He and his drunken companions raise a riot in Covent Garden

description below

“Plate from a pirated series of Hogarth’s Rake’s Progress, not based on one of the original prints: Covent Garden with St Paul’s church and the buildings at the north-western corner of the piazza; the Rake (here called Ramble) and drunken friends are accosting women passers-by and the watch has arrived to set about them with staves.”–British Museum online catalogue.

 

  • Printmaker: Bowles, Thomas, II, active 1712-1767, printmaker.
  • Title: He and his drunken companions raise a riot in Covent Garden [graphic].
  • Publication: [London] : [John Bowles], [1735]

Catalog Record

Hogarth 735.00.00.19+

Acquired January 2021

The jolly Bachanalians

description below

The musical score with lyrics of a drinking song “The jolly Bacchanalians” with a copy of William Hogarth’s “A midnight modern conversation” which shows a large party of men smoking, drinking, and singing around a table with a large bowl in the center. Several of the men are clearly intoxicated, one has fallen off his chair, lost his wig and is sprawled on the ground.

  • Title: The jolly Bachanalians [graphic] : set by Mr. Galliard.
  • Publication: [London] : [Printed for the proprietors & sold by J. Newbery at the Bible & Sun in St. Paul’s Church Yard], [1746]

Catalog Record

Hogarth 746.00.00.22 Box 105

Acquired January 2021

Night

description below

A copy of the fourth print in William Hogarth’s series “Four Times of the Day”, set at the intersection of Rummer Court and Charing Cross. Le Sueur’s equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as “Oak Apple Day”). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber’s which is decorated with oak leaves and advertises “Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum”; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio.

  • Printmaker: Cook, Thomas, approximately 1744-1818, printmaker.
  • Title: Night [graphic] / designed by Wm. Hogarth ; engraved by T. Cook.
  • Published: [London] : Published February the 1.st 1798 by G.G. & J. Robinson Pater-noster Row London, [1 February 1798]

Catalog Record

Hogarth 798.02.01.01++ Box 310

Acquired January 2021

Five, in the afternoon

description below

“A young dandy lounging on a sofa with a young woman, holding up a glass, while she lays one hand on his knee, holding a glass herself, her elbow on a round table beside a bottle of Madeira and a dish of peaches; a bed seen through the open door in the background to right.”–British Museum online catalogue.

 

  • Title: Five, in the afternoon [graphic] / Dighton delt.
  • Publication: London : Published 18 June 1795 by Haines & Son, No. 19 Rolls Buildings, Fetter Lane, [18 June 1795]

Catalog Record

795.06.18.01+

Acquired January 2021

The vices of the gin shop

"Broadside with five wood-engravings, the largest in the centre showing the drunkard's coat of arms."--British Museum online catalogue.

Letterpress text with wood-engravings on either side of the title at head of sheet: on the left “Temperance and Happy Family” and on the right “Intemperance and Miserable Family”. Below the heading and on the upper half of the sheet, an explanation of a wood-engraving in the center entitled “The Drunkard’s Coat of Arms”. On the lower half of the sheet, a poem in four columns, surrounding another large central image of a drunken crowd, including a woman feeding her infant from a wine glass; the rowdy, celebrating in a room with a row of large barrels labeled “Holland, Brand[y], Rum, Old Tom, Cream of the Valley.”

 

  • Title: The vices of the gin shop, public house, and tavern dissected, or, The folly of dram drinking clearly exhibited.
  • Publication: [London] : J. Quick, [approximately 1833]

Catalog Record

833.00.00.16+

Acquired November 2020

Stock jobbers, or, Gazette extraordinary

description belowA crowd of rotund stock brokers sit and stand around a table and against a wall with a clock. The broker centered in the front reads from a copy of the Gazette Extraordinary while some of the others peer over his shoulders looking for news, many where glasses and one uses a glass to read the print on the page. To his left at the table is a broker holding bank stock in his right hand, and another broker knocking over a bottle of Madeira at the table.

  • Title: Stock jobbers, or, Gazette extraordinary [graphic].
  • Publication: London : Published 29 April 1795 by Haines & Son, No. 19, Rolls Buildings, Fetter Lane, [29 April 1795]

Catalog Record 

795.04.29.01+

Acquired December 2019

To gin drinkers!!

description belowA copy after Hogarth’s print “Gin Lane” that first issued in 1751, with seven lines of text in letterpress below image warning of the evils of drinking gin: “The sin of drunkenness expels reason, drowns memory, distempers the body, defaces beauty … the root of all evil is drunkenness!

  • Printmaker: Marks, John Lewis, printmaker.
  • Title: To gin drinkers!! [graphic].
  • Publication: London : Published by J.L. Marks, 91 Long Lane, Smithfield, [between 1832 and 1855]

Catalog Record

832.00.00.50

Acquired December 2019

Revelling with harlots

description belowCopy in reverse of the first state of Plate 3 of Hogarth’s ‘The Rake’s Progress’ (Paulson 134): A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane’s Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform “postures”; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered “Black Joke”; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. A second version of the paintings is at the Atkins Museum (Kansas City, Missouri).

  • Title: Revelling with harlots [graphic].
  • Publication: [London] : Publish’d wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill, March 25, 1768.

Catalog Record 

Hogarth 768.03.25.03+ Box 210

Acquired December 2019

Mother Cole

Queen Caroline, bedraggled and drunk as she sits slouched in an arm chair

Caricature of Queen Caroline, bedraggled and drunk as she sits slouched in an arm chair, her foot resting on a stool; she wears a hat with three ostrich feathers and around her neck hangs a small portrait (indistinct image) and holds a large glass of brandy while a servant (Alderman Wood wearing the fur-trimmed robes), his eyes cross-eyed, stands beside the chair in attendance with a decanter in hand.

  • Printmaker: Lane, Theodore, 1800-1828, printmaker.
  • Title: Mother Cole [graphic].
  • Publication: London : Pubd. by G. Humphrey, 27 St. James’s St., July 23, 1821.

Catalog Record 

821.07.23.01

Acquired March 2019

The drunkard’s progress

lwlpr33541 (1024x819)

A city scene with a line of poor men, women, and children lined up from a money lender’s shop to the “Temple of Juniper: Best gin”. In the background crowds stand at the doorways of the workhouse (right) and the county gaol (left).

  • PrintmakerGrant, C. J. (Charles Jameson), active 1830-1852.
  • TitleThe drunkard’s progress [graphic] : from the pawnbroker’s to the gin shop from thence to the workhouse thence to the goal & ultimately to the scaffold.
  • Publication[London] : [J. Kendrick], January 1st, 1834.

Catalog Record & Digital Collection

834.01.01.01

Acquired January 2016