A view from Richmond of the Twickenham bank of the Thames, showing (left to right) Pope’s villa, Lady Ferrers’ summer house, Cross Deep, and Dr. Batty’s house (later Poulett Lodge).
Drawings H448 no.1
Acquired February 2022
Pen and ink drawings of a variety of different heads.
Drawings T754 no. 1 Framed, shelved in LFS Bin 72
Acquired July 2021
Eight manuscript volumes: Essays on various subjects written at Univesity while at Glasgow, 1805-1806; copies of letters from Portugal 1812; Journal in Spain 1813; Journal in Lombardy, Austria, Prussia 1815; Sketchbook 1815; Journal in the north of Italy and France 1816; Journal to Spain1818; Diary 1830-1843. Also with two copies of Holland’s publication, General view of the agriculture of Cheshire (1808) and two issues of his Recollections of past life (1868).
LWL MSS 41
Acquired September 2021
A presumably incomplete set of ten transformation playing cards, drawn by Thomas Dyer, with caricatured figures of his family as stated in a 1852 note by William Hylton Dyer Longstaffe mounted to the side of the 3 of hearts. Each figure is drawn to incorporate the shape of a heart, diamond, or spade and then tipped onto brown card. Some of the cards were copied or adapted from the Nixon-Fuller set which was published circa 1811; one, for example, shows two men seated across a table with a candle jug and pipe resting upon it, which according to Longstaffe’s note features a self-portrait by Thomas Dyer (smoking) and a portrait of his father William Charles Dyer (either snoozing or contemplating). Other cards represent a range of subjects: a courtroom drama, guardsmen, two seated women (one of whom is reading to the other), a man with a goatee beard, a clergyman holding a baby and a couple standing on either side of him, and a scene with two people playing cards. Other Longstaffe’s notes provide the provenance and custodial history of the cards; “I beg your acceptance of the enclosed. The drawings on the cards are by the late Thomas Dyer caricaturing his family. Charles Dyer to me, 27 Dec. 1852.” Another note reads: “‘I beg your acceptance of the enclosed cards, which I only found this morning. They belong to the former ones I sent. Thomas Dyer gave them to his Aunt Elizabeth, from thence they descended to my aunt Emma.’ Charles H. Dyer to me, 5 Mr. 1853.”
The set also includes a full-length portrait of a Georgian gentleman, drawn on an oval piece of paper that has been mounted to a rectangular card mount with gold paper.
Drawings D996 no.1
Acquired October 2021
View inside Vauxhall Gardens, with the Grand Walk on the right leading towards the obelisk. The orchestra is seen to the left, flanked by pavillions on either side. Elegantly dressed figures socialize in the gardens and walk in pairs down the tree-lined path
Drawings W169 no.3
Acquired October 2021
A comic map of Great Britain: an old woman is shown in profile, facing to the left, and seated on the back of a dolphin-like monster. At the top her cap is Scotland; her neck is labeled R. Tees (River Tees) and along her back is “Humber” and “The Wash” The mouth of the creature is labeled “Thames”. The other points on the map are: Isle of Wight and Bristol Channel, Cardogan Bay, and Anglesea (a bird perched on the woman’s out-stretched hand).
Drawings H893 no. 1 Box D128
Acquired May 2021
A collection of original art removed from an album: silhouettes, pressed flowers, a valentine, and drawing. The silhouettes include one of a woman in an academic gown and cap mounted on Art-Union of London ticket for entrance to an event at Theatre Royal, Lyceum on 25 April 1854; two views of the same man(?) identified as “James Evans” (on verso: Professor Rees) one with highlighting in gold. The pressed flowers are a small sheet with leaves or petals of a pink hue. The valentine is small drawing of bright flowers with a motto “Toujours unies par l’amitié” with a gold border. Also included is an amateur watercolor of a “Peasant boy” in a smock, standing on a grassy mound.
LWL Mss Vol. 269
Acquired May 2021
Half-length portrait of a man, in profile to the right, playing a horn. On the back, a pencil sketch of the backs of two figures.
Drawings N736 no. 9 Box D141
Acquired January 2020
Unsigned; attributed to Rowlandson.
Inscribed on verso: Names of the Ships taken by Lord Howe on 1st of June 1794, and brought into Portsmouth Harbour; Sans Pareille 84 Guns, L’America 74, Limpetue 84, Northumberland 84, Achille 76, La Vengeur 74.
Drawings R79 no. 17 Box 2
Acquired August 2020
In a richly decorated and carpeted interior, an obese clergyman with his equally large, bespectacled wife sit at a dining table with their three children; on the back wall hangs a portrait of the clergyman. He raises a wineglass to his lips as a servant uncorks another bottle of wine.
Drawings D574 no. 6 Framed
Acquired October 2020