Money hunting

description below

“A fat squat and ugly woman sits on a sofa next a tall dandified officer (right) who makes his address, his hand on his breast. She turns to him complacently, her feet awkwardly resting on a stool. Their two dogs face each other, each with shape and manner corresponding with its owner. Two appropriate pictures are on the wall: Bank of England (left) and Seige of Acre (right).”–British Museum online catalogue.

  • Printmaker: Cruikshank, George, 1792-1878, printmaker.
  • Title: [Money hunting] [graphic] / deigned [sic] by an amature ; etched by G. Ck.
  • Publication: [London] : Pub. Jany. 10, 1823 by G. Humphrey 27 St. James’s Stt, [10 January 1823]

Catalog Record

823.01.10.02

Acquired September 2023

His late Most Sacred Majesty George II

description below

A print with two large woodcut portraits and letterpress captions below. On the left King George II and on the right Caroline of Ansbach, each depicted full-length in a large octagonal foliate frame.

  • Title: His late Most Sacred Majesty George II, King of Great-Britain, France and Ireland … [graphic] ; Her Most Excellent Majesty Carolina-Wilhelmina-Dorothea, late consort of his majesty king George II …
  • Publication: London : Printed and sold in Aldermary Church-Yard, [not before October 1760]

Catalog Record

760.10.00.01++

Acquired October 2023

The city dispute, or, Milk Street in an uproar

description below

description below

A “line and dot” series of caricatures featuring scenes with stick figures (or “pin men”), both male and female, engaged in some form of public violence, arranged in two rows, each grouping individually titled. In the first row the designs are titled: “You lie, sir!”, “Proceeding to blows”, “Friends ending the dispute” and then a larger group of figures with the title “Dispute at cards: proceeding to a round game”. In the second row: “In love I pereceive [sic]”, “Prick’d to the heart. She’s gone, she’s gone!”, “Met to part no more”, “O! Thou false wretch”, “O, Sophia fairest of all women”, “How you teaze me Charles” and “I’ll seek revenge”, and a pair of designs labeled above “The effects of jealousy” and on the left “Now for the fatal blow” and “Keep your distance fellow.”

  • Title: The city dispute, or, Milk Street in an uproar [graphic].
  • Publication: [London] : Pubd. July 30, 1817, by G. Blackman Junr., 362 Oxford Strt, [30 July 1817]

Catalog Record

817.07.30.01

Acquired July 2021

The history of Donna Eugenia, or, The innocent adulteress

printed text

  • Title: The history of Donna Eugenia, or, The innocent adulteress : in which is exemplified the bad effects of disproportionate ages in marriage, the consequence of indulging in illegitimate passion and revenge, and the beneficial result of timely repentance.
  • Publication: London : Printed by Lewis and Hamblin, Paternoster-Row; for Langley and Belch, 173, Borough High-Street, 1807.

Catalog Record

659 807H

Acquired December 2021

Morning

description below

An old woman, the prude, is standing near a crowd of people huddled around a bonfire in Covent Garden. She is crossing Covent Garden Piazza, disapproving of the amorous scenes outside the notorious Tom King’s Coffee House. The print shows the morning and is part of a series representing the progress of the day.

  • Printmaker: Cook, Thomas, approximately 1744-1818, printmaker.
  • Title: Morning [graphic] / designed by Wm. Hogarth ; engraved by T. Cook.
  • Publication: [London] : Published August the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London, [1 August 1797]

Catalog Record

Hogarth 797.08.01.01++ Box 310

Acquired January 2021

Noon

description below

A copy of the second print in William Hogarth’s series “Four Times of the Day”: Set outside St Giles’s-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist’s head on a platter and reading “Good Eating”, a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.

  • Printmaker: Cook, Thomas, approximately 1744-1818, printmaker.
  • Title: Noon [graphic] / designed by Wm. Hogarth ; engraved by T. Cook.
  • Publication: [London] : Published October the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London, [1 October 1797]

Catalog Record

Hogarth 797.10.01.03++ Box 310

Acquired January 2021

Five, in the afternoon

description below

“A young dandy lounging on a sofa with a young woman, holding up a glass, while she lays one hand on his knee, holding a glass herself, her elbow on a round table beside a bottle of Madeira and a dish of peaches; a bed seen through the open door in the background to right.”–British Museum online catalogue.

 

  • Title: Five, in the afternoon [graphic] / Dighton delt.
  • Publication: London : Published 18 June 1795 by Haines & Son, No. 19 Rolls Buildings, Fetter Lane, [18 June 1795]

Catalog Record

795.06.18.01+

Acquired January 2021

Effects of passion

A scene in a sitting room, a man in a fit of anger kicks over a chair and table set with tea; a pitcher, cups and saucers, tongs and other tableware are in flight or shattered on the floor. The man holds his wig in his left hand as a woman looks on with fear. Two cats fight in front of a fireplace above which hangs a seascape with rough waters and lightening. On the back wall another painting shows a man standing over a woman.

  • Title: Effects of passion [graphic].
  • Publication: [Alnwick] : Printed and published by W. Davison, Alnwick, [between 1812 and 1817]

Catalog record 

812.00.00.118

Acquired September 2019

The surprise

“Nude figures resting on a river bank in the shade of a tree; one woman reclining, another seated beside her at right, seen from behind and holding drapery over herself; a couple embracing at left, another couple in the water at right.”–British Museum online catalogue.

  • Printmaker: Rowlandson, Thomas, 1756-1827, printmaker.
  • Title: The surprise [graphic] / Francesco Albano ; Rowlandson 1799.
  • Publication: [London?] : [publisher not identified], [1799]

Catalog record

799.00.00.57

Acquired June 2019