A harlot’s progress. Plate II

description belowA copy in reverse of William Hogarth’s Plate 2 of A harlot’s progress: Mary Hackabout (left), now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist’s moral message.

  • Title: A harlot’s progress. Plate II [graphic] : In high keeping by a Jew = Un juif l’entretien somptueusement / invented & painted by Wm. Hogarth.
  • Publication: [London] : [publisher not identified], [not before 25 March 1768]

Catalog Record

Hogarth 768.03.25.10+ Box 210

Acquired December 2019

Slight of hand by a monkey, or, The ladys head unloaded

A lady walking along a high orchard wall has her enormous headdress, trimmed wtih lace and ribbons, pulled from her head by a monkey perched atop the wall. She clasps her hand to her bare head, a look of surprise on her face. A man perched on a ladder picking apples in the orchard looks over the wall in amusement at the scene.

  • Title: Slight of hand by a monkey, or, The ladys head unloaded [graphic].
  • Publication: [Alnwick] : Printed and published by W. Davison, Alnwick, [between 1812 and 1817]

Catalog Record 

812.00.00.108

Acquired September 2019

The man of the woods & the cat-o’-mountain

Man with a monkey body and cat with a man's head sitting in front of a fire

“A kitchen scene [with a satire based on the fable of the “catspaw”]. A monkey with Wood’s head squats beside a plump cat with the head in profile of Queen Caroline. She sits gazing at the fire with an eagerly expectant smile. He puts his left hand on her shoulder and takes her right paw which is supported on his knee, looking fixedly at her with greedy expectation. Between the bars of the grate are four chestnuts like large potatoes. These are inscribed respectively: ‘Privileges’, ‘Rights’, ‘Liturgy’, ‘St Catherines’. Beside the grate and attached to a chain is a ‘Kettle of Fish’. Behind the cat is a big trap with steel teeth inscribed ’50 000 per Annum’. Behind it is a dresser, neatly arranged above a cupboard inscribed ‘Lately from St Omers’ [see British Museum Satires no. 13730]. On the dresser are a teapot and butterdish, each with a bust portrait of Bergami, and two cups, inscribed ‘BB’. There are also pans inscribed ‘Hash’ and ‘Stew’, a ‘Tinder’ box and bottle of ‘Brim-Stone’. On the chimneypiece, with other utensils, is a box of ‘Matches’.”–British Museum online catalogue.

  • Printmaker: Lane, Theodore, 1800-1828, printmaker.
  • Title: The man of the woods & the cat-o’-mountain [graphic].
  • Publication: London : Pubd. by G. Humphrey, 27 St. James’s St., March 27, 1821.

Catalog Record

821.03.27.01 Impression 2

Acquired March 2019

The hero’s return

The hero's return

“A scene in the Empress’s dressing-room. Marie Louise is horror-struck at the appearance of Napoleon who advances towards her in profile astride the back of a crawling Mameluke; he is held up by two other Mamelukes who support his arms and shoulders. He is terribly emaciated and appears moribund. He wears uniform; his legs, feet, and hands are swathed in bandages, his (former) ear and nose covered with black patches. The crawling Mameluke, presumably Roustan, holds out a bottle containing a pointed nose, and labelled ‘Le Nez de l’Empereur’. Immediately behind Napoleon and his three supporters are two kneeling Mamelukes, each reverently holding a tasselled cushion supporting a bottle; one being labelled ‘Les Doights [sic] de l’Empereur Napole . . .’, the other, ‘Les Oreilles de l’Empereur Napoleon’. Behind them (left) another Mameluke advances with a bottle labelled ‘Les Doights du pied de l Empereur Bon . . .’ The Mamelukes wear Turkish dress with turbans. Napoleon looks in tragic silence at his wife, who is seated in regal state but turns aside weeping with violent gestures of despair. A small terrestrial globe decorates her chair; her foot rests on a stool in the form of a flattened polar hemisphere on which the word ‘Brit[ain]’ is visible. Over her low-cut dress is an ermine-bordered robe clasped with a fleur-de-lis. She is supported by an emaciated court-lady, with a patched face, proffering a smelling-bottle, whose profile and a small crown show that she is one of Napoleon’s sisters; two other ladies, wearing crowns, stand behind the Empress, registering consternation. A less conspicuous lady weeps. On the Empress’s right kneels the Governess of the King of Rome, Mme de Montesquiou, holding the screaming child, and weeping noisily. He registers angry terror at the sight of his father; his little crown has fallen off. His features, though fore-shortened and distorted, resemble those of his father, cf. British Museum Satires No. 11719. He wears an ermine-trimmed robe over his childish tunic and breeches. Behind the Governess is a draped dressing-table, the drapery decorated by a large fleur-de-lis, and the toilet boxes ornamented with crowns. A terrified monkey climbs up the mirror, clutching at the crown which surmounts it, and looking over its shoulder at the shocking spectacle presented by the Emperor. On the extreme right a lap-dog stands on a cushion barking furiously at Napoleon. On the ground on the extreme left are two large round coffers, one inscribed ‘Coffre Pour la Bijoutère [sic] Russe’, the other expectantly open. Voluminous draperies on the left and right, supported on the right by a pillar add to the regal character of the room.”–British Museum online catalogue.

  • Printmaker: Cruikshank, George, 1792-1878, printmaker.
  • TitleThe hero’s return [graphic] / David pinxit ; etched by G. Cruikshank.
  • Publication[London] : Pubd. by H. Humphrey, St. James’s St., Feby. 22d, 1813.

Catalog Record

813.02.22.01+

Acquired June 2018

Madrid – a false alarm

Fourth page of a monthly magazine that consisted of four pages; included on this page are five individually-titled images.

  • PrintmakerSeymour, Robert, 1798-1836, printmaker.
  • TitleMadrid – a false alarm [graphic] ; Dieting in Germany ; Dutchmen blocking up the navigation of the Scheldt ; Portugal ; Perfects and imperfects, or, Dreadful times.
  • Publication[London] : [T. Mclean], [1 October 1832]
  • Manufacture[London] : Printed by Maguire, Lemercier & Co., 24 Leicester Sq.

Catalog Record 

832.10.01.01+

Acquired March 2018

The man of the woods & the cat-o’-mountain

A kitchen scene [with a satire based on the fable of the “catspaw”]. A monkey with Wood’s head squats beside a plump cat with the head in profile of Queen Caroline. She sits gazing at the fire with an eagerly expectant smile. He puts his left hand on her shoulder and takes her right paw which is supported on his knee, looking fixedly at her with greedy expectation. Between the bars of the grate are four chestnuts like large potatoes. These are inscribed respectively: ‘Privileges’, ‘Rights’, ‘Liturgy’, ‘St Catherines’. Beside the grate and attached to a chain is a ‘Kettle of Fish’. Behind the cat is a big trap with steel teeth inscribed ’50 000 per Annum’. Behind it is a dresser, neatly arranged above a cupboard inscribed ‘Lately from St Omers’ [see British Museum Satires no. 13730]. On the dresser are a teapot and butterdish, each with a bust portrait of Bergami, and two cups, inscribed ‘BB’. There are also pans inscribed ‘Hash’ and ‘Stew’, a ‘Tinder’ box and bottle of ‘Brim-Stone’. On the chimneypiece, with other utensils, is a box of ‘Matches’.”–British Museum online catalogue.

  • PrintmakerLane, Theodore, 1800-1828, printmaker.
  • TitleThe man of the woods & the cat-o’-mountain [graphic].
  • PublicationLondon : Pubd. by G. Humphrey, 27 St. James’s St., March 27, 1821.

Catalog Record

821.03.27.01

Acquired March 2017

Slight of hand by a monkey, or, The lady’s head unloaded

Click for larger image

 A lady walking along a high orchard wall has her enormous headdress, trimmed with lace and ribbons, pulled from her head by a monkey perched atop the wall. She clasps her hand to her bare head, a look of surprise on her face. A man perched on a ladder picking apples in the orchard looks over the wall in amusement at the scene. A butcher’s boy with a large tray stands in the street equally amused by the scene.

  • Title: Slight of hand by a monkey, or, The lady’s head unloaded [graphic].
  • Published: [London : Printed for Carington Bowles, at his Map & Print Warehouse No. 69 in St. Pauls Church Yard, London, published as the act directs, 25 Oct. 1776]

Catalog Record  & Digital Collection

776.10.25.01+

Acquired April 2003