The consequence of invasion, or, The hero’s reward

description below

“A very fat and jovial volunteer, dressed as a light horseman, holds ln his left hand a pole on which is the head of Napoleon in profile to the right. and wearing a huge cocked hat decorated with plumes, tricolour cockade, gold lace, and tassels. The hand that holds the pole holds also, by the hair, a bunch of bleeding heads which form a grisly garland round it. In his right hand is his sabre. He is surrounded by women; two embrace him, others hasten up; he swaggers with raised left leg, saying, “There you rouges, there! there’s the Boney Part – twenty more killed them!! twenty more killed them too!! I have destroyed half the Army with this same Toledo.” The women say, respectively: “Bless the Warrior that saved our Virgin charms”; “take care I’ll smother him with Kisses”; “Oh! what frightful Heads how ravishing they look, – they would have used us ill I am sure”; “ha ha, thats, that great man little Boney, how glum he looks.” An elderly spinster exclaims: “ah bless him he has saved us from Death and Vileation.” A handsome woman turns to a tall young man in civilian dress on the extreme left, saying, “There you Poltroon look how that noble Hero’s Caressed!” He turns away, saying, “Ods Niggins I wish I had been a Soldier too then the Girls would have run after me – but I never could bear the smell of Gun powder”.”–British Museum online catalogue.

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: The consequence of invasion, or, The hero’s reward [graphic].
  • Publication: [London] : Pubd. August 1st, 1803, by S.W. Fores, 50 Piccadilly, [1 August 1803]

Catalog Record

803.08.01.01+

Acquired April 2023

A tenth rejected, or, The dandyfied coxcomb in a bandbox

description below

“A farmyard scene, with a corner of the house on the left. A grossly fat and carbuncled parson on a quest for tithes encounters the farmer’s wife, who runs towards him proffering an open bandbox, with a dangling lid inscribed 10th. A miniature hussar, very dandified in shako and pelisse, stands in it, superciliously inspecting the parson through an eye-glass. The woman, who is plump and well-dressed, wearing apron and bonnet, says: Seeing your Reverence comeing for your Tithes, I have brought you a Tenth. The parson, who holds a large book, Tithe list, and has a chicken in his capacious pocket, answers with a scowl and gesture of refusal: Take it back! take it back! good Woman; I never tithe Monkeys. The little hussar says: Eh! eh! what does that there fellow say? An amused yokel with a pitchfork leans over a gate (left). A cock crows on a dunghill, an ass brays. Corn-sheaves stand in a distant field.”–British Museum online catalogue.

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: tenth rejected, or, The dandyfied coxcomb in a bandbox [graphic].
  • Publication: [London] : Pubd. 10th April 1824 by John Fairburn, Broadway, Ludgate Hill, [10 April 1824]

Catalog Record

824.04.10.01+

Acquired January 2022

A phantasmagoria, or, A review of old times

see description below

“A magician stands full face with uplifted sabre held over the heads of two figures from the past whom he has called up, and who stand within a magic circle. He displays them to their modern descendants, a tall stout Frenchman plainly dressed, wearing cocked hat and military boots, who stands with his arm on the shoulder of a thin, wretched, shambling, Englishman, small, ugly, and foppish, his hand thrust through an empty pocket. The magician has a beard, but features, cocked hat, consular dress, and sabre indicate Napoleon. He asks: “Are you satisfied Gentlemen?” The apparitions (left) are a grossly obese Englishman in old-fashioned dress, a cane hanging from his right wrist, and an ugly, tall, cadaverous, and foppish Frenchman holding a snuffbox. They say, respectively: “Is that my Grandson Jack? what a skeleton!!!”; “Ah mon Cousin, vat you eat de Beef & Plum Pudding!!” Their surprised successors exclaim: “Bless me! why I am a mere Stump of a man to him!!! and viable my Cousin look like de Frog & John Bull look like de Ox but Grace a Dieu times are Changed!!” Beside the magician are symbols of his art: a globe, a crocodile, a scroll, a skull. Within the circle and beside the French apparition is a frog.”–British Museum online catalogue.

  • Printmaker: Cruikshank, Isaac, 1756?-1811?, printmaker.
  • Title: A phantasmagoria, or, A review of old times [graphic] / I. Ck.
  • Publication: London : Pub. by T. Williamson, N. 20 Strand, London, March 9th, 1803.

Catalog Record

803.03.09.01+

Acquired March 2021

A coronation stool, of repentance

description below

“The Queen sits in profile to the right on a huge crown, her left foot on a footstool. She partly hides her face and an ambiguous grimace behind a fan inscribed C; in her right hand is a handkerchief. She is fat, very décolletée, and bejewelled, with monstrous ostrich feathers in her hair.”–British Museum online catalogue.

 

  • Printmaker: Lane, Theodore, 1800-1828, printmaker.
  • Title: A coronation stool, of repentance [graphic].
  • Publication: London : Pubd. by G. Humphrey, 27 St. James St., July 19, 1821.

Catalog Record

821.07.19.07

Acquired March 2020

The corn bill, or, Iohn Bull and his hobby

description below

“Mr. and Mrs. Bull are in their breakfast parlour; she sits beside a table on which is a tray with coffee-pot, &c, he stands booted and spurred, impatient to set off. Through an open doorway (right) a groom is seen holding a saddle-horse. Behind are the houses of a London street. Mrs. Bull reads with dismay the ‘[M]orning Post’; she cries: “Here Mr Bull here’s the Speech of that fellow on the Corn Bill – You must stop and hear this – The Price of Corn is yet Far Below the Price which is universally allowed to be Necessary!!!! why we shall all be starved Mr Bull.” He shouts, with outstretched arms: “D——n the Corn Bill! I have not time to think of any thing till the Election is over. – why Liberty and Independence is at stak [sic] – What is Starving to that Mrs Bull!” Both are very fat, and evidently prosperous.”–British Museum online catalogue.

 

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: The corn bill, or, Iohn Bull and his hobby [graphic].
  • Publication: [London] : Pubd. Augt. 20th, 1804, by S.W. Fores, 50 Piccadilly, [20 August 1804]

Catalog Record

804.08.20.03+

Acquired November 2020

Monastery of St. Trone

description below

A watercolor sketch of two rotund monks in front of a entrance to monastery in a lane within gate and wall surround. One attends closely to a young lady with two baskets on her arms; the other reads, lounging on a bench with his one foot raised.

 

  • Artist: Rowlandson, Thomas, 1756-1827, artist.
  • Title: Monastery of St. Trone [art original].
  • Production: [England], [early 19th century]

Catalog Record

Drawings R79 no. 15 Box D145

Acquired July 2020

The guard wot looks arter the sovereign

description below“Lady Conyngham stands directed to the left, feet apart, dressed as in British Museum satires no. 15720; she amusingly combines the ultra-feminine with masculine attributes and stance. She is immensely fat and wide with small cherubic features and curls; under her left arm is a cocked blunderbuss. She wears a wide-brimmed hat, a neckcloth fastened with a jewelled crown, a coach-guard’s greatcoat, wide open over her tight-waisted dress. A pouch hangs from her shoulder and two coach-horns from her left arm. Above her head: ‘I says to our Governor says I–keep your eye on them ere Leaders George’; i.e. on Lyndhurst and Scarlett, see British Museum satires nos. 15720, 15850. Cf. British Museum satires no. 15716.”–British Museum online catalogue.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: The guard wot looks arter the sovereign [graphic] / [man with an umbrella] Esq. del.
  • Publication: [London] : Pub. April 28, 1829, by T. McLean, 26 Haymarket, [28 April 1829]

Catalog Record

829.04.28.01+

Acquired November 2019

Clerical anecdotes, and Parson’s comic songster

title page

  • Author: Rodger, Alexander, 1784-1846, author.
  • Title: Clerical anecdotes, and Parson’s comic songster : containing Advice to the priest-ridden / by Alexander Rodger, a Glasgow weaver. Also, A joiner’s bill.
  • Publication: Edinburgh : Printed and published by W. and H. Robinson, 11, Greenside Street, [not before 1842]

Catalog Record

763 R691 841

Acquired November 2019

 

Duke of Dumplings eldest son

Portrait of Daniel Lambert; whole length, seated facing front; wearing striped waistcoat, breeches and jacket; his hat and his right hand resting on a table at the left.

  • Title: Duke of Dumplings eldest son [graphic].
  • Publication: [Alnwick] : [W. Davison], [between 1812 and 1817]

Catalog Record

812.00.00.124

Acquired September 2019

A fishing party

A fishing party. detailed description below

“Pushed by Knighton and pulled by Lady Conyngham, George IV, more corpulent than in other prints, walks in an ornate circular stand or support on castors (as used for toddling children, cf. British Museum satires no. 7497) towards Virginia Water (right), his fishing-rod against his shoulder. He wears a hat with a wide curving brim inscribed á la Townsend [cf. British Museum satires no. 10293], double-breasted tail-coat, breeches, and pumps; his right arm rests on the ring of the stand, in his hand is a small book: Old Izack [Walton]. From the stand dangles an ornate reticule: Fish Bag; the base is decorated with two fat squatting mandarins. Lady Conyngham looks over her right shoulder at the King, puffing from her effort, but singing Rule Britannia; the crossbar at which she tugs is a sceptre. She wears an enormous ribbon-trimmed bonnet and décolletée dress; the hook from the King’s line has caught in her dress which strains across her vast posterior as she leans forward. Knighton wears a court-suit with bag-wig and sword. He pushes with both hands with great concentration, singing, Send him Victorious. In his coat-pocket are a clyster-pipe and a paper: Petition of the Unborn Babes. A signpost terminating in a realistic hand points To Virginia Water. There is a background of trees and water.”–British Museum online catalogue.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: A fishing party [graphic] : what great enjoyments rise ‘from trivial things'”.
  • Edition: [Later state with scroll added to Knighton’s coat-tails].
  • Publication: [London] : Pub. June 27th, 1827, by S.W. Fores, Pciadilly [sic], [27 June 1827]

Catalog Record 

827.06.27.01+

Acquired March 2019