Ann Marchioness Townshend

description below

“Portrait after Richard Cosway, standing whole-length to left on a terrace, looking to front, wearing evening dress with feathered headdress, holding up her skirts in her left hand and a feather fan in her right, stairs descending beyond at left.”–British Museum online catalogue.

  • Printmaker: Hadfield, George, 1764?-1826, printmaker.
  • Title: Ann Marchioness Townshend [graphic] / R. Cosway R.A. delt. ; G. Hadfield sculpt.
  • Publication:[London]  : R. Cosway R.A. et Primarius Pictor Serenissimi Walliae Principis delint. et excut., [ca. 1788]

Catalog Record

Portraits T753 no.2

Acquired June 2021

Out of court

description below

“Lady Conyngham chases Eldon from the royal precincts; she threatens him with the sceptre and a clenched fist, saying, Je le veut [sic]. She is décolletée, much bejewelled, and displays an elephantine leg and tiny foot. Close behind her stands Knighton, a pen behind his ear, his arm raised; he has just flung a massive gold inkpot decorated with the Royal Arms; ink falls on Eldon’s head. He says: take that, & that, & that, le Roy le veut. ‘Roy’ is scored through. Canning stands behind impassively, hand on hip, holding up a cross, and saying In hoc Signo vinces [Constantine’s miraculous vision: cf. British Museum Satires No. 15385]. The building behind is ornate and Gothic, more elaborate than the actual Cottage. The King’s head (out of scale with the building) is framed in a small casement window; with an equivocal expression he looks towards Eldon, saying, Necessitas non habet leges. Eldon has dropped the Mace and the Purse of the Great Seal; he says: Had I served my God with half the Zeal I have served my King, he would not have suffered me to be turned out for supporting his Cause.”–British Museum online catalogue.

  • Printmaker: Heath, Henry, active 1824-1850, printmaker.
  • Title: Out of court [graphic] : auspicium melioris devi / H.H. fect.
  • Publication: [London] : Pubd. April 21, 1827, by S.W. Fores, 41 Piccadilly, London, [21 April 1827]

Catalog Record

827.04.21.01

Acquired July 2021

Reynard caught at last

description below

In an outdoor setting, Lord North and Edmund Burke look down at Charles Fox who stands knee-deep in a hole in the ground. All are in mourning clothes. Fox expresses fear of remaining in “this terrible Pitt” forever. An angry North, stamping his foot, expresses disillusionment in their coalition, while a quiet Burke decides to disassociate himself from Fox.

  • Title: Reynard caught at last, or, The [fox running away with a goose in its mouth] in a pitt [graphic].
  • Publication: [London] : Publish’d by E. Hedges, No. 92 Cornhill, March 19th 1784.

Catalog Record

784.03.19.01 Impression 3

Acquired July 2021

Collection of ephemera from an album

From left to right: silhouette of a man, drawing of a bouquet of flowers, watercolor of a young boy

A collection of original art removed from an album: silhouettes, pressed flowers, a valentine, and drawing. The silhouettes include one of a woman in an academic gown and cap mounted on Art-Union of London ticket for entrance to an event at Theatre Royal, Lyceum on 25 April 1854; two views of the same man(?) identified as “James Evans” (on verso: Professor Rees) one with highlighting in gold. The pressed flowers are a small sheet with leaves or petals of a pink hue. The valentine is small drawing of bright flowers with a motto “Toujours unies par l’amitié” with a gold border. Also included is an amateur watercolor of a “Peasant boy” in a smock, standing on a grassy mound.

  • Artist: Hughes, J., active 1872, artist.
  • Title: [Collection of ephemera from an album] [art original].
  • Production: [Wales], [30 March 1872]

Catalog Record

LWL Mss Vol. 269

Acquired May 2021

The Pantheon macaroni

description below

“A group of three half length figures. Two ladies of meretricious appearance seated at a tea-table, a man with a large Macaroni club of hair is handing one of them a cup of tea. One holds a fan and looks coyly towards the man, the other leans over her shoulder.”–British Museum online catalogue.

  • Title: The Pantheon macaroni [graphic].
  • Publication: London : Printed for Robt. Sayer, No. 53 Fleet Street, [ca. 1772]

Catalog Record

772.00.00.55

Acquired July 2021

Frances Lady Bridges

description below

“Portrait, three-quarter length standing directed to left, head in profile, leaning chin on right hand, the elbow resting on a pedestal in front of her, draped with her cloak, left arm at her side, hair up, wearing a loose gown with billowing sleeves to the elbow, hitched slightly above with a jewel, land an oriental sash, landscape in the background; after Cotes.”–British Museum online catalogue.

  • Printmaker: Judkins, Elizabeth, active 1772-1775, printmaker.
  • Title: Frances Lady Bridges [graphic] / F. Cotes pinxt. ; Elizth. Judkins fecit.
  • Publication: London : Printed for Robt. Sayer, No. 53 in Fleet Street, [ca. 1770]

Catalog Record

770.00.00.136

Acquired July 2021

The fair stationer in Hyde Park 1780

description below

“View of a row of tents and temporary shelters, one with the sign “Lloyds Coffee House”, a group of four ladies outside, in foreground to right four children play, trees in background on left, a building in distance on right.”–British Museum online catalogue.

  • Printmaker: Sandby, Paul, 1731-1809, printmaker.
  • Title: The fair stationer in Hyde Park 1780 [graphic] : A distant view of Coll. Sloans Mess House &c. / P. Sandby.
  • Publication: [London] : Publishd. as the act directs by P. Sandby, [ca. 1780]

Catalog Record

780.00.00.139+

Acquired May 2021

The Norfolk method of improving the breed

description below

“Thomas Coke of Norfolk leads his bride through a pastoral landscape; he prances gaily along hat in hand, turning to look at her, and singing, Oh the Days when I was Young; in his left hand is a book: Coke upon Littleton [see British Museum Satires No. 14423]. She takes his left arm, holding back the gauze veil that floats from a bonnet trimmed with flowers and towering feathers. Her tight-waisted pelisse has a deep crimson border. She is gravely demure, but sings: Of all the Gay Lads that Dance on the Green, Old Tommys the Lad for Me. He looks younger than 67, she older than 18. Behind them (right) is a country church, before them a signpost pointing To the Breeding Park and To the Nursery. An old ram branded C approaches a sheep; a French greyhound prances towards a decrepit and shaggy dog.”–British Museum online catalogue.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: The Norfolk method of improving the breed [graphic].
  • Publication: [London] : Pub. March 26th, 1822, by S.W. Fores, 41 Picadilly [sic], [26 March 1822]

Catalog Record

822.03.26.01+

Acquired May 2021

The slough of despond

description below

“Wardle, in back view in civilian dress, walks off with Mrs. Clarke seated on his right shoulder; a paper, ‘C. Wardle’, projects from his pocket. She looks back to point derisively down at the Duke of York who is falling into a watery swamp. She says: “There goes his —— Honor!!” He shakes his fist at the couple. Beside him are his cocked hat and a broken sword inscribed ‘from Holland’. Wardle walks uphill towards the temple of ‘Truth’; a (naked) figure holds out draperies. In the swamp is a board: ‘A Caution’.”–British Museum online catalogue.

  • Title: The slough of despond [graphic] / etchd. by I Spy I.
  • Publication: [London] : [publisher not identified], [ca. March 1809]

Catalog Record

809.03.00.06+

Acquired May 2021

 

Contrasted opinions respecting the new emperor

description below

“Two tiers of single English figures expressing appropriate opinions about the coronation of Napoleon.”–British Museum online catalogue.

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: Contrasted opinions respecting the new emperor [graphic].
  • Publication: [London] : Pubd. July 16th, 1804, by S.W. Fores, No. 50 Piccadilly, [16 July 1804]

Catalog Record

804.07.16.03+

Acquired November 2020