Tag Archives: Couples

Modern plays

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Modern plays

Four scenes in one plate, each with a separate title; the subjects are Napoleon’s defeat in Russia, the Prince Regent, a domestic scenes, each characterised by a disaster, the first shows a man in a bedroom beside a coffin, dancing, and last, a man on the floor being beaten by his wife after upsetting the tea table (shown with two demons)

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: Modern plays [graphic].
  • Publication: [London?] : [publisher not identified], [ca. 1815]

Catalog Record 

815.00.00.17+

Acquired October 2018

 

A short ride in the Long Walk, or, The ponies posed!!

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A short ride in the Long Walk, or, The ponies posed!!

“George IV drives Lady Conyngham in a four-wheeled pony-chaise. He is chubbily obese, in loose trousers and braided jacket, wearing a cap poised on his naturalistic curls (cf. British Museum Satires no. 14637). He turns to the enormously corpulent lady. Both overweight the little chaise, and the very small ponies strain desperately. Behind and on the extreme left is the head of the horse ridden by an attendant. They have just passed a gate with a small octagonal lodge. The drive is bordered by a paling; in the background are stags.”–British Museum online catalogue.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: A short ride in the Long Walk, or, The ponies posed!! [graphic].
  • Publication: [London] : Pub. March 28, 1824, by S.W. Fores, 41 Picadilly [sic], London, [28 March 1824]

Catalog Record

824.03.28.01+

Acquired October 2018

Maternal management, or, A plot discovered

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The plot hatched by a mother to marry her daughter to an old wealthy colonel is discovered. Both the mother and daughter are fashionably dressed in large dressess, hats and large sleeves. The mother stands on a veranda looking down at her daughter seated with a portfolio in her lap; she turns back to look at her mother raising a lorgnette to look up at her. In the speech balloon above her head, the mother is shown to say, “Julia, love, as Colonel Ingot has amassed a vast fortune in India, I really think him worth your attention. I have sent to the Music Seller for every thing Indian. Sing nothing else love, if you can bear a couple of Cashmeres on do & complain of the chilliness of the Climate, look into Guthrie for a few hard Bengal names & at dinner eat nothing but a little Currey, you can have refreshments in your dressing room love. The daughter smiles up at her mother, and says, “Very well Ma, but you don’t think he’d last long?” Below them, under the rose-coverd trellis the elderly colonel looks horrified at what he hears.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: Maternal management, or, A plot discovered [graphic].
  • Publication: London : Published by Thos. McLean, 26 Haymarket, 1829.

Catalog Record 

829.00.00.111+

Acquired October 2018

Protecting the Sabbath!!!, or, Coersion for England

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A satire on the puritanical message of strictly observing the Sabbath. A puritan stands on a barrel marked ‘St. Andrew’, his arms held out making a cross. He cries: ‘Clear the Streets of all Evil doers – Remember ye keep Severely Strict the Sabbath day…’ Surrounding him, portly puritans carrying clubs attack people going about their Sunday business.

  • Printmaker: Grant, C. J. (Charles Jameson), active 1830-1852, printmaker.
  • Title: Protecting the Sabbath!!!, or, Coersion for England [graphic].
  • Publication: [London] : G. Tregear, 1833.

Catalog Record 

833.04.09.01+

Acquired March 2018

The wedding day

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“The fat, moustached, Duchess of St. Albans and the slim Duke dance with vigour and agility, each poised on the left toe, arms interlaced, and hands meeting above their heads. From the Duchess’s small coronet rise giant ostrich feathers which curve above the heads of both and above which a big ducal coronet is suspended. He sings: My Wife shall dance, And I will sing so merry we’ll pass this_ day. She: For I hold it one of the wisest things to drive dull care away–. The musicians are two cynical cupids; one (left) sits on large sacks of sovereigns inscribed Cash; coins pour from a slit in a sack and lie on the carpet with a banker’s money-scoop. He fiddles: Money in both pockets. The other (right), seated on the apex of a huge melon from which a slice has been cut, plays bagpipes: And auld Robin Gray [Coutts] was a gued Old Man to me! with variations.”–British Museum online catalogue.

  • Printmaker: Heath, Henry, active 1824-1850, printmaker.
  • Title: The wedding day [graphic] / H. Heath delt
  • Publication: [London] : [publisher not identified], published June 28, 1827.

Catalog Record 

827.06.28.01+

Acquired April 2017

A patent extinguisher, being a safe & easy mode of putting out a candle

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lwlpr34665-773x1024

Aquatintlwlpr34666-776x1024

Drawing

An old woman dressed in her nightcap and gown, her one breast hanging exposed from her gown, climbs into bed in which her husband already lies. She expels gas from her bottom in the direction of the candle on the ground in front of the fireplace with such force that it lifts the cat off the ground and bends the candle. Above the fireplace is a broadside entitled: The storm by Mr. Dodd, cease rude boreas balstering railes … On the table below the window (left) is a bowl labeled “Pease porridge” and a wig on a stand. On the ground at her feet lies a corset, shoes and other garments. Above the bed are boxed and breeches; a man’s coat is hung on the back of the chair to the right of the hearth.

  • Creator: Nixon, John, -1818, artist.
  • Title:A patent extinguisher, being a safe & easy mode of putting out a candle.
  • Production:[London, ca. July 1801]

Catalog Record & Digital Collection (Aquatint)

Catalog Record & Digital Collection (Drawing)

801.07.00.05+ & Drawings N736 no. 7

Acquired July 2016

Croesus and Thalia

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lwlpr34653-719x1024

Print shows an ugly and leering elderly man, identified as the London banker Thomas Coutts, embracing the actress Harriet Mellon (later Mrs. Coutts, and subsequently Duchess of St. Albans).

  • Printmaker: Rowlandson, Thomas, 1756-1827, printmaker.
  • Title: Croesus and Thalia [print] : as rich as Croesus, as ripe as a melon / Rowlandson invt.
  • Publication: [London : Pub. 15 May, 1815, by T. Palser, Surry Side Westr. Bridge, 15 May 1815]

Catalog Record & Digital Collection

815.05.15.01

Acquired June 2016

The flowing cann

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lwlpr33262 (682x1024)

In two columns with the title in a ribbon atop a woodcut below stanza one. Stanzas 2 and 3 below image. A sailor at a seaside tavern (Jack Ocum) dances with a young woman as he holds his tankard. The fiddle music is played by a man who stands beside a woman in the tavern doorway. In the distance on the right is a sailing ship and along the shore, two men in a row boat.

  • Author: Dibdin, Charles, 1745-1814.
  • Uniform Title: [Oddities. Song]
  • Title: The flowing cann.
  • Published: [London : Sold by J. Pitts, Great Saint Andrew St. ; Sold by C. Sheppard, Lambert Hill, Doctors Commons, Publish’d Septr. 18th. 1790?]

Catalog Record & Digital Collection

790.09.18.01

Acquired October 2015

 

A treaty of commerce

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lwlpr32598 (740x1024)

A street scene with a row of buildings in the background, a man who is having his boots polished by a boy crouched before his bench turns to an elegantly dressed lady. He hold his hat and cane in his rights hand and offers a coin to the woman.

  • Title: A treaty of commerce [graphic].
  • Publication:[London: Published 1st Novr. 1797 by Laurie & Whittle, No. 53 Fleet Street, London, 1 November 1797]

Catalog Record & Digital Collection

797.11.01.01

Acquired July 2015

[Interior of a gothic crypt]

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lwlpr32043 (724x1024)

“Interior of a gothic vault, with a tomb on the left lit by a hanging lamp and decorated with a reclining man in tudor dress holding a baton; to right are a couple leaning against a pillar, and a man holding a torch gesturing towards the tomb …”–British Museum online catalogue.

  • Printmaker: Manskirch, Franz Joseph, 1768-1840, printmaker.
  • Title: [Interior of a gothic crypt] [graphic] / Mannskirsch delt. & sculp.
  • Publication: London : Pubd. Feby. 16, 1799, at R. Ackermanns, 101 Strand …, [16 February 1799]

Catalog Record & Digital Collection

799.02.16.02+

Acquired July 2015