A copy of the caricature of the British Statesman and High Lord Chancellor Henry Peter Brougham, 1st Baron Brougham and Vaux (1778-1868), that appeared in the center of an print that was published on 1 October 1834 in Every body’s album & caricature magazine, no. 19. He is depicted as a very thin traveller wearing a Scottish tam over his wig and using a broom as a walking stick; his shoe is worn through. He carries a wooden post labelled “Scratching post”, a box stamped “Containing the freedoms of all the Scotch towns” and a bag with the words “Broken victuals the leavings of the Edinburgh blow out”. Around his waist is another bag, “Oat meal”. Above the image framed in lines in gold ink: “I flatter myself I’ve made a tolerable good job by my “Starring it” with Old Grey in the North! Sold all my numbers of the Penny Magazine, and well puff’d it through every town I went. Made little less than one hundred speeches about, I forget now, Received some score of Burgesses, Freedoms, and Invitations to as many dinners, where I blew my own trumpet & obtained plenty of orders from our Usefull Knowledge Society! Now, woe to the unstamn’d when I get home! I must have a good scrub at my skin presently; I reckon I have got a taste of the fiddle through my itch for travelling!
Creator: M., M. S., artist.
Title: The itinerant chancellor [art original] / M.S.M. pinxt. March 39.
An album of amateur drawings, with scenes in Kent, East Sussex, Hertfordshire and Surrey. The artist, only identified with the initials ‘S.G.L.’, provides titles and dates for the majority of the drawings. The first group (thirteen in all) dated 1828 are views in Kent, Sussex, and Hertfordshire, including Leeds Castle, Hythe, Sandgate, Rye, Pevensey Castle, Tunbridge Wells, St. Albans, and Hatfield. The second, larger group of drawings are scenes in and round the village of Bletchingley (sometimes Bletchingly) in Surrey, depicting village life.
Artist: L., S. G., artist.
Title: [Album of drawings of Bletchingley, 1828-1829] [art original] / S.G.L.
An album of sketches largely comprised of images drawn by a traveller in central and southern France in the late 1820s and early 1830s. The images, executed in a variety of media and styles, are mostly skillfully drawn landscapes, elevations of buildings, and people in local costume, with captions in French (with some English)
Title: [Sketchbookrecording a tour in central and southern France, with a few British views] [art original].
A caricature on the prevalence of bribery during elections, most probably that of 1826. The successful liberal candidate stands on a platform before a cheering crowd and people waving from the windows of adjoining building. In the ‘Committee Room’ behind him, an official pays a man holding a sign inscribed ‘No bribery or corruption’ with the word ‘and’ between bribery and corruption scored through. On the right is an armchair and behind it stand two large flags; two flowers on the chair match the flower on the lapel of the candidate.
Artist: Lane, Theodore, 1800-1828, artist.
Title: Chosen candidate [art original] / by Theodore Lane.
A young woman sits despairingly on the edge of a bed, with the end of a garter round her neck; the other end dangles from the bed-tester. She watches a servant holding a foppish, elderly naval officer by the collar as he flourishes a cudgel. At his feet lie a set of bellows. On the wall is a framed picture of Venus and Adonis with Cupid.
Artist: Cruikshank, George, 1792-1878, artist.
Title:[ Galvanism, or, The miraculous recovery of the unfortunate Miss Baily] [art original] / George Cruikshank.
A caricature on the prevalence of bribery during elections, most probably that of 1826. The distraught rejected candidate, shown full-length and facing left is red in the face and pulling at his hair. His election placard lies on the floor and two notes are visible on the mantelpiece above a grill with fireplace tools: ‘Tavern expenses 500’ and ‘Bringing voters from London 800’. Through the window on the right, with flags flying, a cheering crowd carries the successful candidate in a chair above their heads.
Artist: Lane, Theodore, 1800-1828, artist.
Title: Rejected candidate [art original] / by Theodore Lane.
On recto, two men walk to the left in a wood with guns. The man behind (right) holds his gun by the barrel pointed towards his companion’s posterior; he wears colored spectacles, a top hat, and is smoking a cigar. The man in front (left) looks back towards his companion as he holds his rifle by the butt, the barrel pointed over his shoulder at his companion’s face. The lines below: “I never likes to go out with a man as don’t carry his gun like a sportsman.” “Not I. I’m always wery particular.!”
On verso, a pencil drawing of two men (dustmen?) conversing as one points to the donkey that he holds by the reins.
An album of twenty watercolors recording the 1826 journey to England by members of the French Delahaye family. Gaudissart, a family friend of the Delahaye clan, traveled with them from their home in Pierrefitte, near Saint-Denis, recording the sights they saw across The Channel.
With a 16-page letter dated 1826, written in French, addressed by L. Delahaye to her friend Alexandrine upon the Delahayes’ return from England. The letter recounts the family’s journey in great detail from start to finish, and includes several mentions of the (lively) participation of Gaudissart. Also included is a single leaf written ca. 1850 describing the genesis of the album and brief biographical sketch of Gaudissart de Cari.
Artist: Cari, Godissart de, -1848, artist.
Title: Godissart de Cari’s Souvenirs de l’Angleterre, with a letter from Madame Delahaye, 1826, 1850.