Copy in reverse of the first state of Plate 4 of Hogarth’s ‘The Rake’s Progress’ (Paulson 135): In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell’s sedan chair in St. James’s Street; Tom is presumably on his way to White’s gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom’s elegant walking stick. Above them a careless lamplighter spills some oil on Tom’s head. To the left a Welshman, probably the creditor, honouring St David’s day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James’s Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline.
Title: Is arrested going to court [graphic].
Publication: [London] : Publish’d wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill, March 25, 1768.
“A handsome young man sells pot-plants to a pretty young woman who stands on a door-step (left); a little girl beside her points eagerly to the flowers. He has a two-wheeled cart drawn by an ass; in it are small shrubs in large pots; two pots of flowering plants are on the ground. The background is formed by part of a palatial house having a portico raised on an arcade.”–British Museum online catalogue.
Printmaker: Merke, Henri, printmaker.
Title: All a growing, a growing, heres flowers for your gardens [graphic] / Rowlandson delin. ; Merke sculp.
Publication: London : Pub. Mar. 1, 1799, at R. Ackermann’s, 101 Strand, [1 March 1799]
A social satire: a woman in a apron and with a kerchief on her head is seated at a low table with a basket of lobsters; she holds out one lobster that is pulling a man’s nose, as she says “There d-n your Eyes, who stinks now?” He winces in pain and pushes back against her arm as he replies, “Begar he bite! Oh!!!”
Printmaker: Grinagain, Giles, printmaker, artist.
Title: Stinking lobsters [graphic] / Giles Grinagain in. et fect.
Publication: [London] : Published Decbr. 1, 1801, by S. Howitt, Panton Street, [1 December 1801]
A perspective view, or vues d’optique, of the Covent Garden Market, looking towards Inigo Jones’s St. Paul’s Church, which is situated slightly to the right of center; in the foreground are shown vendors, carriages, pedestrians and other street life. The image is reversed for viewing through the lens of a Zograscope and designed to give the illusion of a deeper perspective, enhanced by the deep vanishing point and bright colour of the print.
Title: Vue perspective du Couvent Garden [graphic].
Publication: A Paris : Chez J. Chereau Rue St. Jacques au desses de la Fontaine St. Severin aux a Colonnes No. 257, [ca. 1790]
“In the foreground is the riverside in Southwark, with spectators, and a vendor of ‘A hot Mutton Pie or an Apple Pie’; a gangway placarded ‘The New City Road’ leads from the pavement to ice. In the background is a detailed view of riverside buildings, the north ends of Blackfriars Bridge (left) and London Bridge (right), St. Paul’s, many spires, and the Monument (right). Letters on the print refer to a key in the lower margin. Tents are dotted over the ice, with a group of three in the centre of the design: ‘The City of Moscow’ has two other placards, ‘Barclays Intire’ and ‘Good Gin Rum &c.’ It flies a Russian flag and on its summit is the effigy of a man. Behind this is the ‘Lord Wellington for Ever’, with a Union flag, and on the left the ‘Orange Boven’ [see No. 12102] with ‘Good Ale Porter & Gin’; it flies the striped flag of the Stadtholder. In front of this people are dancing while a fiddler plays (‘H, Dancing and Fidling’). Behind these tents there is a curving line of spectators and pedestrians along the stream of the river, inscribed ‘I, The main walk’. At intervals along it are various attractions: ‘B, Copperplate Printing’ (the press is being worked), ‘The Wiskey Shop’ (a small booth), a printing-press with a placard ‘Frost Fair Printing Office’ (‘A, Letterpress Printing’), and, farther on, another press: ‘Thames Printing Office’ (also marked ‘A’). Other incidents are skittles (two games, ‘F, playing at Skittles’); ‘G, Throwing at Gingerbread’, with sticks, the slabs being placed on upright sticks. Two boat-shaped swings, one placarded ‘High Flyer’ (‘E, Swinging’); two ‘Ballad Singers’ (‘D’), a man and woman; the carcase of a sheep, hanging from a gibbet-like erection (‘C, A Sheep to be roasted’). In the distance a barber shaves a man who is seated in the open (‘K, Shaveall at work’).”–British Museum online catalogue.
Title: Frost Fair on the River Thames [graphic] : as it appeared in the hard frost, Feby. 4, 1814, between London and Blackfriars Bridges when the river was one sheet of ice and snow, and on which several trades and pastimes were carried on, the above view was taken on the spot at Bankside Feby. 4.
Publication: [London : Published Feby. 14, 1814, by G. Thompson, No. 43 Long Lane, West Smithfield, 14 February 1814]
“View on the Thames during the 1814 Frost Fair; tents erected on the ice; people making merry in tents around fire or on the ice outside; street traders selling goods at fair; a man playing skittle in foreground, figures slipping or falling through cracks in ice behind; Blackfriars Bridge in background, with St Paul’s to the right.”–British Museum online catalogue.
Title: A view of Frost Fair, held on the Thames the beginning of February, 1814 [graphic].
Publication: [London : Published by T. Batchelar, 115 Long Alley, Moorfields, London, February 1814]