Perspective view of the inside of the Royal Exchange in London

description below

“Interior of the Royal Exchange; interior of the great quadrangle from the north-east corner of the inner cloister, or walk, with the clock tower on the left, and the court filled with merchants of various nations.”–British Museum online catalogue.

  • Printmaker: Bartolozzi, Francesco, 1727-1815, printmaker.
  • Title: To the Right Honorable William Pitt, first Lord Commissioner of the Treasury, Principal Secretary of State, and Chancellor of the Exchequer, this accurate perspective view of the inside of the Royal Exchange in London is (by permission) humbly dedicated by his most grateful, obedient, and most obliged humble servant, J. Chapman [graphic] / the delineation by Mr. Chapman, the figures by Lutherburgh, the graving of the plates by Bartolozzi.
  • Publication: [London] : [John Chapman], [1788]

Catalog Record

788.00.00.44++

Acquired April 2023

Le colera de Napoleon

description below

A Spanish version of Gillray’s 1803 satire ‘Maniac Raving’s-or-Little Boney in a Strong Fit’, the texts in the plate adapted to the Spanish relationship with France during the Peninsular War – after the invading French armies were defeated by the Spanish in Andalusia at the Battle of Bailen ‘Napoleon is frantic with rage at the news from Spain… He blames Godoy (whom he had made ‘Prince of the Algarves’) for deceiving him, apostrophizes Talleyrand, reproaches Dupont, and his second-in-command Vedel, for the capitulation of Baylen… his deceptions are discovered by the ‘perfidious Englishman’, probably Sir Hew Dalrymple, the Governor of Gibraltar’ (British Museum catalogue).

  • Title: Le colera de Napoleon [graphic].
  • Publication: [Spain] : [publisher not identified], [1808 or 1809?]

Catalog Record

808.00.00.38+

Acquired April 2023

After the invasion

description below

“Three volunteers or militiamen, three-quarter length figures, exult at the head of Bonaparte which one of them (right) holds up on a pitchfork, saying, “Here he is Exalted my Lads 24 Hours after Landing.” The head is in profile to the left, the sharp well-cut features contrast with those of the chubby yokels. The centre figure, holding out his hat, says, turning to the left: “Why Harkee, d’ye zee, I never liked Soldiering afore, but some how or other when I though [sic] of our Sal the bearns, the poor pigs, the Cows and the Geese, why I could have killed the whole Army my own Self.” He wears a smock with the crossed straps of a cartouche-box. The third man (left) in regimentals, but round-shouldered and unsoldierly, says: “Dang my Buttons if that beant the Head of that Rogue Boney – I told our Squire this Morning, what do you think say’s I the Lads of our Village can’t cut up a Regiment of them French Mounsheers, and as soon as the Lasses had given us a Kiss for good luck I could have sworn we should do it and so we have.” All three have hats turned up with favours and oak-twigs, the favours being inscribed respectively (left to right): ‘Hearts of Oak’; ‘Britons never will be Slaves’, and ‘We’ll fight and We’ll Conquer again and again’. In the spaces between these foreground figures is seen a distant encounter between English horse and foot and French invaders, who are being driven into the sea, on which are flat-bottomed boats, all on a very small scale. Two women search French corpses; one says: “why this is poor finding I have emtied the pocketts of a score and only found one head of garlic 9 onions & a parcel of pill Boxes.” Cf. British Museum Satires No. 8145.”–British Museum online catalogue.

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: After the invasion [graphic] : the levée en masse, or, Britons strike home.
  • Publication: [London] : Pub. Augt. 6th, 1803, by S.W. Fores, 50 Piccadilly, [6 August 1803]

Catalog Record

802.08.06.01+

Acquired April 2023

Perspective view of the outside of the Royal Exchange in London

description below

“Exterior view of the Royal Exchange; looking down a busy street with carriages, carts and pedestrians, St Paul’s Cathedral in the distance to the left, the prominent entrance of the Royal Exchange with tower to right; in right foreground a man enters a shop with the sign “John’s Coffee”; after Loutherbourg and Chapman; published etched state.”–British Museum online catalogue.

  • Printmaker: Bartolozzi, Francesco, 1727-1815, printmaker.
  • Title: To the Right Honorable William Pitt, first Lord Commissioner of the Treasury, Principal Secretary of State, and Chancellor of the Exchequer, this accurate perspective view of the outside of the Royal Exchange in London is (by permission) humbly dedicated by his most grateful, obedient, and most obliged humble servant, J. Chapman [graphic] / the delineation by Mr. Chapman, the figures by Lutherburgh, the graving of the plates by Bartolozzi.
  • Publication: [London] : Published as the act directs August 12, 1788, & sold by Mr. Chapman at Mr. Christie’s, Pall Mall, [12 August 1788]

Catalog Record

788.08.12.01++

Acquired April 2023

The lovely Sacarissa dressing for the Pantheon

description below

“A stout, ugly, and elderly woman holds in her left hand a barber’s block, with a carved head in profile, on which is an elaborate pyramidal wig with ringlets. This she is covering with powder or flour from a dredger. Her hair is short and scanty; on her head is a very large black patch, two smaller ones are on her temple. She is dressed in undergarments, showing stays, and frilled petticoat over which is worn a pocket. Her dress, the bodice of which is almost cylindrical from its stiffening whalebone, is on a stool behind her. Her back is turned to the casement window (right) through which look two grinning old women, wearing frilled muslin caps. Over the window, and over the wall on its left, is a heavily festooned curtain. Sacarissa stands facing a low rectangular table (left), on which are a bottle and wine-glass, a candle (?) in a triangular shade, which is falling over, having apparently been knocked by the wig, patches, a comb, a paper, &c. Behind on the wall, in deep shadow, is a picture of a dome inscribed “The Pantheon”.”–British Museum online catalogue.

  • Printmaker: Dawe, Philip, printmaker.
  • Title: The lovely Sacarissa dressing for the Pantheon [graphic].
  • Publication: [London] : [publisher not identified], publish’d Feby. 24, 1772.

Catalog Record

772.02.24.02+

Acquired April 2023

Mrs. Clarke’s patent extinguisher

description below

“Mrs. Clarke sits on Wardle’s right shoulder, to place over the head of the Duke of York a giant extinguisher which covers all but his legs and (military) coat-tails. At the apex of the extinguisher is a five-pointed star surrounded by the letters ‘T’ ‘R’ ‘U’ ‘T’ ‘H’. She says: “Beneath this Canopy’s oblivious shade Detected Y——hides his diminished head” On the cone are the inscriptions: ‘Multum in Papvo’ [sic] and: ‘Now Phoenix like, with renovated fire To noble deeds our Army shall aspire Whilst haughty Gaul shall emulate its praise And England round a Woman’s brow entwine the Bays.’ Wardle wears regimentals and sword and is tall and handsome; a letter ‘To Col Wardle’ projects from a pocket.”–British Museum online catalogue.

Catalog Record

809.03.00.09+

Acquired April 2023

Does the harp of Rosa slumber

description below

An old woman in patched-up clothes with her harp huddles in a doorway. The satire contrasts the life of a street singer with the sweet lyrics of the popular ballad by Thomas Moore.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: Does the harp of Rosa slumber [graphic] / [man with an umbrella] Esqr.
  • Publication: [London] : Pub. by T. McLean, 26 Haymarket, London, [approximately 1829]

Catalog Record

829.00.00.117+

Acquired April 2023

Napoleon after the Battle of Maloyaroslavets

description below

Satirical print showing Napoleon after the battle of Maloyaroslavets (24 October 1812) during his Russian campaign (‘The Patriotic War’ in Russian parlance). He is vomiting fragments of plans and charts as well as a shattered anchor. In his hand he holds a large medicine bottle of emetic labelled in Russian: ‘Emetic. Pour Mr Napoleon. Heartfelt thank you, if only to take it more often. By order of the Russian army, from the pharmacy near Maly Yaroslavets’.

Catalog Record

812.10.24.01

Acquired April 2023

The Female soldier, or, The surprising life and adventures of Hannah Snell

printed text

 

  • Title:The Female soldier, or, The surprising life and adventures of Hannah Snell Born in the City of Worcester, who took upon herself the name of James Gray; and, being deserted by her husband, put on mens apparel, and travelled to Coventry in quest of him, where she enlisted in Col. Guise’s Regiment of Foot, and marched with that Regiment to Carlisle, in the Time of the Rebellion in Scotland; shewing what happened to her in that City, and her Desertion from that Regiment. Also a full and true account of her enlisting afterwards into Fraser’s Regiment of Marines, then at Portsmouth; and her being draughted out of that Regiment, and sent on board the Swallow Sloop of War, one of Admiral Boscawen’s Squadron, then bound for the East-Indies. With the many Vicissitudes of Fortune she met with during that Expedition, particularly at the Siege of Pondicherry, where she received Twelve Wounds. Likewise, the surprising Accident by which she came to hear of the Death of her faithless Husband, whom she went in quest of. The Whole Containing The most surprising Incidents that have happened in any preceeding Age; wherein is laid open all her Adventures, in Mens Cloaths, for near five Years, without her Sex being ever discovered.
  • Published: London : Printed for and sold by R. Walker the Corner of Elliot’s-Court, in the Little Old-Bailey, 1750.

Catalog Record

53 Sn671 750

Acquired April 2023