Crawley

 

description belowA crowd, gathered in the courtyard under the sign of The George Inn on the route to Brighton, examine a horse seemingly under auction; a man in the doorway holds up a hammer. People look out at the scene from the windows of the inn. Two men converse with a woman to the left as her dog looks at the scene; a traveler with a pack and walking stick sits on a stoop to adjust his shoe.

  • Printmaker: Rowlandson, Thomas, 1756-1827, printmaker, artist.
  • Title: Crawley [graphic] / drawn by Rowlandson ; tinted by Alken.
  • Publication: [London] : Publish’d June 1, 1790, by Messrs. Robinsons, Paternoster Row, [1 June 1790]

Catalog Record

790.06.01.03+

Acquired December 2019

Sutton

description belowA coach pulling up to the Post Station, the Cock Inn at left, on route to Brighton. The coach is pulling into the court yard, about to pass under a wooden gate bearing the inn’s sign, while another coach stands at the inn door. People look down from the second story windows. A man waits at the mile marker in front of another building at right. In the foreground to left, a man with a wooden leg carries a small child on his back as he leads a donkey that carries a woman and two children, one of whom appears to be nursing, the other in a basket that hangs over the donkey. Their dog follows behind.

  • Printmaker: Rowlandson, Thomas, 1756-1827, printmaker, artist.
  • Title: Sutton [graphic] / drawn by Rowlandson ; tinted by Alken.
  • Publication: [London] : Publish’d June 1, 1790, by Messrs. Robinson’s, Paternoster Row, [1 June 1790]

Catalog Record 

790.06.01.02+

Acquired December 2019

Hanover over

description below“The object of this engraving is to enumerate the many evils inflicted on England by its connection with Hanover. A great number of persons are crowded in groups in a place of public resort, and conversing on public affairs … The general discontent at the injurious influence of German politics broke out very strongly at this time in reference to the expenses entailed on England to “secure the succession of the imperial dignity to the Archduke Joseph, eldest son and heir to the reigning emperor”.”–British Museum catalogue.

  • Title: Hanover over [graphic].
  • Publication: [London] : [publisher not identified], [1750s]

Catalog Record

750.00.00.89

Acquired December 2019

Banditti

description belowThe Coalition ministers are gathered around the table placed in the mouth of a cave. On the left sits Lord North wearing armor under his cloak, a goblet in his left hand. Opposite him on the right is Charles Fox, dressed as a centurion and sitting on a fox. He leans on the table keeping his right hand on three dice signed, “Madras,” “Bombay,” and “Bengal,” and clutching a dice box in his left. Behind him Admiral Keppel, the date of the battle of Ushant (1778) on his helmet, raises his goblet in a toast. Behind him Sheridan, with ass’s ears and “School for Scandal” written across his head cover, watches the Duke of Portland count out money to Lord Carlisle. On Portland’s shoulder leans Lord Cavendish in a centurion’s armor under his cloak. Between him and North sits Burke in a Jesuit’s outfit reading his own “Plan of oeconomy [sic].” Under the table lie the corpses of Lords Shelburne and Ashburton, ousted by the Coalition.

  • Printmaker: Boyne, John, approximately 1750-1810, printmaker.
  • Title: Banditti [graphic] / I.B.
  • Publication: [London] : Published by E. Hedges No. 92 Cornhill, Dec. 22, 1783.

Catalog Record

783.12.22.03.2+ Impression 2

Acquired December 2019

The itinerant chancellor

description belowA copy of the caricature of the British Statesman and High Lord Chancellor Henry Peter Brougham, 1st Baron Brougham and Vaux (1778-1868), that appeared in the center of an print that was published on 1 October 1834 in Every body’s album & caricature magazine, no. 19. He is depicted as a very thin traveller wearing a Scottish tam over his wig and using a broom as a walking stick; his shoe is worn through. He carries a wooden post labelled “Scratching post”, a box stamped “Containing the freedoms of all the Scotch towns” and a bag with the words “Broken victuals the leavings of the Edinburgh blow out”. Around his waist is another bag, “Oat meal”. Above the image framed in lines in gold ink: “I flatter myself I’ve made a tolerable good job by my “Starring it” with Old Grey in the North! Sold all my numbers of the Penny Magazine, and well puff’d it through every town I went. Made little less than one hundred speeches about, I forget now, Received some score of Burgesses, Freedoms, and Invitations to as many dinners, where I blew my own trumpet & obtained plenty of orders from our Usefull Knowledge Society! Now, woe to the unstamn’d when I get home! I must have a good scrub at my skin presently; I reckon I have got a taste of the fiddle through my itch for travelling!

  • Creator: M., M. S., artist.
  • Title: The itinerant chancellor [art original] / M.S.M. pinxt. March 39.
  • Production: [England], [March 1839]

Catalog Record

Drawings M999 no. 1 Box D205

Acquired December 2019

A harlots progress. Plate VI

description belowA copy in reverse of William Hogarth’s Plate 6 of A harlot’s progress: A dilapidated room with Moll Hackabout’s friends, mostly prostitutes, gathered around her open coffin, several of them weeping; one young woman stands with her back to the scene as she gazes at herself in the mirror. On the right, a clergyman spills his brandy as he surreptitiously gropes beneath a woman’s skirt; Moll’s serving woman, standing at the coffin with a wine bottle and glass in hand scowls at the pair. Under the window and to the left, the undertaker flirts with a pretty young prostitute who picks a handkerchief from his pocket. In the foreground Moll’s small son plays with a spinning top. Sprigs of yew (rosemary?) decorate her coffin; a plate of yew rests on the floor at the parson’s feet, another spring at her son’s feet.

  • Title: A harlots progress. Plate VI [graphic] : Her funeral properly attended = Pompe de ses funérailles / invented & painted by Wm. Hogarth.
  • Publication: [London] : [publisher not identified], [not before 25 March 1768]

Catalog Record

Hogarth 768.03.25.14+ Box 210

Acquired December 2019

 

A harlot’s progress. Plate V

description belowA copy in reverse of William Hogarth’s Plate 5 of A harlot’s progress: In a squalid room Moll Hackabout, wrapped in a sheet, is dying while two doctors (Richard Rock and Jean Misaubin) argue over their remedies. Her serving-woman reaches out to them in alarm to get their attention for the invalid, while another woman rifles through Moll’s portmanteau (with her initials as in Plate 1). A small boy knelling next to Moll’s chair scratches his head as he turns a joint of meat roasting in front of the fire while a pot overflows on the grate. An over-turned table with an advertisement “Practical scheme … ‘Anodyne” litters the floor in the foreground.

  • Title: A harlot’s progress. Plate V [graphic] : In a high salivation at the point of death = Elle meurt en passant par le grand-reméde / invented & painted by Wm. Hogarth.
  • Publication: [London] : [publisher not identified], [not before 25 March 1768]

Catalog Record

Hogarth 768.03.25.13+ Box 210

Acquired December 2019

A harlot’s progress. Plate IV

description belowA copy in reverse of William Hogarth’s Plate 4 of A harlot’s progress: A scene in Bridewell prison with Moll Hackabout and the other inmates beating hemp under the supervision of a stern warder holding a cane. Moll is still dressed in her finery, but a one-eyed female attendant fingers the lace lappet hanging from her cap and her serving-woman sits before her in Moll’s elegant shoes; next to her a fellow inmate picks vermin off her clothes. Next to Moll is a gambler, a torn playing card on the floor in front of him; behind her, a man stands with his hands in a pillory on which hangs a sign “Better to Work than Stand thus.” Further down the wall is a whipping post with the words “The Wages of Idleness.” On a shudder against the back wall is an effigy of Sir John Gonson (“Sr. J G”).

  • Title: A harlot’s progress. Plate IV [graphic] : In Bridewell beating hemp = Dans la maison de correction a battre le chanvre / invented & painted by Wm. Hogarth.
  • Publication: [London] : [publisher not identified], [not before 25 March 1768]

Catalog Record 

Hogarth 768.03.25.12+ Box 210

Acquired December 2019

A harlot’s progress. Plate III

description belowA copy in reverse of William Hogarth’s Plate 3 of A harlot’s progress: In a shabby room in Drury Lane; Moll Hackabout is shown having risen late (the watch shows 11:45), attended by a serving-woman who has lost part of her nose to syphilis; in the background, the magistrate, John Gonson, enters quietly with officers to arrest her; pinned to the window frame are two portrait prints of the hero and heroines of “The Beggar’s Opera”, Captain Mackheath and Polly Peacham, (Polly replaces Dr. Sacheverell in Hogarth’s print), the wig-box of James Dalton, highwayman, sits above the bed, and one of several beer tankards on the floor carries the name of a Drury Lane tavern. A kitten plays at Moll’s feet. A copy of Bishop Gibson’s “Pastoral Letter to …” serves as a butter dish. Above the window on the left is a print after a Titian painting depicting the angel staying the hand of Abraham as he is about to slay Isaac. Medicine bottles on the window sill suggest that Molly is already ill with the disease that will later kill her.

  • Title: A harlot’s progress. Plate III [graphic] : The compleat trull at her lodgings in Drury Lane = Elle est reduite à la misère dans son logement de Drury Lane / invented & painted by Wm. Hogarth.
  • Publication: [London] : [publisher not identified], [not before 25 March 1768]

Catalog Record

Hogarth 768.03.25.11+ Box 210

Acquired December 2019

A harlot’s progress. Plate II

description belowA copy in reverse of William Hogarth’s Plate 2 of A harlot’s progress: Mary Hackabout (left), now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist’s moral message.

  • Title: A harlot’s progress. Plate II [graphic] : In high keeping by a Jew = Un juif l’entretien somptueusement / invented & painted by Wm. Hogarth.
  • Publication: [London] : [publisher not identified], [not before 25 March 1768]

Catalog Record

Hogarth 768.03.25.10+ Box 210

Acquired December 2019