High life at five in the morning

description below

Print shows an interior view of a room; a duke has arrived home drunk at 5 a.m. (as shown on the longcase clock beside the door) accompanied by two attendants and watchman only to find his bedchamber occupied by another man. Through the open curtains around the bed can be seen a bare-breasted duchess. On the floor near the bed is an open book, “Memoirs of a woman of pleasure” (a reference to John Cleland’s Fanny Hill …) beside the chamber pot. As the duke with sword drawn, staggers forward, his rival climbs through a window in the background, leaving his clothes behind on a chair. A monkey dashes onto the table near the window on the heels of the husband’s rival but pulls down the tablecloth causing the items on the table to be strewn across the floor in the foreground; a book opened to pages “Chastity in the nobility a farce. Dedicated to their Graces the Duke & Dutchess xxx”, breaking a broken mirror, and sending the bottles and jars onto the floor. The bottles have labels “Viper drops” and “Surfeit water” and the jar is labeled “Lip salve”.

  • Title: High life at five in the morning [graphic].
  • Publication: [London] : [publisher not identified], publish’d according to act of Parliament, May 1st, 1769.

Catalog Record

769.05.01.01+

Acquired February 2022

The town book of Smallburgh

manuscript notebook

Record of the poor rate collections, disbursements and expenses for the village of Smallburgh in the County of Norfolk over a period of 60 years. Written in multiple hands, mostly in ink, and signed by the town officials.

  • Title: The town book of Smallburgh : manuscript.
  • Production: Smallburgh, England, 1777-1837.

Catalog record

Folio LWL Mss vol. 271

Acquired February 2022

View of the Twickenham bank of the Thames

description below

A view from Richmond of the Twickenham bank of the Thames, showing (left to right) Pope’s villa, Lady Ferrers’ summer house, Cross Deep, and Dr. Batty’s house (later Poulett Lodge).

  • Creator: Heckel, Augustin, approximately 1690-1770, artist.
  • Title: [View of the Twickenham bank of the Thames] [art original].
  • Production: [England], [ca. 1750]

Catalog Record

Drawings H448 no.1

Acquired February 2022

La Loire Frigate, or, Yeo! Yeo!

printed text

Refers to an incident in Muros Bay, June 4, 1805, in which the privateer L’Esperance was captured by the British through the exertions of Lt. Yeo of the Loire.

  • Title: La Loire Frigate, or, Yeo! Yeo!.
  • Publication: [London] : Printed and sold by J. Jennings, No. 15, Water-lane, Fleet-street, [1805?]

Catalog Record

File 763 805 L834

Acquired October 2021

 

New Rooms Hanover Square, the Concert of antient music

description below

A ticket issued by the Concert of Antient Music in 1812, for an event held at the Hanover Square Rooms in London. In the center, a bust in profile looking left, within oval lettered ‘New Rooms Hanover Square, The Concert of Antient Music‘ and surmounted by musical instruments; date ‘1812’ above.

  • Printmaker: Cooper, Robert, active 1795-1836, printmaker.
  • Title: New Rooms Hanover Square, the Concert of antient music [graphic] / Robt. Cooper scult.
  • Publication: [London] : [publisher not identified], 1812.

Catalog Record

File 74 812 C778

Acquired February 2022

View at the entrance into Vaux Hall

description below

“View inside Vauxhall Gardens; the Grand Walk on the left looking down towards the obelisk; the orchestra to the right and pavillions on either side; elegantly dressed figures in gardens.”–British Museum online catalogue

  • Printmaker: Simpson, T., active 1763-1768, printmaker.
  • Title: View at the entrance into Vaux Hall [graphic] / S. Wale delin. ; T. Simpson sculp.
  • Publication: [London] : [Edward and Charles Dilly], [1766]

Catalog Record

766.00.00.70

Acquired October 2021

George 1st Marquess Townshend

description below

“Portrait, half-length, seated to front, with head turned to look to left, his right forearm leaning on a table, holding a telescope; wearing armour, and folded fabric draped over his right shoulder; curtain at left; after Joshua Reynolds (Mannings 1762).”–British Museum online catalogue, description of scratched-letter state.

  • Printmaker: Josey, Richard, approximately 1841-1906, printmaker.
  • Title: George 1st Marquess Townshend [graphic] : from the original picture in the possession of Robert Lovell Gwatkin Esqre. / Sir Joshua Reynolds ; T. Jose [sic].
  • Publication: London : Henry Graves & Compy., 6 Pall Mall, 1866.

Catalog Record 

Portraits T753G no.1

Acquired June 2021

Townsend the umpire of love

description below

“Townsend, the Bow Street Officer, holding up his constable’s staff, chases a man away from a country house, a corner of which appears on the right. A third man, Wellesley-Pole, shelters behind the constable, stretching out his arms towards his fleeing rival; he turns his head to listen to a pretty young woman who stands on a small iron balcony immediately behind him, with an open sash-window behind her. She says: “Risk not thy Precious life my Love in bold encounter with that dareing Scott.” He answers: “no no my dear I’ll shelter me behind the arm of Justice, & hunt him from his Scent by one of the most famous Bull Dogs in the Kingdom, & teach him never never to Dare to woo the [sic] from my Longing Arms Oh thou Golden Angel.” A paper inscribed ‘Scot’ projects from the fugitive’s pocket. Townsend says: “I’ll teach you worsted working rascall to dare to set up in opposition to the Irish Secretary D-n your Impudence.” A signpost points (left) to ‘Norwhich’ and (right) ‘To Chippenham’.”–British Museum online catalogue.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: Townsend the umpire of love, or, The Poled Scott hunted off after a long struggle [graphic].
  • Publication: [London] : Pub. Jan. 7, 1812, by S.W. Fores, 50 Picadilli [sic], [7 January 1812]

Catalog Record

812.01.07.01

Acquired February 2022