The faith of treaties exemplified

description below

“A huge bull, snorting fire, rushes with lowered head towards a French fort (left) from which cannon-balls descend upon him. Beneath the fort sansculottes on one knee fire at the bull while standing French soldiers, correctly dressed, also fire. On the fortress stand Frenchmen, firing and waving their hats; they shout: “Vive la republic, Blood & plunder, no Quarter to John Bull!” A huge tricolour flag has a staff surmounted by a skull. To the bull’s back is strapped a bundle inscribed ‘Debt Debt’. One horn has been shot off and lies on the ground. To his left hind leg is chained a heavy weight inscribed ‘Subsidies’. Nevertheless, he cries: “Now my brave Allies let us all stand firm together & make a bold push, & I’ll be Answerable for the Event.” But behind him (right) his allies have all turned their backs and are departing in directions indicated by signposts. A fat Dutchman smoking a pipe goes ‘To Amsterdam’, saying, “I care not who beats, I’ll join the Strongest Party”. Frederick William II (father-in-law of the Duke of York) walks off ‘To Berlin’, saying, “I’ve fingerd the Cash from both Sides, & will now employ it to Secure the Partition of Poland”; “Negociate with Robertspierre privately & then – Damn Relationship!!!” Next, a Spanish don, Charles IV, goes ‘To Madrid’, saying, “Whats the Bourbon Family to me when they Impede my Interest. Hush!! I am now treating for a Separate peace with that Blackguard Roberspere to Secure my own Crown – I must enlarge the Powers of the Inquisition”. On the extreme right Francis II and Mack in a two-wheeled gig, on which is the Habsburg eagle, are driving off ‘To Vienna’. The Emperor says: “Well Mack we have made a Glorious Campaign of it; of what use are the Low Countries without they continue to fill my Coffers? As for John Bull, let him settle the business as he can he loves to be meddling”.”–British Museum online catalogue.

  • Printmaker: Cruikshank, Isaac, 1756?-1811?, printmaker.
  • Title: The faith of treaties exemplified, or, John Bulls last effort to oblige his false friends [graphic].
  • Publication: [London] : Pub. July 17, 1794, by S.W. Fores, No. 3 Piccadilly, [17 July 1794]

Catalog Record

794.07.17.01+

Acquired January 2021

The peace soup shop

description below

“John Bull sits full face holding a bowl of soup, between Addington, the cook, and the protesting Windham on the extreme right. On the left Pitt sits in profile to the left before an enormous kitchen fire, over which hangs a giant cauldron; he blows the fire with bellows, saying, ‘I dont know how it is – but I manage this Soup business rather awkwardly – I suppose it is from being so much used to the stewing and Broiling line.’ Addington, who wears the Speaker’s wig with apron and over-sleeves, and holds a long ladle, says: ‘Though I say it that made it – you never tasted better soup in your life’. Windham (right) stands in profile to the left his knees flexed, saying, ‘O’ Mr Bull – Mr Bull – if you have any regard for your Constitution – dont touch it – the Cayen of Jacobinism flavours every spoonful – and the Fire that boil it I consider as a Funeral Pile for all your well wishes – do Johnny take some of my Cheese-parings – they are very wholesome, and easy of Digestion.’ John says, his eyes turned towards Addington, his spoon raised to his mouth: ‘I don’t mind what he says – my Hearty I say it’s very good Soup – and a d——d deal better [word erased] than your Gin. I should like a little more bread for all that, and it would be quite as well – if it did not taste so strong of the Ceylon pepper.'”British Museum online catalogue.

 

  • Printmaker: Roberts, Piercy, active 1791-1805, printmaker.
  • Title: The peace soup shop [graphic] / Woodward delin. ; etch’d by Roberts.
  • Publication: [London] : [publisher not identified], [ca. March 1802]

Catalog Record 

802.03.00.04+

Acquired September 2020

Olympic games, or, John Bull introducing his new ambassador

description below

“Napoleon (right) stands between two Russians; one (left) he strikes on the chin with his fist, saying, “There Sir take that, and tel your Master, I’ll thras every one who dares to speak to me I’ll thrash all the World D -me I’ll, I’ll I,’ll be King of the Universe.” The injured Russian stares, saying, “Why this is club Law; this is the Argument of force indeed the little Gentleman is Dêrangé.” Behind Napoleon (right) an officer in fur cloak and hussar’s cap watches with indignation, saying, “The Monarch I represent, will return this insult with becoming dignity.” On the left John Bull, jovial and grossly fat, and wearing top-boots, puts his arm across the shoulders of a pugilist, and points to Napoleon, saying, “There my Boy is an Ambassador who will treat with you in your own way, but I say be as gentle with him as you can.” The good-looking brawny pugilist, who is stripped to the waist, clenches his fists, saying, “what! is it that little Whipper snapper I am to set too with why I think the first round will settle his hash.” [An early use of this phrase which disproves Partridge, ‘Slang Dict., tracing it in England to 1825, and in U.S.A. to 1807, suggesting that the English may have learnt it in the war of 1812. It was clearly current in England by 1803] Bonaparte is small and youthful, caricatured chiefly by the disproportionate size of cocked hat and sabre.”–British Museum online catalogue.

 

  • Author: Cruikshank, Isaac, 1756?-1811?, printmaker.
  • Title: Olympic games, or, John Bull introducing his new ambassador to the Grand Consul [graphic] / Cruikshank del.
  • Publication: [London] : Pub. by S.W. Fores, N. 50 Piccadilly, London, June 16, 1803.

Catalog Record

803.06.16.02+

Acquired January 2021

Spectres visiting Iohn Bull

description below

“John Bull, a fat ‘cit’, is seated beside a writing-table (right) holding up a large book. On the left hand page is inscribed ‘Vote of Thanks respecting the Expedition to Copenhagen’; John’s pen rests on the last word, but he turns in horror to gaze at the ghosts of (left to right) Fox, Pitt, and Burke. These wear shrouds and stand on clouds; all point a menacing forefinger. Fox says: “Erase those lines from your Journal”; Pitt and Burke say “Erase”. Burke wears spectacles and a Jesuit’s biretta (cf. British Museum Satires No. 6026), and holds a large book inscribed ‘Sublime & Beautiful’ [cf., e.g., British Museum Satires No. 6361]. John wears glasses, his hair rises on his head, pushing up his ill-fitting wig. He says: “Why dont you come then and transact the business yourselves? – it is impossible I can please every body. – it is come to such a pitch now that I have no peace either with the living or the dead!!!””–British Museum online catalogue.

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: Spectres visiting Iohn Bull [graphic].
  • Publication: [London] : Pubd. Feby. 23, 1808, by Walker, No. 7 Cornhill, [23 February 1808]

Catalog Record

808.02.23.01+

Acquired November 2020

Perusing the state papers

description text

“Napoleon, John Bull (a ‘cit’), a British general wearing a star, and the Duke of Portland sit in conference, each holding a large double paper covered with type or script. Napoleon sits on the left, pointing to the text of his paper and saying to his neighbour, “You see Mr Bull the case is simply this If you do so, I’ll do so!” John, much disconcerted, stares at the Emperor, exclaiming “O! O!” The general also looks at Napoleon, perturbed. Portland (right), who sits in an armchair facing the Emperor, with frank dismay says: “If he says O! O! I’m afraid t’is but so! so!”.”–British Museum online catalogue.

 

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: Perusing the state papers, or, Sounding the opinions of John Bull [graphic].
  • Publication: [London] : [publisher not identified], March 1808.

Catalog Record

808.03.00.04+

Acquired November 2020

The corn bill, or, Iohn Bull and his hobby

description below

“Mr. and Mrs. Bull are in their breakfast parlour; she sits beside a table on which is a tray with coffee-pot, &c, he stands booted and spurred, impatient to set off. Through an open doorway (right) a groom is seen holding a saddle-horse. Behind are the houses of a London street. Mrs. Bull reads with dismay the ‘[M]orning Post’; she cries: “Here Mr Bull here’s the Speech of that fellow on the Corn Bill – You must stop and hear this – The Price of Corn is yet Far Below the Price which is universally allowed to be Necessary!!!! why we shall all be starved Mr Bull.” He shouts, with outstretched arms: “D——n the Corn Bill! I have not time to think of any thing till the Election is over. – why Liberty and Independence is at stak [sic] – What is Starving to that Mrs Bull!” Both are very fat, and evidently prosperous.”–British Museum online catalogue.

 

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: The corn bill, or, Iohn Bull and his hobby [graphic].
  • Publication: [London] : Pubd. Augt. 20th, 1804, by S.W. Fores, 50 Piccadilly, [20 August 1804]

Catalog Record

804.08.20.03+

Acquired November 2020

Iohn Bull on a bed of roses

description below

“John Bull, a plebeian, stout and dishevelled, lies on his back on a tangle of large roses with vicious thorns. These are on a heap of stones and under the stump of a decayed oak tree (left). He exclaims: “Oh Lord! Oh Lord! if this be the Bed of Roses they make such a noise about I’d sooner lye with the Old Sow and her Farrow in the Dog Days! – My Dame will roar woundidly when she comes to bed! Ecod it’s as bad as lying on a Harrow upside down.” The stones (left to right) are ‘Expedition to Holland’ [1799, see British Museum Satires No. 9412, &c], ‘Expedition to Ferrol’, ‘Jobs and Contracts’, ‘Pension List’, ‘Indemnity for the past & Security for the Future’, ‘No Peace possible with the child and Champion of Jacobinism’, ‘Places’, ‘Subsidies’. The roses are: ‘Candle Tax’, ‘Hair Powder Tax’, ‘Hat Tax’, ‘Paper Tax’, ‘Snuff Tax’, ‘Game Tax’, ‘Wine Tax’, ‘Property Tax’, ‘Salt Tax’, ‘Land Tax’, ‘Stamp Tax’, ‘Assessed Taxes’, ‘Income Tax’, ‘Table Beer Tax’, ‘House Tax’, ‘Window Tax’, ‘Excise Duty’, ‘Horse Tax’, ‘Tobacco Tax’, ‘Soap Tax’, ‘Servant Tax’, ‘Malt Tax’, ‘Hop Tax’, ‘Sugar Tax’, ‘Legacy Tax’, ‘Tea Tax’, ‘Cyder Tax’. On the two extremities of the ‘bed’ are clusters of thorny buds; these are inscribed ‘1807’, ‘1808’, and [once] ‘1809’, those on the left being labelled ‘National Debt’. In the distance St. Paul’s is indicated. Bushes on the right are wind-swept.”–British Museum online catalogue.

 

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: Iohn Bull on a bed of roses [graphic].
  • Publication: [London] : Pubd. July 1806 by Wm. Holland, Cockspur Street, [July 1806]

Catalog Record

806.07.00.01+

Acquired November 2020

Here we go up up up and there he goes down down downe

description below

A satire of the 1832 Reform Bill, with a see-saw with the Crown as the fulcrum. At the center is William IV, waving the Union flag; to the right is Lord Grey, seated on the lever, helping William balance with a scroll marked ‘Union’, with John Bull standing underneath, wedging the lever up with the ‘Reform Bill’; and to the right the Duke of Wellington tumbles backwards as the lever breaks under the weight of him and two huge scrolls marked ‘Anti Reform’.

 

  • Title: Here we go up up up and there he goes down down downe [graphic].
  • Publication: London : Pubd. by O. Hodgson, 10 Cloth Fair, [ca. 1831]

Catalog Record

831.00.00.50

Acquired November 2020

The blessed effects of a united cabinet

description below

“George IV, seated on the throne, watches a display of jovial fraternization between John Bull and Pat, who dance, holding hands, each holding up a hat decorated respectively by rose and shamrock. A lanky garland of (thornless) roses and giant shamrocks drapes the crown on the back of the throne; one end is held up by Wellington (right), on the King’s left, the other by Peel on his right, so that the King is framed by it. J. B. is an obese and drink-blotched “cit”, with a snuff-box inscribed ‘Irish’ in his waistcoat pocket. Pat is a ragged Irish peasant, his bare legs swathed by twisted straw; his shillelagh lies on the ground; he looks with a broad but appraising grin at J. B., who sings: “Together reared together grown, Oh! let us now unite in one, Let friendship rivet the decree, Nor bigots sever Pat and Me!!!” Two discomfited ‘bigots’ depart on the left; one is a gouty parson using a crutch, with a ‘Petition against Concession’ hanging from his pocket, cf. British Museum Satires No. 15661, &c. The other is a Catholic bishop in robe and mitre. They say: ‘It’s time for us to be off.’ Above their heads flies a figure of Discord, her hair consisting of snakes which spit flame towards J. B. The King, with extended arm, says: ‘No more let Bigotry distract the Nation, Nor Priestcraft nurture lawless passion, Henceforth let rage and tumult cease, As brothers live and die in peace!!!'”–British Museum online catalogue.

 

  • Printmaker: Jones, Thomas Howell, active 1823-1848, printmaker.
  • Title: The blessed effects of a united cabinet, or, The glorious march of intellect [graphic] / T. Jones fect.
  • Publication: London : Pubd. April 1829 by S.W. Fores, 41 Piccadilly, [April 1829]

Catalog Record

829.04.00.17+

Acquired December 2020