Magic – the green-bag metamorphosed

description below

“The Green Bag, see British Museum Satires No. 13735, &c., is transformed into a hillock covered with grass and foliage, but keeping the contour of a sack; it is inscribed in large letters: ‘Commons Green Bag‘. On the left it is watched by a group of Ministers, on the right by the Queen and her supporters. The foremost of the latter is Brougham, in wig and gown, who points a rod inscribed ‘Queens Attorney General’ towards the bag; a mouse crouches in a little hollow at its base. Under his arm is a large document inscribed ‘Resolution ….. [Ma]jesty’. The Queen, her hands extended towards him, turns to a second barrister who stands in back-view, saying, “I should make a brave Queen to be frightened at a Mouse.” The barrister, Denman, the Queen’s Solicitor-General, answers: “A good Conscience is a Wall of Brass, your Majesty will not shrink at a Royal Tiger.” On the extreme right, Wood, in an alderman’s gown, is speaking to a lady, evidently Lady Ann Hamilton. On the extreme left is a curtain from behind which the King, his head and most of his person being hidden, speaks to Lord Eldon (who like his colleagues is gaping at the bag-mountain): “Why Bags! what’s all this!” Eldon, in wig and gown, holding a large document and the Purse of the Great Seal, answers: “The Cat’s out of the Bag Sire thats all.” Canning exclaims: “Pro-di-gi-ous! as my Friend Domine Sampson [in Scott’s ‘Guy Mannering’, 1815] says!” Castlereagh, very scared, says to Sidmouth: “Doctor could you not prevented [sic] this untimely Birth!” Sidmouth stoops forward, squirting a clyster-pipe at the mouse; in his right hand, like a doctor’s gold-headed cane, is a constable’s staff. He exclaims: “A Delivery without Nurse or Doctor by Heaven.” From his pocket hangs a paper: ‘Foreign Circular’ [cf. British Museum Satires No. 13282]. After the title: ‘When mountains cry out, people may well be excused the apprehension of some prodigious Birth, this was the case the Public were all at their wits end, to consider what would be the Issue, and instead of the dreadfull Monster that they expected, out comes at last a contemptible Mouse–The Moral. Much ado about Nothing.– Reflection. What are all the extravagant attempts and enterprises of weak Men, but morals more or less of this Fable what are mighty pretences without consideration or effect, but the vapours of a distemper, that like sickly Dreams have neither issue nor conection. and the dissapointment is not all neither, for men make themselves ridiculous instead of Terrible, when this Tympany shall come to end in a Blast, and a Mountain to bring forth a Mouse, vide L’Estrange’s Esop.–‘.”–British Museum online catalogue.

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: Magic – the greenbag metamorphosed, or, The mountain in labour [graphic] / C.W.
  • Publication: [London] : Pubd. June 28th, 1820, by Richd. Fores, 74 Leadenhall St., Aldgate, [28 June 1820]

Catalog Record

820.06.28.01+

Acquired June 2024

The bears escape, or, Frizzle in an uproar

description below

A satire on 18th-century English hairdressing and women’s fashion: a view of a London shop, presumably “The Rose” (note the large rose above the doorway), a hairdressing and wig-making shop owned by William Vickery (active circa 1783-1832). The shop is shown with double bay windows on the ground floor in which are displayed enormous wigs decorated with feathers. Men and women lean out of the windows on the upper level to watch a pair of bears escaping from the front door. The bears — one saying to the other “Run brother Run, if were caught were Kill’d as sure as a Gun” — are pursued by the proprietor of the shop and another woman. The shopfront is covered with advertisements for the real services and products offered by Vickery including Bears Grease, Soft Pomatums, Sticking Plaister, Curling Irons as well as “La Tete Transparante” and “Figaro Braids”. A woman fleeing from the bears has lost her elaborate wig and is shown bald

  • Title: The bears escape, or, Frizzle in an uproar
  • Published: London, 7 June 1786

Catalog record

786.06.07.01+

Acquired October 2024

Time past. When we beat them ten to one Time present

description below

“[Left image]: A stout English soldier pursues with clenched fists two French soldiers, who are emaciated ‘petits-maîtres’. They wear long pigtail queues, ruffled shirts, and large top-boots. The Englishman says, “Lower your Topsails Monsieurs”; the Frenchmen say “We are bold Frenchmen”. The Englishman is trampling on a French flag which lies on the ground. A British flag is partly visible on the left behind the Englishman. In the distance (right) a party of French soldiers is seen in flight, over them is inscribed, “Run Frogs”. [Right image]: A French soldier (left), with clenched fists, kicks the back of a fat English soldier. He says “Begar zee will make you nozv lower your Topsails”. The fleeing Englishman looks round to say “I’m an English man of War”. In the distance (right) English soldiers with a flag, the words “Run Beef Heads” inscribed over their heads, are in flight. The British flag, inscribed “Discolour’d”, lies on the ground. A French flag, inscribed “Lewis le Grand”, extends over the head of the victorious Frenchman.”–British Museum online catalogue

  • Title: Time past. When we beat them ten to one Time present. The case is alter’d.
  • Published: London, 20 January 1782

Catalog Record

782.01.20.01+

Acquired November 2024

Disposing of the old stuff

description below

“Brougham, seated in profile to the right in a chair inscribed Place, makes a bonfire on the floor of documents and his Old Stuff gown. This he holds over the flames on a levelled broomstick, the broom being inscribed Treasury Broom. Under one foot is a paper inscribed Opposition. He says: I think I shall cut a dash with my new gown; so here goes for the old one–Silk against Stuff for any money. But this worn out concern stinks most damnably: tis true, a great deal of dirty work has been done in it and it was only stuff at first:–it now emits more smoke than flame; yet I can distinguish a magic picture through this volume of vapour. O, glorious precedence! “Tam venerabile erat praecedere” Juvl. The burning papers are: March of Intellect [see British Museum Satires No. 15178], Liberty [of the] Pres[s], Blacks, Catholic Emancipation, Mulatoes, Reform. The smoke from the fire is inscribed Independence, Patriotism, Public Charities, Vapour, Retrenchment. Behind him (left) his new gown hangs on a stand made of an upright which supports his new wig, and a cross-bar inscribed Treasury. The gown is Patent New Silk. Partly concealed by the smoke is the ‘magic picture’: Anticipation; the Purse of the Great Seal suspended above mace and sword. Below the picture is a big bag stuffed with Briefs.”–British Museum online catalogue.

  • Printmaker: Phillips, John, active 1825-1831, printmaker.
  • Title: Disposing of the old stuff [graphic] / Phillips fec., 16 Brownlow St. Holborn.
  • Publication: [London] : Pubd. by E. King, Chancery-Lane, June 18, 1827.

Catalog Record

827.06.18.02+

Acquired June 2024

Vice and profligacy extinguished by equity

description below

“Eldon, in wig and gown, seated in an armchair, on which are the Royal Arms, leans forward to place a paper folded to form an extinguisher and inscribed Judgment over a tiny man who leans back, terrified. Eldon gazes sternly down at the mannikin, Wellesley-Pole, who holds out a large paper: Purity of my Morals–Constancy Shewn to my Wife. On the floor (left) is another paper: Grounds on which I claim the Education of Childr[en].”–British Museum online catalogue.

  • Title: Vice and profligacy extinguished by equity [graphic] / Q. fecit.
  • Publication: [London] : Pubd. Feby. 1827 by G. Humphrey, 27 St. James’s St., London, [February 1827]

Catalog Record

827.02.00.01+

Acquired June 2024

The M.P. marching at the head of his 300 jontlemen!!!

description below

“O’Connell (unrecognizable) marches jauntily to a door on the extreme right, over which is a board inscribed ‘St Ste[phens] To Trespassers Men-Traps–Constantly Set–Beware’; he is followed by an Irish mob, yelling and flourishing shillelaghs. He wears barrister’s wig and gown with a mitre-shaped cap decorated with a cross, shamrock, and bells (emblem of folly). Under his right arm is a large book inscribed ‘1 & 2’; his left hand rests on a stout stick. His gown is held up by a ragamuffin and the procession is headed by a bloated priest who holds up on a bludgeon a placard: ‘Unconditional Emancipation O C For Ever’; this is surmounted with shamrock. The crowd are evidently from St. Giles and similar Irish slums in London; two carry hods, emblem of the Irish builder’s labourer or hodman. On the extreme left in the foreground is an Irish basket-woman, holding her basket, smoking a short pipe; she shouts ‘Stop wid ye now–are ye goin to lave the ladies behind–ye blackguards.’ She is barefooted, very ragged, and wears a soldier’s jacket (cf. British Museum Satires No. 15721). See British Museum Satires No. 15759, &c.”–British Museum online catalogue.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: The M.P. marching at the head of his 300 jontlemen!!! [graphic] / [man with umbrella] Esqr.
  • Publication: [London] : Pub. by T. McLean, 26 Haymarket …, [May 1829?]

Catalog Record

829.05.00.11+

Acquired June 2024

Dressing for the House on the – March 1829

description below

“Lyndhurst stands beside a dressing-table (left), in shirt-sleeves, wearing his Chancellor’s wig. He puts one hand into the arm-hole of a coat which a footman in livery holds out, saying, ‘Your Lordship’s Coat is become very threadbare for you know you turned it only last year–& it has been turned before that: so I much doubt if it will bear turning any more– Can’t you afford to buy a new one now her Ladyship earns her own Expenses?– Doodle pays all her bills and gives her every thing she can wish for.’ Lyndhurst: ‘Alas! she’ll get no more out of Doodle! he has quite kicked her off–She is just now gone to Cumberland to try after a service there which perhaps may enable me to keep still sitting on Wool, if I can but turn this Coat once more & look decent.’ On a settee (right) are the mace, Purse of the Great Seal, and the Chancellor’s gown.”–British Museum online catalogue.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: Dressing for the House on the – March 1829 [graphic] / [man with umbrella] Escr.
  • Publication: [London] : Pub. March 24, 1829, by T. McLean, 26 Haymarket, [24 March 1829]

Catalog Record

829.03.24.01+

Acquired June 2024

The broom sold!!

description below

“Canning (left), in a court suit with bag-wig and sword, stands outside the door of the Treasury completing a bargain with Brougham. The latter is dressed as a German broom-girl as in British Museum Satires No. 14769, &c, with legal bands and a little cap perched on his barrister’s wig, and very clumsy legs and feet. He has handed Canning his broom and takes in return a bag of Gold; his new silk gown is in his left hand. Canning says: Here’s Money, and a hansome [sic] Silken Gown. Brougham watches Canning with a penetrating appraising smile; he answers: For my Proom, I could not take mush less.”–British Museum online catalogue

Artist: Cruikshank, Robert, 1789-1856, printmaker

Title: The broom sold!!!

Production: London: July 1827 by T. McLean, Hay-Market

Catalog Record

827.07.00.04+

Acquired June 2024

The Gord-ian knot still untied

description below

“Two women …, the Duchess of Gordon and her daughter, weep beside an ornate coffin on trestles decorated with ducal coronets and the arms and crest, ‘Che Sara Sara’, of the Duke of Bedford. The Duchess, grossly fat and much caricatured, her hands on her hips, stands on the left, saying, “You intended to ha’a him my dear if you cauld thats certain or ony of the Family, but ne’er heed it Chiel I’ll take You down to the Abbey [Woburn] and try again.” She wears a Scots cap on a wig with short curls. Lady Georgiana (right) stands with both arms extended, staggering backwards, in uncontrolled despair. A miniature on a velvet ribbon has fallen from one wrist, another is about to fall. She exclaims: “Ah me, a luckless Maid, thus crossed in hope & expectation too. quite lost in both Attempts, the one for ever gone the other far too Cold, to feel the genial warmth of mine and Mothers Love. I’ll take me to my Weeds & shew the World the ne’er was Love like mine.” Her hat and necklace lie on the coffin; her curled wig, flung off by her extravagant gestures, is about to fall on it. Broadside ballads lie on the ground; beside the Duchess: ‘There’s Nae luck about the House’ and ‘We’ll tuck up our petticoats under our arm and over . . .’ Beside her daughter: ‘Wither my Love ah Wither art thou gone’ [cf. British Museum Satires No. 9311] and ‘Mad Bessy of Bedl[am]’.”–British Museum online catalogue.

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: The Gord-ian knot still untied, or, The disapointed [sic] Dido still in despair [graphic].
  • Publication: [London] : Pubd. May 9th, 1802, by S.W. Fores, 50 Piccadilly, [9 May 1802]

Catalog Record

802.05.09.01+

Acquired June 2024

See-Dan

description below

“Burdett (right) and Brougham (left) as chairmen, carry (left to right) a bottomless sedan-chair enclosing O’Connell, who is forced to walk rapidly, looking from the window towards Brougham to say ‘Mighty like a walk this after all’. He wears barrister’s wig and gown. The chair is surmounted by shamrock and is inscribed ‘M.P.’ The chairmen wear livery coats; Burdett is bareheaded, and wears his usual top-boots and breeches; Brougham wears barrister’s wig and bands with a battered hat.”–British Museum online catalogue.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: See-Dan [graphic] / [man with umbrella] Esqr.
  • Publication: [London] : Pub. May 1829 by T. McLean, 26 Haymarket …, May 1829.

Catalog Record

829.05.00.12+

Acquired June 2024