Iohn Bull makeing a naval enqury

description below

“John Bull, as a burly and ugly sailor, sits enthroned (right), listening to Melville’s plea of innocence. Melville, in Highland dress, and wearing a feathered bonnet, stands in profile to the right. with clasped hands and flexed knees; he says: “Indeed Mr Bull – I knaw nae more aboot it – than Johnny Groat o’the Highlands.” Trotter lurks behind him (left) furtively twitching his superior’s kilt, and jerking his thumb to the left.; he says: “Take my advice – and let us Trot off while we are well, he looks confounded inquisitive.” John scowls and glares pugnaciously, saying, “Why Look ye – de ye see – I dont come for to go for to say – exactly, that you sack’d the cole – all I say is the Shiners set sail – and as you had the care of the Hatches – it is, likely, you should know what Port they steer’d into! I say let’s look at your log book Old one.” He wears striped trousers and a knotted scarf; in his hat is a tobacco-pipe. His chair stands on a dais and is decorated with a crowned anchor and dolphins.”–British Museum online catalogue.

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: Iohn Bull makeing [sic] a naval enqury [sic] [graphic].
  • Publication: [London] : Pubd. April 1st, 1805, by S.W. Fores, 50 Piccadilly, [1 April 1805]

Catalog Record

805.04.01.01+

Acquired April 2023

British plenty

description below

“A sailor on shore, holding a bottle, with a well-dressed young prostitute on each arm, the one on his [left] arm carries a cauliflower while the other holds up her dress; a boat moored against the quay in the [left] foreground, ships at sea and a fortification in the [left] background.”–British Museum online catalogue

  • Printmaker: Bartolozzi, Francesco, 1727-1815, printmaker.
  • Title: British plenty [graphic] / painted by H. Singleton ; engraved by Bartolotti [that is, Bartolozzi].
  • Publication: [London] : [publisher not identified], [approximately 1794]

Catalog Record

794.00.00.74++

Acquired April 2023

The grape girl

description below

“A young woman in rustic dress, shown three-quarters length to left, holding a basket of grapes, wearing a broad-brimmed hat with a ribbon, her hair loose.”–British Museum online catalogue.

  • Printmaker: Young, John, 1755-1825, printmaker, publisher.
  • Title: The grape girl [graphic] / drawn by J.G. Huck ; engrav’d by J. Young.
  • Publication: [London] : Publishd. April 1st, 1786, by J. Young, No. 28 Newman Street, Oxford Street, London, [1 April 1786]

Catalog Record

786.04.01.14+

Acquired April 2023

The spectre mother, or, The haunted tower

frontispiece and title page

  • Author: Mitchell, John (Allegorist)
  • Title: The spectre mother, or, The haunted tower / by the author of Midnight horrors, Female pilgrim, &c.
  • Publication: London : Printed & sold by Dean & Munday, 35, Threadneedle Street, [between 1810 and 1814]

Catalog Record

763 810 M681

Acquired April 2023

The fruits of early industry & oeconemy

description below

“A family in a wealthy interior; an elderly man at centre, seated at a table, a glass in his left hand, holding out his right to receive coins from a younger man standing to left with his right hand on a book and a quill in his mouth; on the table, another glass, writing materials, coins and notes; to right, a woman …, supporting, and holding up a bunch of grapes for, a young child standing on a chair; looking on from behind the chair, a boy and, at right, a black servant holding a bowl of fruit, his left hand on the chair; in front of the table, a young girl lying on the carpet with a spaniel; a shipping wharf seen through an open window to left.”–British Museum online catalogue, description of another print engraved after the same painting

  • Printmaker: Darcis, Louis, -1801, printmaker.
  • Title: The fruits of early industry & oeconemy [sic] [graphic] / G. Morland pinxt. ; Darcis sculpt.
  • Publication: London : [publisher not identified], publishd. March 25, 1800.

Catalog Record

Drawer 800.03.25.07

Acquired April 2023

The York sparring match, being M.A. Clarke’s first set

description below

“Mrs. Clarke stands just within the House of Commons triumphing over her opponents and victims. She strikes a member (Croker) with a rapier, while holding up in her left hand a letter headed My dear Mrs Clark. She tramples on a military officer who lies prone; a paper under his hand is inscribed Genl [Clav]ering. Her antagonists have dropped their swords, which lie broken on the floor. Her large muff lies beside her with a bundle of Love Letters. Croker tries to escape, exclaiming, By Jasus she’ll give us 100 Cuts in 60 thrusts. Perceval rushes off, with a mutilated hand, saying, I am Struck dumb, and lost my thumb! I Percieve all. Another (the Attorney-General) exclaims: Oh! dear! Oh dear! she has cut off my Ear Ex officio. A little man whose nose has been cut off, exclaims: What dreadfull blows–Witness my Nose, my Honeys. In his pocket is a paper: Memorandum for Mr Hague [see British Museum Satires No. 11211]. A tall man (Yorke, see British Museum Satires No. 11535) shouts, raising his arms: Take her into custody–She will be to much for us–send her to York Jail. Shadowy figures watch the encounter. A corner of the gallery is seen, crowded with eager spectators. Two men watch from the lobby (right).”–British Museum online catalogue.

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: The York sparring match, being M.A. Clarke’s first set to, & who is likely to become the champion of all England [graphic].
  • Publication: [London] : Pubd. March 1st, 1809, by Fores, No. 50 Piccadilly, [1 March 1809]

Catalog Record

809.03.01.01+

Acquired April 2023

The peddigree of Corporal Violet

description below

“The base of the design is a dunghill from which rises the head of Napoleon as a young republican officer, not caricatured. His head is covered by a large cup-shaped fungus, decorated with a tricolour cockade and resembling a Cap of Liberty; from its apex ascends a curving stalk, terminating in the large yellow rosette of a sunflower, centred by the head of Napoleon as Emperor, larger than that of the base, and representing an older man; like the lower one it is directed slightly to the right. Below it, leaves project from the stalk, balancing the design. On Napoleon’s head is an arrangement of stamens in the form of an imperial crown. These unite to form the long scraggy neck of the third Napoleon, a head in profile to the right, emaciated and desperate. On this head is a larger fungus than that below, projecting like an enormous hat. From it ascend the stems of a bunch of violets, copied from No. 12511, but with the addition of more flowers, and on a larger scale. It contains the profiles of Napoleon, Marie Louise, and the King of Rome, arranged exactly as in British Museum Satires No. 12511. Smaller fungi sprout from the dunghill, some flat and some conical, like caps of Liberty; on the latter tricolour cockades are indicated. Four little figures are on a slope (left) leading towards the dunghill, prepared to clear it away. In front are Blücher and Wellington, running forward, and talking to each other; one holds a spade, the other a broad hoe. Behind them is the Tsar, shouldering a pickaxe. Behind again stands Louis XVIII, with splayed gouty legs, supported on a crutch. He waves his hat to cheer them on.”–British Museum online catalogue.

  • Printmaker: Cruikshank, George, 1780-1842, printmaker.
  • Title: The peddigree of Corporal Violet [graphic] / etchd. by G. Cruikk. ; G.H. invt. et del.
  • Publication: [London] : Pubd. by H. Humphrey June 9th, 1815 – No. 27 St. James’s St., [9 June 1815]

Catalog Record

815.06.15.02+

Acquired April 2023

Industry and oeconomy

description below

“Dock scene, a sign on the wall reads ‘Bell Wharf’: a man in a black coat and hat stands writing, resting the paper on a crate, looking to right at a young man with a neck-tie, who stands beside a man carrying a sack, giving an account, hat in hand, while gesturing to another man who brings a barrel up the steps and talks to a man in a rowing boat, alongside to right, with wife and two children to left.”–British Museum online catalogue, description of another print engraved after the same painting.

  • Printmaker: Darcis, Louis, -1801, printmaker.
  • Title: Industry and oeconomy [graphic] / H. Singleton pinxt. ; Darcis sculpt.
  • Publication: London : [publisher not identified], publishd. March 25, 1800.

Catalog Record

800.03.25.06 Impression 1

Acquired April 2023

An account of the happy wedding

printed text

An account of a marriage between a black man and a white servant in Bristol at the beginning of the 19th century. The handbill ostensibly supports the union but also perpetuates racial stereotypes and mocks the proceedings.

  • Title: An account of the happy wedding, that took place at St. Augustine’s Church, yesterday morning, Nov. 28 ; between a man of colour, well known as a shoeblack, on the quay, and a servant girl, living at a public-house, in that neighbourhood; being the sable bridegroom’s fifth wife!.
  • Publication: [Bristol] : H. Bonner, printer, No. 4, Narrow Wine-Street, Bristol, [approximately 1826]

Catalog Record

File 63 825 Ac172+

Acquired April 2023

Memoirs of Edmund Ludlow

printed text

watercolor of tall ships on the water

  • Author: Ludlow, Edmund, 1617?-1692.
  • Title: Memoirs of Edmund Ludlow : with a collection of original papers, and the case of King Charles the First.
  • Published: London : Printed for T. Becket and P.A. DeHondt, and T. Cadell, in the Strand; and T. Evans, in King Street, Covent Garden, MDCCLXXI [1771]

Catalog Record

Quarto 63 771 L945

Acquired April 2023