A German copy of Hogarth’s “The Discovery” (1743?): a scene in a bedoom where four gentlemen stand beside a curtained bed in which a black woman reclines; she reaches out to touch the chin of one of the men who has evidently just pulled back the curtain. The scene is thought to record a practical joke carried out on the lothario John Highmore by his friends: having arranged an assignation with an attractive young woman, they replaced her with a black prostitute. When he discovered the swap, on climbing into bed, they appeared from hiding. See Paulson.
Printmaker: Heintz, C. F., printmaker.
Title: Die Entdeckung [graphic] / lith. v. C. F. Heintz.
Publication: [Germany?] : [publisher not identified], [between 1833 and 1836]
“A parody of British Museum Satires No. 9752, Gillray’s ‘Dido in Despair!’ The Queen takes the place of Lady Hamilton, in a similar pose but tearing her long black hair with more of rage and less of grief. She wears a bracelet on each arm, one inscribed ‘BB’ (for Bergami), the other ‘MW’ (for Wood). On the floor are gifts to the Queen. Her bare right foot rests on a large cake inscribed ‘MW’ on which are various emblems: a large crown, which she kicks over, busts of Wood, Bergami, Lieut. Hownam, and an unidentified person; also a goat, an ass, and a cat. This stands on a paper: ‘Mr Trifle’s Love to the Q[ueen]’. A huge round of beef is ticketed ‘With Mr Suets Love to the Q–n’; with this is a roll of ‘Cat’s Meat’. A model of a pair of stays enclosed in a glass case stands on two papers: ‘Glass-blower’s Delight’ and ‘O stay my love my Cary dear’. A pair of breeches of metal is ‘For Bat [Bergami] or Cat ad libitum from the Brazier[s]’. Caricatures lie near a pair of slippers inscribed ‘BB’; the uppermost is of Bergami drinking at a table between Wood and the Queen. A book is ‘Catalogue of Fancy Men’. The glass on the dressing-table is topped by a crescent; on it hang miniatures of Bergami and Wood (cf. No. 13858). The table is covered with decanters, one labelled ‘Brandy’ [see British Museum Satires No. 14175], glass, pill-box, and boxes of ‘Rouge’, ‘Brick dust’, and ‘Court Plaister’. The curtains of the bed are fringed with gold and hang from a pelmet. In place of Gillray’s open sash-window is a closed French window; outside is a landscape, with two asses, and a lake (Como) with a sailing-boat.”–British Museum online catalogue.
A young woman sits despairingly on the edge of a bed, with the end of a garter round her neck; the other end dangles from the bed-tester. She watches a servant holding a foppish, elderly naval officer by the collar as he flourishes a cudgel. At his feet lie a set of bellows. On the wall is a framed picture of Venus and Adonis with Cupid.
Artist: Cruikshank, George, 1792-1878, artist.
Title:[ Galvanism, or, The miraculous recovery of the unfortunate Miss Baily] [art original] / George Cruikshank.
A large black woman, smiling in her sleep, lies in a bed surrounded by bedcurtains. She wears a cap and earrings, and her large breasts hang out over her nightclothes. A thin old, white man also in nightclothes and a night cap ogles her by the candlelight from the candlestick he holds in his right hand.
A view of the interior of a busy French barracks shows a more domestic than military atmosphere although weapons and other gear adorn the walls and lay scattered on the floor. The scene includes a woman nursing a baby, children playing, woman doing washing.