The martyr of equality

description below

“Orléans (Égalité), looking to the right, stands on the scaffold dressed as a grenadier of the National Guard. He holds out by the hair the decollated head of Louis XVI, while he waves his cap in his right hand. Behind (left) is the guillotine, with the King’s body; streams of blood pour from head and trunk. Below the scaffold (right) are heads and bayonets of the National Guard, and, behind, two large buildings, the windows and roofs filled with spectators; those on the roof wave their hats.”–British Museum online catalogue.

  • Printmaker: Cruikshank, Isaac, 1764-1811, printmaker.
  • Title: The martyr of equality [graphic] / I. Cruikshanks.
  • Publication: London : Pub. Feb. 12, 1793, by S.W. Fores, N. 3 Piccadilly, [12 February 1793]

Catalog Record

793.02.12.02

Acquired September 2023

A specimen of Scotch modesty

description below

“Twelve figures arranged in two rows, each representing Dundas (not caricatured) in one of his capacities, title and words etched above each. [1] ‘A Governor of the Charter House’. He walks (left to right), looking down at a document in his left hand and saying: “How I venerate Charters”. [2] ‘Joint Keeper of the Signet in Scotland’. He holds out his left hand looking admiringly at a signet ring: “a vera pretty Seal ring worth £2000 a Year”. [3] ‘Chancellor of the University of St Andrew’. He sits directed to the left in a high-backed arm-chair wearing academic cap and long gown: “There is great weight and Dignity in a gown and Square Cap.” [4] ‘Patent Printer of the Bible in Scotland’. He sits in dressing-gown, cap, and slippers at a printing-press of the Caxton type, saying: “This printing and composing is vera tedious, but as it brings in about £6000 per Annum I must noe loose sight of it.” [5] ‘Custos Rotulorum for Middlesex’. He sits pompously in a high-backed chair wearing an old-fashioned cocked hat and laced coat, saying: “A little Consequence is very necessary in a custos Rotulorum”. [6] ‘A Treasurer of the Navy’. He sits at a table on which are money-bags and piles of coin, which he is counting: “Ah! this is pretty neat employment I love to count over the Siller.” [7] ‘A Governor of Greenwich Hospital’. He stands, wearing cocked hat and uniform, in profile to the right, right hand on his hip, left hand on the hilt of a sword: “a naval uniform is vera becoming.” [8] ‘A Commissioner of Chelsea Hospital’. He stands with arms folded, wearing cocked hat with military uniform: “As is also that of the Miliatory in due season.” [9] ‘A Commissioner for India Affairs’. He stands with his back to a group of barrels and chests, turning to the right: “What are ye aboot ye lazy loons, why are not these goods shipp’d off for India d’ye mean to do nothing at aw’ for your money.” [10] ‘Governor of the Bank of Scotland’. He stands in profile to the left, ‘chapeau-bras’, one hand thrust under his waistcoat and wearing an old-fashioned wig: “This is what I call snug – vera little trouble.” [11] ‘A Secretary’. He writes busily in profile to the right at a davenport desk: “By my Sawl I care not how many Trades they make me sae that the Siller comes alang with them catch aw things is the rule in Scotland.” [12] ‘An Elder Brother of the Trinity House’. He stands in profile to the left, wearing a gown, bowing, cap in hand: “This concludes for the present my small portion of the Candle ends, and cheese parings” [cf. British Museum Satires No. 9038].”–British Museum online catalogue.

  • Printmaker: Cruikshank, Isaac, 1764-1811, printmaker.
  • Title: A specimen of Scotch modesty [graphic] / I.C.
  • Publication: [London] : Published Feby. 5, 1798, by S.W. Fores, No. 50 Piccadilly corner of Sackville Street, [5 February 1798]

Catalog Record

798.02.05.01++

Acquired September 2023

Mr. Bunberry, 1769

description below

Profile portrait depicting the young traveller Henry Bunbury wearing an academic gown and mortar board. This drawing was used as the basis for Thomas Patch’s conversation piece of the interior of his Florentine studio painted in 1770 and now in the collection of the Lewis Walpole Library, Farmington.

  • Creator: Patch, Thomas, 1725-1782, artist.
  • Title: Mr. Bunberry, 1769 [art original].
  • Production: [Florence], [1769]

Catalog Record

Drawings P294 no. 2 Box D205

Acquired September 2023

The T trade in hot water!, or, A pretty kettle of fish!!!

description below

  • Printmaker: Cruikshank, George, 1792-1878, printmaker.
  • Title: The T trade in hot water!, or, A pretty kettle of fish!!! [graphic] : Dedicated to T. Canister & T. Spoon Esquires / G. Cruikshank fect.
  • Publication: [London] : Pubd. Novr. 14th, 1818, by G. Humphrey, 27 St. James’s Street, [14 November 1818]

Catalog Record

818.11.14.01+

Acquired February 2024

Turtle soup. Soup maigre. Pea soup. Mutton broth

description below

Four caricatures of men eating soup each type identified below the image: a rich man with rhinophyma eats “Turtle Soup”; a tall, thin soldier with a queue hairstyle eats “Soup Maigre”; a dustman eats “Pea Soup”; and a thin man in an upholstered armchair and wearing a cap and slippers eats “Mutton Broth.”

  • Printmaker: Heath, Henry, active 1824-1850, printmaker.
  • Title: Turtle soup. Soup maigre. Pea soup. Mutton broth [graphic].
  • Publication: [London] : [William Cole], [1826?]

Catalog Record

826.00.00.93

Acquired September 2023

Thomas Haines Jun. fly waggons to London

description below

An illustrated advertising handbill for Thomas Haines’s fly waggons and fly vans, running from the Blossoms Inn in the City of London to the Royal Hotel Yard, Cheltenham. Illustrated with a vignette at head of a covered fly waggon driven by two men; and a vignette at foot of a fly van with driver at front and armed coachman at rear.

  • Author: Thomas Haines Jun. (Firm)
  • Title: Thomas Haines Jun. fly waggons to London … [graphic].
  • Publication: [Cheltenham] : S.Y. Griffith & Co., copper plate printers, [182-?]
  • Manufacture: [1824?]

Catalog Record

File 66 824 T457+

Acquired August 2023

Het beest van Babel is aan ‘t vluchten

description below

“A Dutch broadside satirising the arrival of William III in England and the overthrow of James II and his Roman Catholic policies; with an engraving showing in the foreground on the right William (7) in armour mounted on the Dutch lion (1), attacking the many-headed Babylonian dragon (2) with his lance. Above William flies the angel of Providence (3). To left, priests and Catholic officials (4) flee, some riding on goats, wolves and asses. The dragon carries the infant Prince of Wales holding a windmill (5) held by Father Petre (6). The lion rides over fallen monks and Jesuits (8) and two decapitated heads of the dragon. In the centre background William is received by English notables (9). To left, James (10) departs in a small boat from a shore with a ruined church; to right; he is received by Louis XIV (11), together with Mary of Modena and the infant Prince of Wales. With engraved title, false publication line “Gisling Geneve exc.”, and numbering 1-10, and with letterpress verses, including legend, in two columns.”–British Museum online catalogue.

  • Title: Het beest van Babel is aan ‘t vluchten [graphic] : de godsdienst heeft niet meer te duchten!.
  • Publication: [Amsterdam?] : Gisling Geneve exc. [that is, Romeyn de Hooghe?], [1688]

Catalog Record

688.00.00.01+

Acquired February 2024

W. Brown, architect & surveyor, Ipswich

description below

A classical ruined building with Doric columns, similar to the Temple of Poseidon at Paestum, is depicted; Brown’s credentials are inscribed on a chunk of masonry in the foreground.

  • Printmaker: Robinson, John Henry, 1796-1871, printmaker.
  • Title: W. Brown, architect & surveyor, Ipswich [graphic] / W. Brown inv. et delin. ; J. Robinson sculp.
  • Publication: [England] : [publisher not identified], [approximately 1825]

Catalog Record

File 66 825 R662

Acquired October 2023

“When shall we three meet again?”

description below

Two asses on a bare patch of ground, with the first line of Shakespeare’s ‘Macbeth’ below. The play begins with three witches in a storm deciding when to meet next (‘When the hurlyburly’s done, / When the battle’s lost and won’). That there are only two asses in this parody presumably means that the dedicatee of the print, whose name is withheld, is the third.

  • Printmaker: Grant, C. J. (Charles Jameson), active 1830-1852, printmaker.
  • Title: “When shall we three meet again?” [graphic] : Dedicated to – / C.J.G.
  • Publication: [London?] : [G.S. Tregear?], [approximately 1830?]

Catalog Record

830.00.00.169

Acquired September 2023

Triumph of love and folly

description below

Print showing George IV being carried in a sedan chair by two men wearing judicial wigs and robes, one carries a sceptor; on the top of the chair sits Queen Caroline holding a noise maker, she tells the porters to “Keep joging, I’le be your Pilot, don’t fear his Wakeing – I have Composed his Highness, I warrant you.” George IV pours out the contents of a bottle labeled “opium” and on the ground next to the chair is a broken bottle also labeled “opium.”
“Political satire: the Prince Regent carried in a chair by two judges, with Mrs Fitzherbert on the roof with two babies, followed by the cabinet.”–British Museum online catalogue.

  • Printmaker: Elmes, William, active 1797-1820, printmaker.
  • Title: Triumph of love and folly [graphic] / E-s [Elmes].
  • Publication: London : Pubd. Aprl. 24, 1812, by Thos. Tegg, 111 Cheapside, [24 April 1812]

Catalog Record

824.04.24.01+

Acquired September 2023