Triumph of love and folly

description below

Print showing George IV being carried in a sedan chair by two men wearing judicial wigs and robes, one carries a sceptor; on the top of the chair sits Queen Caroline holding a noise maker, she tells the porters to “Keep joging, I’le be your Pilot, don’t fear his Wakeing – I have Composed his Highness, I warrant you.” George IV pours out the contents of a bottle labeled “opium” and on the ground next to the chair is a broken bottle also labeled “opium.”
“Political satire: the Prince Regent carried in a chair by two judges, with Mrs Fitzherbert on the roof with two babies, followed by the cabinet.”–British Museum online catalogue.

  • Printmaker: Elmes, William, active 1797-1820, printmaker.
  • Title: Triumph of love and folly [graphic] / E-s [Elmes].
  • Publication: London : Pubd. Aprl. 24, 1812, by Thos. Tegg, 111 Cheapside, [24 April 1812]

Catalog Record

824.04.24.01+

Acquired September 2023

Buy a broom?!!

description below

“Brougham stands in profile to the left, selling brooms; he holds up one, two are under his left arm. He wears a barrister’s wig and bands, with a small conical cap tied under the chin, a tight-fitting bodice, and a full petticoat to the knee, showing flat feet and large and ill-formed legs in black stockings. The dress is that of the German and Flemish girls who sold brooms in the London streets …”–British Museum online catalogue.

  • Printmaker: Cruikshank, George, 1792-1878, printmaker.
  • Title: Buy a broom?!! [graphic] / John Birch delt. ; Query fecit.
  • Publication: London : Pubd. May 13th, 1825, by G. Humphrey, 24 St. James’s St. St. [sic], [13 May 1825]

Catalog Record

825.05.13.01

Acquired November 2023

The Catholic sovereign safety-coach

description below

“Apparently an imitation (better drawn) of British Museum Satires No. 15716. Wellington drives (left to right) four galloping horses, each with a human head. The leaders are Lyndhurst (piebald) and Scarlett (black), both wearing legal wigs; the wheelers Brougham, also in his wig, and Burdett. He flicks his lash over the leaders, saying, ‘Kim up Motley–keep together odd Rat [Lyndhurst] ye–or I’ll lay it into ye!!’ The King’s (pleased) face is seen through the coach window; he says: ‘I say Arthur, you are the Man Wot can make’m go, if you like!!’ The guard is Lady Conyngham: she stands up, blowing her horn. She wears a guard’s greatcoat and satchel over her dress and holds a blunderbuss. The coach is the ‘Windsor Castle’; ‘Wellington & Co.’; ‘G R 1829’. It has just passed and overturned a two-wheeled ass-cart, the ass falling on its head, the driver, Eldon, sprawling on the ground. In the cart, which is inscribed ‘John Eldon Rubbish Carter’ [see British Museum Satires No. 15700, &c], are big bundles of ‘Anti-Catholic Petetions’ [see British Museum Satires No. 15661, &c.]. Standing behind and below the guard’s dickey is Peel as ‘cad’, or conductor; he thumbs his nose at Eldon, saying, ‘There’s a Guard for the Sovereign eh!!!’ Windsor Castle is on the extreme left; on the extreme right is a signpost pointing (left) to ‘Windsor’ and (right) ‘To London’.”–British Museum online catalogue.

  • Printmaker: Jones, Thomas Howell, active 1823-1848, printmaker.
  • Title: The Catholic sovereign safety-coach [graphic] : a new start from the castle Windsor – a regular out and outer / T.J. fect.
  • Publication: London : Pubd. 1829 by S.W. Fores, 41 Piccadilly, [April? 1829]

Catalog Record

829.04.00.19+

Acquired September 2023

Case of frightful destitution

description below

“Eldon as a street-beggar kneels on both knees on straw placed on paving-stones, wearing a cap resembling those worn by butchers and the rags of a Chancellor’s gown over tattered breeches. He supports himself by a staff, and holds out his short powdered wig. Beside him (left) lies an empty and dilapidated bag inscribed The Old Bagg [cf. British Museum Satires No. 12883]. He looks down with a gloomy scowl, and from his closed lips rise the words: Pity the sorrows of a poor old man [cf. British Museum Satires Nos. 13991, 16236]–vide beggars petition, Tricked out of Work by a Soldier. Round his neck is tied a placard reaching below the waist, and inscribed: Pity a poor Old Man out of Place, at the age of 78 [76], and though extremely anxious, for employment, disappointed in, all his expectations of procuring the Same. His pension is only 4.000 P A [cf. British Museum Satires No. 10714] and not a Dinner has been dressed in his house within the memory of man! He has a wife to support, and a Son to provide for, who holds only Eight Appointments! Beside him an emaciated dog stands on its hindlegs holding a begging-dish, with a piteous expression.”–British Museum online catalogue.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: Case of frightful destitution [graphic] : the fatal effects of getting out of chancery!!! / [man with an umbrella] Esq. del.
  • Publication: [London] : Pub. by T. McLean, 26 Haymarket, London, [approximately January 1828]

Catalog Record

828.01.00.06+

Acquired May 2023

The lovely Sacarissa dressing for the Pantheon

description below

“A stout, ugly, and elderly woman holds in her left hand a barber’s block, with a carved head in profile, on which is an elaborate pyramidal wig with ringlets. This she is covering with powder or flour from a dredger. Her hair is short and scanty; on her head is a very large black patch, two smaller ones are on her temple. She is dressed in undergarments, showing stays, and frilled petticoat over which is worn a pocket. Her dress, the bodice of which is almost cylindrical from its stiffening whalebone, is on a stool behind her. Her back is turned to the casement window (right) through which look two grinning old women, wearing frilled muslin caps. Over the window, and over the wall on its left, is a heavily festooned curtain. Sacarissa stands facing a low rectangular table (left), on which are a bottle and wine-glass, a candle (?) in a triangular shade, which is falling over, having apparently been knocked by the wig, patches, a comb, a paper, &c. Behind on the wall, in deep shadow, is a picture of a dome inscribed “The Pantheon”.”–British Museum online catalogue.

  • Printmaker: Dawe, Philip, printmaker.
  • Title: The lovely Sacarissa dressing for the Pantheon [graphic].
  • Publication: [London] : [publisher not identified], publish’d Feby. 24, 1772.

Catalog Record

772.02.24.02+

Acquired April 2023

Packwood’s address, he’s not lesser, a perfumer than hair-dresser

description below

An advertisement in verse, with two columns of letterpress text beginning “With humblest deference we greet …”; wood-engraved illustration at top depicting two ladies trying on wigs both facing a bust with “Princes’ Royal” on plinth; an “Explanation” printed below in five lines; all within a typographic ornament border.

  • Author: Packwood, George.
  • Title: Packwood’s address, he’s not lesser, a perfumer than hair-dresser.
  • Publication: [London] : W. Bailey, printer […], [1788]

Catalog Record

File 66 788 P119

Acquired December 2021

Boggis and Clark hair dressers

description below

Text within banners surrounding central image, clockwise from upper right: Toupees; Wholesale & Retail; Cushion’s; Braids; Perfumery; Wigs

  • Title: Boggis and Clark hair dressers, No. 16, Ivey Lane, Newgate Street, London [graphic] / Terry sculp., Pater Noster Row.
  • Publication: [London] : [Boggis and Clark], [between 1770 and 1796]

Catalog Record

File 66 770 B674

Acquired November 2021

Consultation of physicians

description below

A group portrait of various doctors and quacks, including Mrs Mapp, Dr. Joshua Ward and John Taylor. A version of the print also published with lettering “The company of undertakers”. The three named quacks occupy the top, twelve other ‘doctors’ are situated in the lower half; most of them have gold canes held up to their noses, one is dipping his finger into a urinal while another holds it.

 

  • Title: Consultation of physicians [graphic] / Wm. Hogarth invt.
  • Publication: [London] : Printed for Bowles & Carver, No. 69 in St. Pauls Church Yard, London, [ca. 1817]

Catalog Record

Hogarth 817.00.00.24

Acquired January 2021

An exact representation of toupies

description belowA print with 16 numbered oval images, four rows of four images, showing women hairstyles and hairpieces decorated with ribbons and lace.

  • Title: An exact representation of toupies [sic] on a new construction, and other kinds of false hair, made by J. Pyke, no. 24 Milk Street, Cheapside, London [graphic].
  • Publication: [London] : [J. Pyke], [between 1760 and 1770?]

Catalog Record

760.00.00.110+

Acquired November 2019

A riding-house

description belowA view of the interior of a riding-school: A number of men riding round in a circle; those in the foreground ride from right to left, those in the background from left to right. The riding-master stands in the centre, pointing with hand and cane, and grinning at a short fat man in a clerical wig who is running across the room, alarmed at the horses. A short obese man in back-view on the extreme right, who is about to mount his horse has been identified as Captain Grose. Next him is a man with a grotesque impression of alarm riding a plunging horse. Among the riders are two with clerical wigs. One horse is galloping, out of control, the others are quietly ambling round. Two sides of a high rectangular room or hall are visible; in each wall are two high arch-topped windows.

  • Printmaker: Bretherton, James, approximately 1730-1806, printmaker.
  • Title: A riding-house [graphic] / Mr. Bunbury del. ; Js. Bretherton f.
  • Publication: [London] : Published by Js. Bretherton, 15 Feby. 1780.

Catalog Record

780.02.15.03++

Acquired November 2019