Charles Geneviève Louis Auguste César…

description below

Portrait of d’Eon, nearly half-length, in profile to the right; wearing a dress and cap over their hair, including a medal; in an oval.

  • Printmaker: Le Beau, Pierre Adrien, 1748- printmaker.
  • Title: Charles Geneviève Louis Auguste César André Timothée, Déon de Beaumont, née à Tonnerre en 1728 [graphic] : a été Avocat au Parlement, Censeur Royal, Capitaine de Dragons, Chevalier de St. Louis, Ministre Plenipotentiaire de France a la Cour d’Angleterre / Desrais del. ; Le Beau sc.
  • Publication: A Paris : Chez Esnauts et Rapilly rue St. Jacques à la Ville de Coutances, A.P.D.R., [1780s?]

Catalog Record

Portraits D418 no. 2

Acquired February 2024

From the West Indies

description below

“Five passengers sit together on a bench against the side of a ship, all but a small boy, seemingly a mulatto, manifesting misery or resignation. The others (left to right) are a woman shrouded in black except for her chin, a planter in a long coat and broad-brimmed hat, his wife’s arm through his. A fat and hideous negress, awkwardly asleep. The deck is level.”–British Museum online catalogue.

  • Artist: Cruikshank, George, 1792-1878, artist.
  • Title: From the West Indies.
  • Publication: [England?] : [publisher not identified], [early 20th century?]

Catalog Record

900.00.00.02

Acquired February 2024

Collection of views and studies after nature with other subjects

frontispiece

Leaf [1], title page plate; leaves [2]-[29] with plates numbered 1-36 with scenes cottages and views of rural areas; leaves [30]-[34] with plates 37-44 with images of allegorical and mythical figures; leaf [35] with plate numbered 45, a woman with a tub; leaf [36] with plates 46-47 two men in profile; leaf [37] with plate 47, a portrait of “T.K. [that is, Thomas Kirgate] Painted & etch’d by EE. Finish’d by I. Hall”; leaf [38] with plates 49-50 with classical motifs, cherubs and scrollwork; leaf [39] with plate 51, sea creatures and syrens.
Many plates signed “E.E.’ and dated 1784-1790.

  • Printmaker: Edwards, Edward, 1738-1806, printmaker.
  • Title: Collection of views and studies after nature with other subjects / designed and etched by Edward Edwards Associate and teacher of perspective in the Royal Academy, London.
  • Publication: [London] : [publisher not identified], 1790.
  • Manufacture: [1794].

Catalog Record

Quarto 75 Ed96 794

Acquired December 2023

The triumph of mechanics in 1832

description below

A view of Walter Hancock’s steam omnibus Enterprise (built for the London and Paddington Steam Carriage Company) which was used to began a regular service between London Wall and Paddington via Islington on 22 April 1833.

  • Printmaker: Day, William, 1797-1845, printmaker.
  • Title: The triumph of mechanics in 1832 [graphic].
  • Publication: [London] : W. Day, Lith. to the King, 17 Gate St., [approximately 1833]

Catalog Record

75 G750 833 Copy 2 (Oversize) Box 3

Acquired February 2024

Eloisa in deshabille : a satirical poem

frontis & title page

  • Title: Eloisa in deshabille : a satirical poem / by the late Professor Porson ; to which are added The modern fine gentleman, Modern fine Lady, Curtain lectures, and the squire and the parson.
  • Edition: Second edition.
  • Publication: London : Printed for J.J. Stockdale, No. 41, Pall Mall, 1819.
  • Manufacture: [London] : M. Brown, printer, 86, St. Martin’s Lane

Catalog Record

53 P81 819

Acquired December 2023

Supplementary cavalry and infantry

description below

“A design in two compartments; above, cavalry proceed right to left; below, infantry march left to right. [1] A burlesqued procession of men variously mounted. The leader, dressed as a light horseman and holding up a sabre, rides a horse with blinkers, trampling on a hen and chickens and leaving a dead pig behind him. He says: “Know all Men by these presents that if any accidents happen I do not Consider myself accountable for them after thus publiccally Warning every Person to keep within doors all all [sic] their live and Dead Stock!!” The next horseman, whose hat flies off, turns to shout: “Hollo there, some body be so good as to catch my hat.” He is followed by a silent man riding a bull. Next him a man threatens with his sword a ragged boy on an ass: “What are you at you young scoundrel are you going to ride over the Captain keep in your rank you.” The boy answers: “What d’ye mean by that I have as much right here as you.” A man clasps his horse’s neck, saying, “Curse the Horse how he Prances.” Behind the ass, the horse of a man in civilian dress falls on its knees, throwing its rider, who says: “D——n the chimney Sweeper I thought he’d be over us.” A rider (horse visible) shouts “Take care of the Apple Stall”, while an old woman throws up her arms, shouting, “O Dear Mr Soldier dont ride over me.” She is in danger from a man in regimentals, gauntlet gloves, and wearing a sword, but whose horse has blinkers. A man turns to him, saying, “D——n me you’ll kill the old woman.” He answers: “What signifies that charge her to the parish.” The last of the procession is a yokel in a smock, on a horse with blinkers and collar. He rides down a pig and poultry; his neighbour turns to him, saying, “Mind what you are hat – you Sir in the Blue Frock if you kill the Pigs it will be actionable.” He answers : “Then let them keep out of the way of the Sarvice.” [2] An unsoldierly group march with bayoneted muskets, preceded by two boys with fife and drum. The officer, wearing a gorget and holding up a sword, scowls at a man behind him who raises his leg so high as to kick him, saying: “None of your tricks Jack dont Fancy you are in the shop now”: the grinning offender is addressed by a man wearing a Grenadier’s cap who marches beside him: “Mind what you are about or you will be had before a Court Martial”. A man with tipsily closed eyes says, “I’m as giddy as a goose.” A short, fat, elderly man in civilian dress says, “Warm work my Masters”. His neighbour answers, “Nothing when you are used to it”. A man wearing an apron rests his musket horizontally on his shoulder, saying, “This is the way to march”; he spikes the hat of the man behind, who shouts: “What are you at you fellow in green are you going to poke peoples eyes out”. A stout man says, “When I kept the tripe Shop in the Borough who would have thought I should have rose to be an Insign.” Beside him walks a woman with a bottle and glass shouting, “Does any Gentlemen in the front ranks want a drap of good Gin.” A Grenadier marches beside the last couple looking contemptuously at a man in a shirt who says: “By goles this thing [musket] is so heavy it’s the best way to drag it along and not carry it.” The last man, who is bandy-legged, says, “I donna much like it.”.”–British Museum online catalogue.

  • Printmaker: Cruikshank, Isaac, 1764-1811, printmaker.
  • Title: Supplementary cavalry and infantry [graphic] / Woodward delint.
  • Publication: [London] : Pubd. January 1st, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sackville St., [1 January 1797]

Catalog Record

797.01.01.03+

Acquired February 2024

Collection of prints, broadsides,…relating to the Cato Street Conspiracy

several views of exterior of Cato Street

A collection of 41 printed items that chronical the 1820 plot to murder the Prime Minister Lord Liverpool and his cabinet, so named for location where the thirteen conspirators meet near Edgware Road in London. The police learned of the plot through an informer, George Edwards, leading to a police trap in which one policeman, Richard Smithers, was killed but the plotters apprehended. The collection includes portraits of the plotters, views of the Cato Street area, broadsides describing the events and others with images and descriptions of the execution of five of the conspirators. Five other conspirators were transported to Australia. A drawing signed “Peter Jackson, July 31, 1960” is a 20th-century view of the exterior of the London building where the conspirators were discovered.

  • Title: Collection of prints, broadsides, and ephemera relating to the Cato Street Conspiracy, 1820, 1960.

Catalog Record

LWL MSS 52

Acquired January 2024

 

The history of Tom White, the postilion

woodcut of man standing in front of house holding a horse whip

  • Creator: More, Hannah, 1745-1833.
  • Title: The history of Tom White, the postilion. [Part 1].
  • Published: London : Sold by J. Marshall, (Printer to the Cheap Repository for Moral and Religious Tracts) No. 17, Queen-Street, and No. 4, Aldermary Church-Yard : And R. White, Piccadilly ; Bath : By S. Hazard, (Printer to the Cheap Ropository) at Bath : And by all Booksellers, newsmen, and hawkers in town and country, [1795]

Catalog Record

61 C41 M813 Hi

Acquired February 2024

Second book of the Chronicle of the Isles

description below

“A sequel to British Museum Satires No. 11292, illustration to a similar broadside. The Duke of York rises from his chair, greatly distressed at the paper which he holds: Charges against the Duke. He wears uniform, his hat and sword on the ground, the sword broken at the word Ho/nor inscribed on the blade. Two women (right) watch him furtively; one is intended for Mrs. Clarke, the other for Miss Taylor, who holds a purse. On a table by the Duke are papers: Paid to Mrs Clarke 1500, 6400, 1100, 1600, and Sir Dd Dundas Commander in Chief.'”–British Museum online catalogue.

  • Title: Second book of the Chronicle of the Isles [graphic] : containing the progress and discovery of iniquity, confusion that followeth resignation, contrition for past offences, and meetings of the people upon charges against the Duke of York.
  • Publication: [London] : Printed by and for J. Herbert, at his Newspaper Office, No. 4, Merlin’s Place, Spa Fields, [April 1809]

Catalog Record

809.04.00.02++

Acquired March 2024

W.E. Gladstone collection…..Queen Caroline Affair

book cover

A collection of 256 mostly British satirical prints and broadsides commenting on the scandalous relations between Queen Caroline and King George IV including those commenting on the “Queen Caroline Affair” of 1820, purportedly assembled by William Gladstone and mounted in chronological order in two albums. Many of the prints and broadsides are annotated apparently in W.E. Gladstone’s hand, with the exact month and date of publication and the identities of the person being satirized. Later pencil annotations have been added to mounting sheet along with extracts from the description of the print from the Catalogue of prints and drawings in the British Museum, these later annotations probably added by the 20th-century owner of the volumes, Ernest R. Gee.

  • Creator: Gladstone, W. E. (William Ewart), 1809-1898, collector.
  • Title: [W.E. Gladstone collection of caricatures and broadsides surrounding the “Queen Caroline Affair”] [graphic].
  • Published: [London], [ca. 1835?]

Catalog Record

Folio 724 835G (Oversize)

Acquired February 2024