Scrapbook of newspaper clippings…trial of Queen Caroline

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A collection of newspaper cuttings taken from Liverpool newspapers from June to October 1820 containing reports and comments about the trial of Queen Caroline. The clippings are mounted on a re-purposed printed ledger, some of whose annotations can be seen beneath the clippings pasted on the pages, assembled by an unidentified collector. The newspapers include the Liverpool or Commercial, Literary; the Globe; the Liverpool Mercury, &c. The final twenty pages contain clippings from 1826 covering a variety of economic topics including the silk trade.

  • Title: Scrapbook of newspaper clippings from Liverpool newspapers concerning the trial of Queen Caroline : printed text.
  • Production: Liverpool, 1820-1826.

Catalog Record 

LWL Mss Vol. 243

Acquired October 2018

Alas ther is no happiness on this side the grave!!!

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“In the centre of the design is an open grave from which a hand raises a wand topped by miniature antlers. It divides Lady Graves (left), youthful and handsome, from Cumberland, in the uniform of the Royal Horse Guards (Blues). They advance towards each other, he with arms outstretched. The title (her words) continues: ‘Then come my love TO TIHS’ [sic] (his words).”–British Museum online catalogue.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: Alas ther is no happiness on this side the grave!!! [graphic] : – Then come my love to tihs [sic] / W. Heathe [sic].
  • Publication: [London] : Pub. Feb. 1st, 1830, by T. McLean, 26 Haymarket …, [not before 1 February 1830]

Catalog Record 

830.02.01.02+

Acquired October 2018

A scarlet being, being scarlet

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“The apex of a tall plant with red flowers, intended for a scarlet runner, supports the head of Scarlett, in wig and bands, in profile to the left, his eyes a slit between closed lids. The plant grows from the summit of a hill or mound, backed by trees and clouds.”–British Museum online catalogue.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: A scarlet being, being scarlet [graphic] / William Heath.
  • Publication: [London] : Pub. Nov. 20, 1829, by T. McLean, 26 Haymarket …, [20 November 1829]

Catalog Record 

829.11.20.01+

Acquired October 2018

The Macaroni and theatrical magazine

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Articles on fashion and manners, satirizing extremes; includes theater news and anecdotes, crime news, poetry, and a monthly register of foreign and domestic occurences, with lists of bankrupts, preferments, marriages, births and deaths. Most plates are satirical illustrations of extreme fashions and their wearers.

  • Title: The Macaroni and theatrical magazine, or Monthly register, of the fashions and diversions of the times. Conducted upon a much more elegant and liberal plan, than any other work of the kind hitherto published.
  • Published: London : Printed for the authors, and sold by John Williams, next the Mitre Tavern, Fleet Street, MDCCLXXII. [1772, i.e. 1773]

Catalog Record 

61 M115

Acquired October 2018

The psalms & hymns with the ode or anthem

title page for The psalms & hymns with the ode or anthem

  • Title: The psalms & hymns with the ode or anthem, sung at the Magdalen Chapel : adapted for the voice, harpsichord, &c. / the words corrected from the chapel ed., with other improvements.
  • Edition: A new edition.
  • Published: London : Printed for Button & Whitaker, St. Paul’s Church Yard, [1791?]

Catalog Record

74 791 P974

Acquired October 2018

Modern plays

Modern plays

Four scenes in one plate, each with a separate title; the subjects are Napoleon’s defeat in Russia, the Prince Regent, a domestic scenes, each characterised by a disaster, the first shows a man in a bedroom beside a coffin, dancing, and last, a man on the floor being beaten by his wife after upsetting the tea table (shown with two demons)

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: Modern plays [graphic].
  • Publication: [London?] : [publisher not identified], [ca. 1815]

Catalog Record 

815.00.00.17+

Acquired October 2018

 

Protestant descendency

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“An ancient Gothic church in the middle distance stands on a grassy hill inscribed ‘Protestant Ascendency’; under the hill (left) is a cave, ‘Cave of Catholic Ascendency’, in which are barrels of ‘Gun . Pow[der]’. A fat bare-footed friar walks away from the cave towards the picture-plane, carrying a lighted candle, and slyly laying a train of powder on the road to the cave. Standing round the church is a crowd of country people, listening to a parson who holds out to them a ‘Petition to Parliament’. They are unconscious, not only that the ground beneath them is mined, but that men (right) are tugging at a rope looped round the steeple, which is about to crash. The rope-pullers are in the foreground (right); at the extreme end is Wellington with his back to the church, straining hard. Next is Peel, wearing an orange waistcoat (cf. British Museum Satires No. 15690) badly stained by the rope; Brougham, a broom-girl dressed as in British Museum Satires No. 14769, is next, with Mackintosh in Highland costume beside him. In front of them is Burdett, very tall and thin, holding up his hat and shouting ‘Down with it–never mind the People’ [see British Museum Satires No. 16058]. In front is O’Connell, in wig and gown, shouting, ‘By St Patrick I’ve got the Rope over at Last.’ Behind these principals are more men, tugging at a second rope. On a green field topping a cliff behind the church-breakers is Eldon wearing a smock and guiding a plough; he turns to shout to the petitioners by the church, who will be crushed by the falling tower: ‘Look to your selves People.’ Along the horizon (left) is a Papist procession with lighted tapers, the Host, crosses, a grotesque Pope, and figures under a canopy. It approaches St. Paul’s whose dome rises above the sky-line. On the extreme right is the Monument (see British Museum satires no. 15688, &c.) in flames.”–British Museum online catalogue.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: Protestant descendency [graphic] : a pull at the Church / [man with an umbrella] Esq. del.
  • Publication: [London] : Pub. March 19, 1829, by T. McLean, 26 Haymarket …, [19 March 1829]

Catalog Record 

829.03.19.01+

Acquired October 2018

The head master turning out the incorrigibles

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“William IV stands, very erect and stern, in profile to the right, holding at arm’s length a birch-rod inscribed ‘Reform’. Behind him, as ushers, on the extreme left, Brougham and Grey stand in consultation. The King says to a body of discomfited schoolboys (right): ‘Get you gone and never let me see your faces again till you are Reformed’. The boys are (left to right) Wellington, wearing a peaked cap and an old, over-large, military coat, and carrying a bag, walks hand in hand with Peel who wears an ill-fitting policeman’s tunic and holds a slate on which is scrawled the figure of a policeman (see British Museum satires no. 15768, &c). Beside and behind them are Sadler and Wetherell. In front of Peel walks Twiss with a book under his arm; next him is the small Sugden wearing a pinafore. Taller than the others are Hunt wearing a hunting-cap and holding ajar of his blacking (see British Museum satires no. 16575) and Sir R. Wilson wearing a smock and a cap and holding a slate inscribed ‘Bob Wilson’. Wellington to Peel: ‘Oh Bobby–Bobby what shall we do now?’ Wetherell, looking back, says (as late M.P. for Boroughbridge, cf. British Museum Satires No. 16602): ‘I am afraid I shall never be admitted into the school again’. Hunt: ‘Who would have thought I should have been Hunt-ed out already’. Wilson: ‘Its a shocking bad Job’ [cf. British Museum Satires No. 16646].”–British Museum online catalogue.

  • Printmaker: Heath, Henry, active 1824-1850, printmaker.
  • Title: The head master turning out the incorrigibles [graphic] / HH [monogram].
  • Publication: [London] : Pubd. 1831 by S. Gans, Southampton Street, [ca. May 1831]

Catalog record

831.05.00.01+

Acquired October 2018

Tablettes de la reine d’Angleterre

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  • Author: Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, associated name.
  • Title: Tablettes de la reine d’Angleterre, òu se trouvent inscrits jour par jour : par l’ordre de S.M., les événemens les plus remarquables de son voyage en Sicile, en Grèce, en Barbarie et à la Terre-Sainte, précédées: 1 ̊D’un résumé de débats sur le bill des peines et amendes; 2 ̊D’une notice historique sur le baron Pergami, rédigée par lui-même; 3 ̊De la première partie de la correspondance de ce chambellan, depuis son entrée au service de la princesse de Galles jusqu’au 25 novembre 1815, et suivies de la seconde partie de cette correspondance, depuis le 20 septembre 1816 jusqu’au 10 juin 1820 / traduites de l’italien sur les manuscrits autographes de la reine d’Angleterre, par A.T. Desquiron de St. Agnan … Ornées de portraits.
  • Publication: Paris : Alexis Eymery, Libraire, éditeur du choix de rapports, etc. ; rue Mazarine, No. 30, 1821.

Catalog Record 

53 C292 821c

Acquired October 2018

The matter reversed

The Duchess of Devonshire sits astride a galloping fox

“The Duchess of Devonshire sits astride a galloping fox, her face to its tail. A signpost by the fox’s head points (left) ‘To Cuckolds Hall’; on the top of the post is a pair of horns. The Duchess wears a hat trimmed with ostrich feathers and with a ribbon inscribed ‘Fox'”– British Museum online catalogue.

  • Title: The matter reversed, or, One good turn deserves another [graphic].
  • Publication: [London] : Pubd. May 24, 1787, by J. Notice, Oxford Road, [24 May 1787]

Catalog Record 

787.05.24.02+

Acquired October 2018