Supplementary cavalry and infantry

description below

“A design in two compartments; above, cavalry proceed right to left; below, infantry march left to right. [1] A burlesqued procession of men variously mounted. The leader, dressed as a light horseman and holding up a sabre, rides a horse with blinkers, trampling on a hen and chickens and leaving a dead pig behind him. He says: “Know all Men by these presents that if any accidents happen I do not Consider myself accountable for them after thus publiccally Warning every Person to keep within doors all all [sic] their live and Dead Stock!!” The next horseman, whose hat flies off, turns to shout: “Hollo there, some body be so good as to catch my hat.” He is followed by a silent man riding a bull. Next him a man threatens with his sword a ragged boy on an ass: “What are you at you young scoundrel are you going to ride over the Captain keep in your rank you.” The boy answers: “What d’ye mean by that I have as much right here as you.” A man clasps his horse’s neck, saying, “Curse the Horse how he Prances.” Behind the ass, the horse of a man in civilian dress falls on its knees, throwing its rider, who says: “D——n the chimney Sweeper I thought he’d be over us.” A rider (horse visible) shouts “Take care of the Apple Stall”, while an old woman throws up her arms, shouting, “O Dear Mr Soldier dont ride over me.” She is in danger from a man in regimentals, gauntlet gloves, and wearing a sword, but whose horse has blinkers. A man turns to him, saying, “D——n me you’ll kill the old woman.” He answers: “What signifies that charge her to the parish.” The last of the procession is a yokel in a smock, on a horse with blinkers and collar. He rides down a pig and poultry; his neighbour turns to him, saying, “Mind what you are hat – you Sir in the Blue Frock if you kill the Pigs it will be actionable.” He answers : “Then let them keep out of the way of the Sarvice.” [2] An unsoldierly group march with bayoneted muskets, preceded by two boys with fife and drum. The officer, wearing a gorget and holding up a sword, scowls at a man behind him who raises his leg so high as to kick him, saying: “None of your tricks Jack dont Fancy you are in the shop now”: the grinning offender is addressed by a man wearing a Grenadier’s cap who marches beside him: “Mind what you are about or you will be had before a Court Martial”. A man with tipsily closed eyes says, “I’m as giddy as a goose.” A short, fat, elderly man in civilian dress says, “Warm work my Masters”. His neighbour answers, “Nothing when you are used to it”. A man wearing an apron rests his musket horizontally on his shoulder, saying, “This is the way to march”; he spikes the hat of the man behind, who shouts: “What are you at you fellow in green are you going to poke peoples eyes out”. A stout man says, “When I kept the tripe Shop in the Borough who would have thought I should have rose to be an Insign.” Beside him walks a woman with a bottle and glass shouting, “Does any Gentlemen in the front ranks want a drap of good Gin.” A Grenadier marches beside the last couple looking contemptuously at a man in a shirt who says: “By goles this thing [musket] is so heavy it’s the best way to drag it along and not carry it.” The last man, who is bandy-legged, says, “I donna much like it.”.”–British Museum online catalogue.

  • Printmaker: Cruikshank, Isaac, 1764-1811, printmaker.
  • Title: Supplementary cavalry and infantry [graphic] / Woodward delint.
  • Publication: [London] : Pubd. January 1st, 1797, by S.W. Fores, No. 50 Piccadilly, corner of Sackville St., [1 January 1797]

Catalog Record

797.01.01.03+

Acquired February 2024

W.E. Gladstone collection…..Queen Caroline Affair

book cover

A collection of 256 mostly British satirical prints and broadsides commenting on the scandalous relations between Queen Caroline and King George IV including those commenting on the “Queen Caroline Affair” of 1820, purportedly assembled by William Gladstone and mounted in chronological order in two albums. Many of the prints and broadsides are annotated apparently in W.E. Gladstone’s hand, with the exact month and date of publication and the identities of the person being satirized. Later pencil annotations have been added to mounting sheet along with extracts from the description of the print from the Catalogue of prints and drawings in the British Museum, these later annotations probably added by the 20th-century owner of the volumes, Ernest R. Gee.

  • Creator: Gladstone, W. E. (William Ewart), 1809-1898, collector.
  • Title: [W.E. Gladstone collection of caricatures and broadsides surrounding the “Queen Caroline Affair”] [graphic].
  • Published: [London], [ca. 1835?]

Catalog Record

Folio 724 835G (Oversize)

Acquired February 2024

Term time, or, The lawyers all alive in Westminster Hall

description below

A watercolor drawing of a scene in Westminster Hall with three judges presiding over a crowded courtroom.

  • Artist: Dighton, Robert, 1752-1814, artist.
  • Title: Term time, or, The lawyers all alive in Westminster Hall [art original] / Dighton del.
  • Production: [England], [1795]

Catalog Record

Drawings D574 no. 7 Box D205

Acquired March 2024

French alias Corsican villainy, or, The contrast to English humanity

description below

description below

“Two designs placed side by side, the title so arranged that ‘The Contrast’ applies to both, the first four and last two words to the two designs respectively. [1] A scene outside Jaffa where the French flag flies from a fort on a rock at whose base are hospital tents (left), in which the sick can be seen. In the foreground Napoleon (a poor portrait) points with an imperious gesture to a bottle of ‘Opium’ in the hand of a distressed doctor in civilian dress. He says: “Don’t talk to me of Humanity & the feelings of a generous heart, I say Poison those Sick dogs they are a burthen to me, & can no longer fight my Battles!!! I say destroy them – As for those Turks, them up in the Garrison, turn all the Guns upon them, Men, Women, & Children & blow them to atoms, they are too bold & resolute for me to suffer them to live, they are in my Way.” In the middle distance (left) is a body of Turks, their arms tied behind them, guarded by a French soldier who points at Napoleon. Behind Napoleon two French officers exchange glances, acutely dismayed at the orders.” … [2] Two black soldiers, in neat regimentals, prepare to kill three haggard French officers. One raises an axe to smite a bound prisoner. Two British officers (left) interpose with outstretched arms; one says: “We know they are our Enemies, & yours, & the Enemies of all Mankind, nevertheless Humanity is so strongly planted in the Breast of an Englisman [sic], that he can become an humble beggar, for the lives, even of his enemies, when they are subdued.” The other adds: “A mercy unexpected, undeserved surprises more.”–British Museum online catalogue.

On the verso are newspaper clippings on a variety of topics: Sir Lionel Darell and the benevolence of the King to grant him land for his greenhouses in Richmond Park; “Observations on the rot of sheep”; Poem entitled “Leamington Spa”; “Balloon Ascension” an extract from a letter from Bristol, dated Sept 26.; an report of the death of Simon Southward, a miller who was a prisoner for 43 years for debt and the delusion of being the Earl of Derby.

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: French alias Corsican villainy, or, The contrast to English humanity [graphic].
  • Publication: [London] : Pubd. Jany. 13, 1804, by S.W. Fores, No. 50 Piccadilly, [13 January 1804]

Catalog Record

804.01.13.01+

Acquired February 2024

The Union!

description below

“Pitt (left) and St. Patrick (right) bestride bulls whose horns are locked in combat, their noses pressed together; the bulls are similar, but the Irish animal is sturdier, its head heavier, its tail erect. Pitt wears armour with a plumed helmet and a cloak. He holds a baton and says: “Never fear St Patrick all will be yet very well they are a little restive at first but they will take to it, kindly enough bye and bye – I’ll warrant you.” St. Patrick, wearing a tiara and holding a crozier, says: “Pon my Conscience I don’t know what you call it but the duece of any thing like an Union do I see except their horns being fastened together”. Pitt’s cloak and St. Patrick’s robe fly out, as if the two had been riding rapidly towards their impact.”–British Museum online catalogue.

  • Printmaker: Rowlandson, Thomas, 1756-1827, printmaker.
  • Title: The Union! [graphic].
  • Publication: [London] : Publish’d Janry. 1801 by R. Ackermann, N. 101 Strand, [January 1801]

Catalog Record

801.01.00.01+

Acquired February 2024

See Europe here! for Arms, and Arts renown’d

description below

“A man on horseback riding to left and pointing ahead of him with his whip, accompanied by a man on foot who carries a gun and gestures with his hat at a globe, palette and dividers on the ground in the foreground; classical ruins and a large building in the background.”–British Museum online catalogue.

  • Printmaker: Moore, James, active approximately 1761-1763, printmaker.
  • Title: See Europe here! for Arms, and Arts renown’d, … [graphic] / Amiconi pinxt ; Moor fecit.
  • Publication: London : Printed for & sold by R. Sayer opposite Fetter Lane, Fleet Street, [before 1765]

Catalog Record

765.00.00.98+

Acquired February 2024

The Qu-n’s ass in a band-box

description below

The Queen, grossly caricatured, sits on a zebra which stands in a round band-box with a hinged and upturned lid inscribed ‘a Present from Bart. Bergami’. The zebra has the (profile) head of Wood, looking with greedy and imbecile satisfaction towards a sieve of food inscribed ‘Garden of St Cath[erine]’. This is held out by two hands projecting from the right margin. The Queen, with a grin both calculating and insane, sits full-face, negligently holding reins attached to Wood’s mouth, her right hand on her hip. She sits in a smaller (bottomless) band-box which surrounds her entirely from just below her large waist down, with only one leg extended below. She wears a décolletée dress; on her head is an erection of feathers and flowers rising from a circlet inscribed ‘Wood’. An owl (cf. British Museum satires no. 14199) flies by her head. In the background is Brandenburgh House, in front of which is a braying ass.

  • Title: The Qu-n’s ass in a band-box [graphic].
  • Publication: [London?] : [publisher not identified], [approximately 1821]

Catalog Record

821.00.00.23

Acquired October 2023

Oratory of St. Nicholas on the lake of Lucerne

description below

View of the small “oratory of St. Nicholas” perched on a tiny island in Switzerland’s Lake Lucerne.

  • Printmaker: Ingram, Augusta Isabella, 1802- printmaker.
  • Title: Oratory of St. Nicholas on the lake of Lucerne [graphic] / I.G. 1824.
  • Publication: [England] : [publisher not identified], [1824]

Catalog Record

824.00.00.65

Acquired September 2023

Hard hearted Grower gives poor Boots his due

description below

A man on horseback struggles to maintain control of his horse as it rears its hind legs, sending a boy scrambling away in the foreground on the right. In the background, another man looks on and grins at the prank he has played with his stick in the horse’s tail; he stands in front of a building (an inn?) with a sign hanging above the entrance.

  • Artist: Bunbury, Henry William, 1750-1811, artist.
  • Title: Hard hearted Grower gives poor Boots his due, or Boots at posting has a Rig for you – Anon [art original].
  • Production: [England], [approximately 1790?]

Catalog Record

Drawings B87 no. 32 Box D200

Acquired February 2024

The ballad singers

description below

A poor family in rags sing on a city streets to earn money. The man, a veteran with a peg leg, plays the violin; his uniform is patched up. The boy wears no shoes and a coat too big for him; he holds out a hat to collect the money. The woman wears a ragged dress and a patched cloak covering a baby on her back; she carries a basket with loaded with the broadsides for sale.

  • Printmaker: Sears, Robert, active 1800- printmaker.
  • Title: The ballad singers [graphic] / Mercer del. ; Sears sculp.
  • Publication: [London] : Published by T. Smyth & sold by A. Parsey, Burlington Arcade, [1828?]

Catalog Record

828.00.00.117

Acquired September 2023