Copy (reversed) of the first state of Plate 7 of Hogarth’s ‘The Rake’s Progress’ (Paulson 138): A room in the Fleet Prison (after the painting at Sir John Soane’s Museum); Tom sits at a table, to right, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth’s father); in the background an alchemist works at a forge.”–British Museum online catalogue.
Title: Confined in the Fleet Prison [graphic].
Publication: [London] : Publish’d wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill, March 25, 1768.
A city scene with a line of poor men, women, and children lined up from a money lender’s shop to the “Temple of Juniper: Best gin”. In the background crowds stand at the doorways of the workhouse (right) and the county gaol (left).
Printmaker: Grant, C. J. (Charles Jameson), active 1830-1852.
Title: The drunkard’s progress [graphic] : from the pawnbroker’s to the gin shop from thence to the workhouse thence to the goal & ultimately to the scaffold.
Publication: [London] : [J. Kendrick], January 1st, 1834.
Simon Fraser, eleventh Lord Lovat (1667/8-1747), Jacobite conspirator, army officer, and outlaw is shown sitting on a chair in a jail cell (The Tower of London?), his gouty foot raised on a small stool. He has a pen in his hand and on the table beside him rests an open journal and a box with two ink pots.
Title: Lovat to His Royal Highness the Duke of Cumberland sends greeting