A scene in a tavern with a pair of inebriated men sitting on a bench in front of fireplace, smoking pipes and drinking from tankards, a dog at their feet. Another man from the next booth leans over the wall to engage them in conversation which they seem not to enjoy. In the next booth (right) a group of four men play cards while a fifth looks on.
Three half-length sketches of men in two rows, two on the top row are shown bust-length facing left, while the one below is shown half-length playing a bassoon. Only the portrait on the top right is identified by the artist
A set of playingcards drawn by an unidentified artist, showing caricatured figures; each vignette incorporates the formation of hearts or diamonds into the scene. Some of the cards are numbered or annotated on the backs while others show drafts of other sketches. The set contains only the red suits and with cards numbered from one to ten in each, although some numbers are missing and there are multiples of other numbers. Illustrations are also duplicated while others appear not to have been finished. There are no cards with clubs and spades. A number of the cards center on Shakespearean themes, social history and street scenes (such as courtroom drama, musicians performing, a man in the stocks and, in a few, card playing itself). Some of the scenes depicted on these cards show the more ribald, drawing from Macbeth’s Weird Sisters, Twelfth Night, King John, and The Merry Wives of Windsor; several are annotated on the reverse with lines from the plays. Falstaff is featured on several cards. Many of the cards reflect the mores of the period and the contrast between ruling passions and rules of conduct. In one, two men cast judgment upon a pregnant woman. It is annotated on the reverse with a dialogue between a Constable and a Judge. In “Village School” a schoolteacher manages to simultaneously hold a book and pinch a child’s ear (nine of hearts). Other subjects include a game of chess (five of diamonds); drinking and smoking in a pub (seven of diamonds); and “Bunbury’s Country Club” in which the artist has kept elements from the print (published circa 1788) for the six of diamonds. On one card the artist depicts a game of whist (annotated on the reverse “Can you one?”) for the ten of diamonds.
A copy of the caricature of the British Statesman and High Lord Chancellor Henry Peter Brougham, 1st Baron Brougham and Vaux (1778-1868), that appeared in the center of an print that was published on 1 October 1834 in Every body’s album & caricature magazine, no. 19. He is depicted as a very thin traveller wearing a Scottish tam over his wig and using a broom as a walking stick; his shoe is worn through. He carries a wooden post labelled “Scratching post”, a box stamped “Containing the freedoms of all the Scotch towns” and a bag with the words “Broken victuals the leavings of the Edinburgh blow out”. Around his waist is another bag, “Oat meal”. Above the image framed in lines in gold ink: “I flatter myself I’ve made a tolerable good job by my “Starring it” with Old Grey in the North! Sold all my numbers of the Penny Magazine, and well puff’d it through every town I went. Made little less than one hundred speeches about, I forget now, Received some score of Burgesses, Freedoms, and Invitations to as many dinners, where I blew my own trumpet & obtained plenty of orders from our Usefull Knowledge Society! Now, woe to the unstamn’d when I get home! I must have a good scrub at my skin presently; I reckon I have got a taste of the fiddle through my itch for travelling!
Creator: M., M. S., artist.
Title: The itinerant chancellor [art original] / M.S.M. pinxt. March 39.
An album of sketches largely comprised of images drawn by a traveller in central and southern France in the late 1820s and early 1830s. The images, executed in a variety of media and styles, are mostly skillfully drawn landscapes, elevations of buildings, and people in local costume, with captions in French (with some English)
Title: [Sketchbookrecording a tour in central and southern France, with a few British views] [art original].
A caricature on the prevalence of bribery during elections, most probably that of 1826. The successful liberal candidate stands on a platform before a cheering crowd and people waving from the windows of adjoining building. In the ‘Committee Room’ behind him, an official pays a man holding a sign inscribed ‘No bribery or corruption’ with the word ‘and’ between bribery and corruption scored through. On the right is an armchair and behind it stand two large flags; two flowers on the chair match the flower on the lapel of the candidate.
Artist: Lane, Theodore, 1800-1828, artist.
Title: Chosen candidate [art original] / by Theodore Lane.
A young woman sits despairingly on the edge of a bed, with the end of a garter round her neck; the other end dangles from the bed-tester. She watches a servant holding a foppish, elderly naval officer by the collar as he flourishes a cudgel. At his feet lie a set of bellows. On the wall is a framed picture of Venus and Adonis with Cupid.
Artist: Cruikshank, George, 1792-1878, artist.
Title:[ Galvanism, or, The miraculous recovery of the unfortunate Miss Baily] [art original] / George Cruikshank.
A caricature on the prevalence of bribery during elections, most probably that of 1826. The distraught rejected candidate, shown full-length and facing left is red in the face and pulling at his hair. His election placard lies on the floor and two notes are visible on the mantelpiece above a grill with fireplace tools: ‘Tavern expenses 500’ and ‘Bringing voters from London 800’. Through the window on the right, with flags flying, a cheering crowd carries the successful candidate in a chair above their heads.
Artist: Lane, Theodore, 1800-1828, artist.
Title: Rejected candidate [art original] / by Theodore Lane.
A caricature of the new Lord Mayor of London: Harvey Combe stands centerd in the a hall, surrounded by a desperate looking group of people both rich and poor, who kneel and beg. A skeletal man (buthcher?) holds a knife in one hand and a scroll in the other enscribed with a large order for meat: “12 haundres vension, 6 necks do., 8 turtles, 20 brace partridges, 20 pheasants, 20 brace woodcocks, 16 sirloins beef bacon(?) &””. In the foreground lies another sheet which readss “Tripe Soup. Liver & Crow. Fried Tripe. Bill of Fare for 8 Novr.” The outgoing Lord Mayor, Sir Richard Glyn, who was notoriously spendthrift during his period in office, is seen being kicked out of the Mansion House holding large money bag with the word “Saving” written on it. The two cats on the left and the dog following the butcher are also thin from malnorishment. Two large spiders have spun large webs below the archway on the left below a two cupids holding a heart molded above the archway.
Artist: Nixon, John, -1818, artist.
Title: Hospitality kicking avarice out of doors, or, New tenants at a mansion house [art original] / J.N. 1799.
A preparatory sketch for an unpublished caricature illustrating a scene in a large Georgian kitchen. In front of the open hearth a bull is roasting on a spit as a large-bottomed man (Grenville) sits beside it basting the meat. The dish beneath it is inscribed ‘Broad bottom dripping pan’. Other dishes around the room are labeled as are the pools of fat in the dripping pan; some legible notes include plum pudding and mock turtle.
Artist: Gillray, James, 1756-1815, artist.
Title: [John Bull roasted] [art original] / J. Gillray.