woman and three children buy; the children help themselves, the woman holds a plate which she fills with buns. In the background (left) is a Georgian church with pediment and cupola; a fat parson in his surplice hurries along to escape from a woman and two children, who beg from him.”–British Museum online catalogue.

  • PrintmakerMerke, Henri, printmaker.
  • TitleHot cross bunns, two a penny bunns [graphic] / Rowlandson delin. ; Merke sculp.
  • PublicationLondon : Pubd. May 4, 1799, at Ackermann’s Gallery, 101 Strand, [4 May 1799]

Catalog Record & Digital Collection

799.05.04.01+

Acquired March 2016

King Henry the Eigth [sic] & Anna Bullen

lwl32073_M (823x1024)

King Henry VIII leads Anne Boleyn towards the throne. A melancholy Cardinal Wolsey leans his head in his hand as he glances sideways toward the couple. In the background Katherine of Aragon sitting in another throne and turns away from the couple to converse with Anne’s former lover, Lord Percy. A young page carries the train of Anne’s dress as she enters the palace.

  • PrintmakerHogarth, William, 1697-1764, printmaker.
  • TitleKing Henry the Eigth [sic] & Anna Bullen [graphic] / design’d & engrav’d by Wm. Hogarth.
  • Edition[State 5].
  • PublishedLondon : Printed for Robert Wilkinson, Cornhil, Carington Bowles in St. Pauls Church Yard & R. Sayer, in Fleet Street, [circa 1790]

Catalog Record & Digital Collection

Acquired October 2014