Occasional reflections in a journey from London to Norwich

title page

  • Title: Occasional reflections in a journey from London to Norwich & Cambridge.
  • Publication: London : Printed, and sold by A. Baldwin, near the Oxford-Arms in Warwick-Lane, MDCCXI [1711]

Catalog Record

62 711 Oc15

Acquired April 2020

 

Valuable life annuities, with equitable assurance old policies

printed text

  • Title: Valuable life annuities, with equitable assurance old policies, and Covent-Garden Theatre shares. Particulars of four very desirable annuities, seventy-two pounds nine shillings each, clear of all deduction, … payable out of the money arising from the tolls of the Longships Light-House, near the Land’s End, Cornwall, amounting to near £3000 per annum. … : Also, two new shares of £500 each, in Covent-Garden Theatre, entitling the possessor to an annuity of twenty-five pounds per share, for eighty-five years from the opening of the theatre, with an annual transferrable [sic] free admission. Which will be sold by auction, by Mr. Scott, on Friday, the 17th of Feb. 1815, at twelve o’clock, at the Mart, London, near the Bank of England.
  • Publication: [London] : [publisher not identified], [1815]

Catalog Record

Acquired April 2020

A visit to London

description below

Six plates with titles: London from Camberwell (on the South). Blackfriar’s Bridge [illegible]. The menagerie in the Tower. Westminister Bridge, Hall, & Abbey. London Bridge & the monument. The Juvenile Library.

 

  • Author: S. W., active 1801-1820?, author.
  • Title: A visit to London : containing a description of the principal curiosities in the British metropolis / by S.W. ; with six copper plates.
  • Manufacture: London : Printed by J. Adlard, Duke-Street, Smithfield. For Tabart and Co., at the Juvenile and School Library, No. 157, New Bond-Street; and to be had of all booksellers, 1808.

Catalog Record

659 808S

Acquired March 2020

150 claimants to the throne of Great Britain

description below

Letterpress text discussing the line of succession above an etched genealogical chart, which illustrates the line of succession, following the reign of George IV, probably published in response to the death of Princess Charlotte in 1817 and before the birth of Victoria in 1819. However, the text also references “the present Princess of Wales”, but further evidence that this was issued in response to her death is the dark black border around her name.
Imprint etched at top of chart. Date from letterpress: “The following is a brief sketch. A.D. 1818.”

 

  • Title: 150 claimants to the throne of Great Britain.
  • Publication: [London] : Printed & publish’d by W. Finch, No. 5 Charlotte Place, New Cut, Lower Marsh, Lambeth, [ca. 1818]

Catalog Record

File 63 818 On58++

Acquired August 2020

Gay’s Fables

description below

An engraved writing sheet illustrated with seven scenes from Gay’s Fables, each with rhyming couplet below. At head, and the largest scene, is ‘The Shepherd and the Philosopher’; six smaller scenes form the right and left borders below. A garlanded motif, designed to carry a hand-inserted date-line, is at the foot.

 

  • Title: Gay’s Fables [graphic].
  • Publication: London : Published by Robt. Sayer, map, chart & printseller, No. 53 Fleet Street, as the act directs, Novr. 17th, 1787.

Catalog Record

787.11.17.01++

Acquired May 2020

The female agent

description below

“Heading to etched verses. Mrs. Clarke, seated on a dais, receives applicants for commissions who advance through a doorway (left). She sits on a drum, wearing a cocked hat and military sash over a white dress, and holds up a sword. A short fat soldier holds over her head a Union flag with the white horse of Hanover. Two soldiers stand at attention with fixed bayonets behind her, and a fat trumpeter blows his trumpet. Another Union flag, without the white horse, flies from the corner of the large dais. On the wall hangs a notice: ‘Half-pay Commissions at Half Price for Ready Money’. The applicants press forward in a bunch, headed by a fat and gouty ‘cit’ hobbling on two sticks, behind whom is a chimneysweep. The first of three verses: ‘Come all you brave Fellows who wish for Promotion. Wether Captain or Colonel or a General’s your notion. A Warehouse I keep for the sale of Commissions, And our Prices you’ll find will suit all conditions, You’ll be treated with Honor if you secrecy mark Sir For my Master is Noble and I am his Clarke Sir, You’ll be treated &c.’ The last lines: ‘But forget not the ready (Gold or Notes) for pray mark! My Master wants Money, & so does his Clarke. But forget not &c.’ The verses are bordered by spears which serve as posts for plump purses, symmetrically attached to them.”–British Museum online catalogue.

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: The female agent [graphic].
  • Publication: [London] : Pubd. March 1809 by Walker, No. 7 Cornhill, [March 1809]

Catalog Record

809.03.00.05+

Acquired June 2020

Mother Carey’s chickens

description below

“A stout and comely lady stands at the door of an ornamentally rustic cottage, shaking a cloth from which tiny officers leap out, holding money-bags. The cloth is inscribed in large letters ‘Pin Money instead of Allowance’. She says: “This is a profitable Plan of his and pays me a Devilish deal better than he can, besides the Patronage!!” Five elderly officers of normal size (right) watch their pigmy rivals with consternation. One looks through his glass, saying, “To waste ones health in unwholesome Climates an then fail of promotion because we cannot fee ****** or Army Agents Agents.!!” Another says: “Mother Careys Chickens by – then we shall have a storm indeed!” A third exclaims: “What to spend our lives in the service of our Country, and to be thus degraded by a parcel of Boys!!” He has a wooden leg and a patch over one eye. Another had lost his right arm, and the group seem hardly fit for active service. The ‘boys’ wear fashionable crescent-shaped cocked hats with plumes, the others old-fashioned hats with cockade, loop, and button. Over the door is inscribed in large letters ‘… mus Cottage’. It has the ornamental Gothic windows with leaded panes and thatched roof of fashionable rusticity. Beside it is a weeping willow. Below the title: ‘NB these Birds have lately been seen hovering about the Horse Guards’. Below the design: ‘a Storm Finch, or stormy petterel (the Mother Careys Chickens of the Sailors). Procellaria Pelagica of Linnœus. is seldom or never seen but in the great Ocean, and then when observed flying near a Ship, is the sure prognostication of a Storm, the analagy [sic] of effect has induced modern Naturalists to class these, with the Pelagica of Linnœus, tho differing in plumage’.”–British Museum online catalogue.

 

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: Mother Carey’s chickens [graphic].
  • Publication: [London] : Pubd. Novr. 1808 by S.W. Fores, No. 50 Piccadilly, [November 1808]

Catalog Record

808.11.00.01+

Acquired June 2020

The grand coronation of Her Most Graceless Majesty C-r-l–e Columbina

description below

“A burlesque coronation of the Queen. She sits enthroned on a dais, raising her right foot with tipsy joviality. In her right hand as sceptre is a rod topped by a tiny cask which a naked Bacchus bestrides. The orb in her left hand is a decanter; on her head is a tilting punch-bowl. She watches her champion Wood (left) (acting the part of Dymoke, cf. British Museum Satires No. 14193), a grotesque figure in armour on a caparisoned ass (see British Museum Satires No. 14146). He has just thrown down the glove, pulling his braying mount on to its haunches, and looks up with a fatuous stare at the Queen. His helmet is topped by an owl from which clouds of smoke ascend (cf. British Museum Satires No. 14196). John Bull (right), a ‘cit’ wearing an ill-fitting wig and top-boots, stoops to pick up the glove, supporting himself by a cudgel inscribed My God My King a[nd my] Country. Between these two foreground figures stands a ragged newsboy holding his horn, the paper in his cap inscribed Brandy burgh [cf. British Museum Satires No. 14191] Gazette; slung from his shoulders is a large sheaf of his newspaper, Brandyburg Gazette Extraordinary–Baron B…..i to be Il Baron par Excellence–Ad- W – – d to be Earl Log [see British Museum Satires No. 14189]–Lady A H [Anne Hamilton] to be Spinster for Life–L. H – – d to be Marquis Doodle. Attendants are grouped round the Queen on the dais, which is under festooned curtains. These are (left to right): Denman and Brougham, in wig and gown, applauding and gesturing; two turbaned Turks; Bergami, handsome and complacent, at the Queen’s right hand. Slightly behind are a simian face, Lady Anne Hamilton wearing the feathered Scots cap of British Museum Satires No. 14175, and another woman, Italian in appearance (probably Countess Oldi). Behind the Queen’s chair on the right are two hooded figures, the more prominent, who holds a decanter, being Viscount Hood, the other perhaps Keppel Craven. Two naval officers must be Hownam and Flinn. On the canopy of the throne behind the Queen are her arms; the quarterings are wine-glasses, bottles, a tent (see British Museum Satires No. 13818), and a bath containing a tiny figure (see British Museum Satires No. 13819). The supporters are a satyr and a goat; the motto, Bergami and My Bottle [see British Museum Satires No. 14175]. On the extreme left, supported on Gothic arches, is a gallery crowded with ladies, as in Westminster Abbey at the Coronation. On a lower level, seen through the arches of the Abbey, is a dense proletarian crowd with banners, pikes, and caps of Liberty. The characters are indicated by inscriptions divided by vertical lines, as in British Museum Satires No. 14182, and centred by a cartouche. These are (left to right): Mobility in Attendance. The Champion of Absolute Wisdom [see British Museum Satires No. 13899] on his renowned Steed. The Keepers of her Majesty’s Conscience [her Counsel]. Her Majesty’s Lord Great Chamberlain Her Majesty’s Privy Counsellor Knight Commander of the Bath Chief Performer of the Canopy Service and Courier Extraordinary [Bergami]. Hooded Doodles in Waiting [Lord Hood and his companion]. Barons of the Bedposts. Performers of the Canopy Service [the naval officers]. In the cartouche: If any Person of what degree soever, high or low, shall deny or gainsay our Puppet C . r . l . . e Columbina [see British Museum Satires No. 14120] of Brandy-burgh House, of the United Kingdoms of Soberness and Chastity, Defender of the easy Virtues &c &c the Right of being Crowned with a crown Bowl of Imperial Punch, or that she should not enjoy the same, here is her Champion, who saith he doth not care a Drug, being ready in person to lay a bet that she is, and in this wager will venture his Eighteen Pence against a Shilling wherever, and whenever his Adversary may choose.”–British Museum online catalogue.

 

  • Printmaker: Lane, Theodore, 1800-1828, printmaker.
  • Title: The grand coronation of Her Most Graceless Majesty C-r-l–e Columbina, the first queen of all the radicals &c &c &c, July 19th, 1821 [graphic].
  • Publication: London : Pubd. by G. Humphrey, 27 St. James’s Street, August 6th, 1821.

Catalog Record

821.08.06.01+

Acquired March 2020