The Norfolk & Norwich remembrancer

title page

  • Title: The Norfolk & Norwich remembrancer, and vade mecum; : containing, 1st. A brief description of the city and county. 2d. A chronological retrospect of the most remarkable events which have occurred in Norfolk & Norwich during the eighteenth century; … 3d. An index villaris; Including an accurate account of the population … extracted from the official returns taken in 1801. … 4th. Direct and cross roads from Norwich, Yarmouth, Lynn, and Cromer. 5th. An alphabetical list of noblemen and gentlemen’s seats and villas in the county …
  • Publication: [Norwich]: Printed and sold by Stevenson and Matchett, Market-place, Norwich; and to be had of the distributors of the Norfolk Chronicle, and of all booksellers, [1801]

Catalog Record 

644 801 N83

Acquired February 2020

“Returning Justice lifts aloft her scale.”

description below

“An emblematical and composite scene, with a realistic background intended for Lake Como, with the Villa d’Este (right), decorated with dancing figures as in British Museum satires no. 14171. In the foreground the Queen, between Bergami and Wood, falls from the tilting summit of a breaking pillar, supported on insecure props. She falls to the left, with Bergami, whose arm is round her waist. Wood, who holds her left hand, falls to the right, weighed down by a block inscribed ‘Log’ chained to his ankle. A small figure of Justice holding scales descends through the air towards them. The pillar resolves itself into separate blocks on each of which is a letter: ‘M O B / I L I T Y’. A board resting on a ram’s head forms the tiny platform from which the trio are falling. The pillar rests on a slab inscribed ‘Adultery’. This is supported on the bewigged head of Brougham which is raised on three props: a massive broom, and two beams poised on a rectanglar cage in which sits a second and much smaller lawyer (Denman). The beams are respectively ‘Sham Addresses’ and ‘Hired Processions’ [see British Museum satires no. 14182]. These props are flanked by two ladders resting against the ‘Adultery’ slab, by which Bergami (see British Museum satires no. 14183) and Wood (see British Museum satires no. 13734) have reached the Queen. One (left) is inscribed ‘Brass’; from it dangle emblems of Bergami: a postilion’s boot, a whip, and a Maltese cross, see British Museum satires no. 13810. The other (right) is ‘Wood’; from it dangle a bottle, a pestle and mortar, and a porter’s knot. In the foreground (right) are thistles, emblem of ‘Thistle-Wood’, see British Museum satires no. 14146. On Lake Como sails (left) a one-masted vessel with a tent on its deck, the polacca, see British Museum satires no. 13818. Beyond its shores and on the extreme left are tiny buildings representing Jerusalem. A lake-side signpost, ‘To Jerusalem’, points in the same direction, and near it the Princess and Bergami ride side by side on asses (see British Museum satires no. 13918, &c.). On the right is a travelling-carriage, with two horses and a postilion; in it sit the same couple. On the door are the letters ‘C·B’. In the lake behind it the pair are seen bathing, two nude figures standing waist-deep, holding hands. Near them is an empty rowing-boat inscribed ‘Como’..”–British Museum online catalogue.

 

  • Printmaker: Lane, Theodore, 1800-1828, printmaker.
  • Title: “Returning Justice lifts aloft her scale.” Pope [graphic].
  • Publication: London : Pubd. by G. Humphrey, 27 St. James’s St., June 1st, 1821.

Catalog Record

821.06.01.07

Acquired March 2020

Carlo Khan dethron’d, or, Billy’s triumph

description belowOn the left, Charles Fox, dressed as an Oriental prince, lies on the ground having fallen off an elephant who has the face of Lord North; Fox’s dice and dice box are scattered on the pavement. In the speech bubble above his head: “Perdition, take thee for the chanse is thing.” To his right, William Pitt sits astride the elephant who stands at the entrance to the East India House, his face turned toward the viewer. Pitt offers in his left hand a “New India Bill” and holds three others under his arm and in his pocket: “Stamp […] act”, “Sup … lies”, and “Military Act …”. The building on the left has been extended to as far as Pitt’s back.

  • Title: Carlo Khan dethron’d, or, Billy’s triumph [graphic].
  • Edition: [State with elephant’s face turned towards viewer].
  • Publication: [London] : Publish’d as the act directs March 24th, 1784, by S. Fores, No. 3 Piccadilly, [24 March 1784]

Catalog Record

784.03.24.01.1

Acquired December 2019

Promis’d horrors of the French invasion

description below“French troops march with fixed bayonets up St. James’s Street, the houses receding in perspective to the gate of the Palace, which is blazing. In the foreground on the left and right are ‘White’s’ and ‘Brookes’s’. The former is being raided by French troops; the Opposition is in triumphant possession of the latter. “–British Museum online catalogue

  • Printmaker: Gillray, James, 1756-1815, printmaker.
  • Title: Promis’d horrors of the French invasion, or, Forcible reasons for negociating a regicide peace [graphic] : vide, the authority of Edmund Burke / Js. Gy. d. & fect.
  • Publication: [London] : Pubd. Octr. 20th, 1796, by H. Humphrey, New Bond Street, [20 October 1796]

Catalog Record 

796.10.20.01++ Impression 2

Acquired November 2019

Saloon at the Marine Pavilion

description belowFashionably dressed ladies and gentlemen stand or sit in small groups conversing the elegant saloon at the Marine Pavilion designed by Henry Holland.

  • Printmaker: Rowlandson, Thomas, 1756-1827, printmaker, artist.
  • Title: Saloon at the Marine Pavilion [graphic] / drawn by Rowlandson ; tinted by Alken.
  • Publication: [London] : Publish’d June 1, 1790, by Messrs. Robinsons, Paternoster Row, [1 June 1790]

Catalog Record 

790.06.01.04+

Acquired December 2019

Crawley

 

description belowA crowd, gathered in the courtyard under the sign of The George Inn on the route to Brighton, examine a horse seemingly under auction; a man in the doorway holds up a hammer. People look out at the scene from the windows of the inn. Two men converse with a woman to the left as her dog looks at the scene; a traveler with a pack and walking stick sits on a stoop to adjust his shoe.

  • Printmaker: Rowlandson, Thomas, 1756-1827, printmaker, artist.
  • Title: Crawley [graphic] / drawn by Rowlandson ; tinted by Alken.
  • Publication: [London] : Publish’d June 1, 1790, by Messrs. Robinsons, Paternoster Row, [1 June 1790]

Catalog Record

790.06.01.03+

Acquired December 2019

Sutton

description belowA coach pulling up to the Post Station, the Cock Inn at left, on route to Brighton. The coach is pulling into the court yard, about to pass under a wooden gate bearing the inn’s sign, while another coach stands at the inn door. People look down from the second story windows. A man waits at the mile marker in front of another building at right. In the foreground to left, a man with a wooden leg carries a small child on his back as he leads a donkey that carries a woman and two children, one of whom appears to be nursing, the other in a basket that hangs over the donkey. Their dog follows behind.

  • Printmaker: Rowlandson, Thomas, 1756-1827, printmaker, artist.
  • Title: Sutton [graphic] / drawn by Rowlandson ; tinted by Alken.
  • Publication: [London] : Publish’d June 1, 1790, by Messrs. Robinson’s, Paternoster Row, [1 June 1790]

Catalog Record 

790.06.01.02+

Acquired December 2019

Hanover over

description below“The object of this engraving is to enumerate the many evils inflicted on England by its connection with Hanover. A great number of persons are crowded in groups in a place of public resort, and conversing on public affairs … The general discontent at the injurious influence of German politics broke out very strongly at this time in reference to the expenses entailed on England to “secure the succession of the imperial dignity to the Archduke Joseph, eldest son and heir to the reigning emperor”.”–British Museum catalogue.

  • Title: Hanover over [graphic].
  • Publication: [London] : [publisher not identified], [1750s]

Catalog Record

750.00.00.89

Acquired December 2019

Banditti

description belowThe Coalition ministers are gathered around the table placed in the mouth of a cave. On the left sits Lord North wearing armor under his cloak, a goblet in his left hand. Opposite him on the right is Charles Fox, dressed as a centurion and sitting on a fox. He leans on the table keeping his right hand on three dice signed, “Madras,” “Bombay,” and “Bengal,” and clutching a dice box in his left. Behind him Admiral Keppel, the date of the battle of Ushant (1778) on his helmet, raises his goblet in a toast. Behind him Sheridan, with ass’s ears and “School for Scandal” written across his head cover, watches the Duke of Portland count out money to Lord Carlisle. On Portland’s shoulder leans Lord Cavendish in a centurion’s armor under his cloak. Between him and North sits Burke in a Jesuit’s outfit reading his own “Plan of oeconomy [sic].” Under the table lie the corpses of Lords Shelburne and Ashburton, ousted by the Coalition.

  • Printmaker: Boyne, John, approximately 1750-1810, printmaker.
  • Title: Banditti [graphic] / I.B.
  • Publication: [London] : Published by E. Hedges No. 92 Cornhill, Dec. 22, 1783.

Catalog Record

783.12.22.03.2+ Impression 2

Acquired December 2019

A harlot’s progress. Plate II

description belowA copy in reverse of William Hogarth’s Plate 2 of A harlot’s progress: Mary Hackabout (left), now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist’s moral message.

  • Title: A harlot’s progress. Plate II [graphic] : In high keeping by a Jew = Un juif l’entretien somptueusement / invented & painted by Wm. Hogarth.
  • Publication: [London] : [publisher not identified], [not before 25 March 1768]

Catalog Record

Hogarth 768.03.25.10+ Box 210

Acquired December 2019