The Qu-n’s ass in a band-box

description below

The Queen, grossly caricatured, sits on a zebra which stands in a round band-box with a hinged and upturned lid inscribed ‘a Present from Bart. Bergami’. The zebra has the (profile) head of Wood, looking with greedy and imbecile satisfaction towards a sieve of food inscribed ‘Garden of St Cath[erine]’. This is held out by two hands projecting from the right margin. The Queen, with a grin both calculating and insane, sits full-face, negligently holding reins attached to Wood’s mouth, her right hand on her hip. She sits in a smaller (bottomless) band-box which surrounds her entirely from just below her large waist down, with only one leg extended below. She wears a décolletée dress; on her head is an erection of feathers and flowers rising from a circlet inscribed ‘Wood’. An owl (cf. British Museum satires no. 14199) flies by her head. In the background is Brandenburgh House, in front of which is a braying ass.

  • Title: The Qu-n’s ass in a band-box [graphic].
  • Publication: [London?] : [publisher not identified], [approximately 1821]

Catalog Record

821.00.00.23

Acquired October 2023

The ballad singers

description below

A poor family in rags sing on a city streets to earn money. The man, a veteran with a peg leg, plays the violin; his uniform is patched up. The boy wears no shoes and a coat too big for him; he holds out a hat to collect the money. The woman wears a ragged dress and a patched cloak covering a baby on her back; she carries a basket with loaded with the broadsides for sale.

  • Printmaker: Sears, Robert, active 1800- printmaker.
  • Title: The ballad singers [graphic] / Mercer del. ; Sears sculp.
  • Publication: [London] : Published by T. Smyth & sold by A. Parsey, Burlington Arcade, [1828?]

Catalog Record

828.00.00.117

Acquired September 2023

Iohny Mac-Cree in the dumps!!

description below

“Two elderly Scots discuss the Melville case; one, wearing old-fashioned court dress with a sword, takes snuff from the other’s ram’s-horn mull; he says: “Touch the Sillar!!! – T’is a on disgrace on aw Scotland!” They have sly, twisted expressions. Melville (left), weeping, clutches the back of the speaker’s coat. He wears Highland dress, and says: “What my ain Countrymen turn their backs on me! then tis aw up with Johny Mac-cree [see British Museum Satires No. 10378]”. On the right, Pitt runs off furtively to the right, saying, “I must cut out this Connexion – & leave him to his fate”.”–British Museum online catalogue.

  • Printmaker: Cruikshank, Isaac, 1764-1811, printmaker.
  • Title: Iohny Mac-Cree in the dumps!! [graphic] / I. Ck.
  • Publication: [London] : Published April 12 – 1805 by S.W. Fores, 50 Piccadilly, London, [12 April 1805]

Catalog Record

805.04.12.02+

Acquired February 2024

First book of the Chronicle of the Isles

description below

“Illustration to a broadside, printed in four columns in the manner of a newspaper, and covering the upper part of the third and fourth columns. A whole-length portrait of Mrs. Clarke (unrecognizable, but alluring), standing with one hand on the head of a sofa. In the background are four oval bust portraits of other women: ‘Miss Taylor’ [see British Museum Satires No. 11229], ‘Mrs Carey’ [see British Museum Satires No. 11050], ‘Miss Gifford’, and ‘Mrs Shaw’. … The text, in eight chapters, is in the quasi-biblical language not uncommon in satires, e.g., British Museum Satires No. 6465, and afterwards exploited by Hone. The text is an account of the relations between the Duke of York and Mrs. Clarke, and the Parliamentary proceedings, highly flattering to Wardle and Burdett. It ends: ‘And behold he [the Duke] walketh in a vain shew, which shall fade in the sight of the people, whilst the fame of Wardle, Whitbread, and Burdett shall flourish and endure . . . the tergiversation of the Black Coats may whiten his honour [see British Museum Satires No. 11269], but who can believe him innocent of folly, vice, and acknowledged adultery? … Now the rest of the Acts of Mary Ann Clarke, … are they not written in the Chronicles of Blue Covers which flutter on the Stalls.'”–British Museum online catalogue.

  • Title: First book of the Chronicle of the Isles [graphic] : containing a curious display of female ambition, assurance, success, and disappointment. Exhibited before the Grand Council of the Isles of Britain, in the first and second month, of the forty eighth year of the King, by Mary Anne Clarke.
  • Publication: [London] : Printed by and for J. Herbert, at his Newspaper Office, 4, Merlin’s Place, Spa Fields, [March or April 1809]
  • Distribution: [London] : Sold by W. Wilson, 4, Little Warner Street

Catalog Record

809.03.00.10++

Acquired March 2024

Polly & Lucy takeing off the restrictions

description below

“The Regent, as Macheath, wearing military uniform and heavily shackled, stands between Mrs. Fitzherbert, who kneels at his feet (left) removing his leg-irons, and Lady Hertford (right), who stands beside him taking the fetters from his wrists (inscribed ‘Restri[ctions]’), He sings “How happy could I be with either.” Mrs. Fitzherbert, a long rosary dangling from her waist, says: “The Benediction of His Holiness light on the Defender of Our Faith.” Lady Hertford, sultana-like in a jewelled turban, says: “You heard of the Row & the Rowly Powly Song before Our house the Other Night?!!” Behind and on the right Eldon stands full-face between Perceval and McMahon, who face each other in profile. Perceval, in his Chancellor of the Exchequer’s gown, and holding a brief-bag, says: “The Greys won’t move without their own Coachman tho the Brewer [Whitbread] has offerd his black to do the dirty Work.” Eldon, in a huge wig, holds the Purse of the Great Seal; he says: “We must hire Jobs for the Night Work but we are Pro’ Rogued.” McMahon, in military uniform, has a number of ribbons and stars hanging over his arm; he says: “These Garters & Ribbonds are all returned.” On the wall are two pictures: George Hanger, bestriding his pony (as in No. 8889) with a burly bailiff seated behind him, rides in the direction of a sign-post, with a noose hanging from it, pointing ‘To the Kings Bench’. This is ‘George & his Hanger On, takeing a ride together to a Lodging in Surry’. The other is Sheridan as Bacchus, but dressed as Harlequin (cf. British Museum Satires No. 9916), bestriding a cask of ‘Old Sherry’.”–British Museum online catalogue.

  • Printmaker: Cruikshank, George, 1792-1878, printmaker.
  • Title: Polly & Lucy takeing off the restrictions [graphic] : vide Beggars opera / G. Cruikshank sulp.
  • Publication: [London] : Published March 1812 by J. Jonhston, 98 Cheapside, [March 1812]

Catalog Record

812.03.00.03+

Acquired February 2024

A congress for peace

description below

“Plate from the ‘Satirist’, xiii. 193. In the text the title continues ‘. . ., “alias” War’. A satire on the Congress of Prague. Four sovereigns, completely unlike the men in question, in conference. The Tsar sits behind a small rectangular table on which are displayed implements of war in miniature: cannon, pyramids of cannon-balls, muskets, swords, drums, &c., and flags on one of which are fleurs-de-lis. On the left stand the King of Prussia and the Emperor of Austria, on the right is Napoleon. Alexander extends his hands rhetorically, turning to the left, with a puckered scowl, to say to the two Germans: “Come Gentlemen see first if you can agree–if not we’ll all fight!” He has quasi-Kalmuck features, and wears an odd-shaped crown, an ermine-bordered robe, with a jewelled necklace and a Greek cross. Frederick William III, on the extreme left, clutches the hilt of his sword and puts his left hand to his cocked hat as if ready to doff it, he turns to Francis I, towards whom a label issues from his mouth: “I am ready to treat or to fight”; a second label floats to the left, inscribed ‘Infernal Scoundrel’. Francis I, looking distracted, stands directed to the right, legs apart, and in his left hand is his sabre, the blade of which curves over the Tsar’s head, but both hands touch his crown, and he says: “I will wear an independant Crown.” He wears hussar uniform, cloak, sash, and elaborately embroidered tunic and pantaloons. Napoleon, tall and burly, with heavy whisker and aquiline profile, wears a plumed bicorne with tricolour cockade and very tattered uniform leaving his legs almost bare, with one dilapidated jack-boot and one damaged stocking; he has a long sword. He stands aggressively with arms dramatically extended, saying, “My Friends! all we wish is Peace.” A chain is attached to each great toe, which is fastened to the necks of two miserable princes, tiny figures standing between his outstretched legs. One (left), Charles IV of Spain, wearing a crown and robe, grotesquely knock-kneed and despairing, stands full-face. The other, wearing a crown with uniform and sword, stoops in profile, looking up abjectly at Napoleon’s legs. On the extreme right, in the middle distance, is a tall Spanish don, much emaciated, wrapped in a cloak. He looks down with folded arms at a fat British officer beside him, who says: “I ll countenance Austria into our interests.” The Spaniard: “I’ll be damned if I go to meet a Frenchman in Prague, while there is a Frenchman to meet in Spain!!!” Behind them in the background a tiny Napoleon, wearing a grotesque crown and holding a sword, marches downhill at the head of his soldiers carrying flags; he has a melancholy expression and approaches the edge of a precipitous descent.”–British Museum online catalogue.

  • Printmaker: Brooke, William Henry, 1772-1860, printmaker, artist.
  • Title: A congress for peace [graphic] / Satirist invt. ; W.H. Ekoorb [that is, Brooke] delt. et fecit.
  • Publication: [London] : [publisher not identified], [1 September 1813]

Catalog Record

813.09.01.02

Acquired September 2023

Britannia lamenting the fate of her favorite son

description below

Sir Francis Burdett, holding copies of the Magna Carta and the Bill of Rights, is arrested by the Speaker of the House of Commons (who calls Britannia a ‘blank eyed b-h’). Britannia stands, hands clasped in supplication, her lion by her side. Burdett argued in the House of Commons against the imprisonment of the radical John Gale Jones. Failing to have Jones released, Burdett issued a revised edition of his speech in the Weekly Register, an action which the House voted a breach of privilege. The Speaker issued a warrant for Burdett’s arrest and he was taken by soldiers from the Commons to the Tower of London, where he remained until the next Parliamentary recess.

  • Title: Britannia lamenting the fate of her favorite son [graphic].
  • Publication: [London] : Pubd. April 11th, 1810, by T. Tegg, 111 Cheapside, [11 April 1810]

Catalog Record

810.04.11.01+

Acquired February 2024

The Mufflechop family. No. 3

description below

Third in a series of twelve comical prints telling the story of Mr. and Mrs. Mufflechop, beginning with their engagement and ending with their first child going off to school.

  • Title: The Mufflechop family. No. 3 [graphic] : The bridal morning.
  • Publication: [London] : Published by T. Pewtress, 67 Newington Causeway, & Ackermannn [sic] & Co., 96 Strand, [approximately 1830]

Catalog Record

830.00.00.170

Acquired December 2023

Johnny Bull on the look-out

description below

“John Bull (right), a fat citizen wearing spectacles, holds aside a curtain, revealing Napoleon and Joséphine enthroned, side by side. He stands in profile to the left, a large pistol under his left arm, his left hand in his coat-pocket. He says: “Boney – Boney, that wont do – You must not Play my King & Queen.” Napoleon, wearing a huge bicorne, a drawn sabre in his right hand, frowns at John. Joséphine wears a crown, holds sceptre and orb and looks complacently to the left. Both sit with right foot planted regally on a stool, and left leg arrogantly thrust forward.”–British Museum online catalogue.

  • Title: Johnny Bull on the look-out, or, Bonaparte detected drilling his rib at the play of King & Queen of England [graphic] : scene St. Cloud.
  • Publication: [London] : Publish’d Septr. 12, 1803, by Laurie & Whittle, 53 Fleet Street, London, [12 September 1803]

Catalog Record

803.09.12.01

Acquired November 2023

The political cocks

description below

“Two fighting-cocks, with the heads of Napoleon and Pitt, face each other across the English Channel. Napoleon (left) has a large ruff of tricolour feathers and enormously long spurs, but his wings and tail feathers are clipped. His cliff is the higher; he leans forward, saying, “Eh Master Billy, if I could but take a flight over this Brook I would soon stop your Crowing, I would Knock you off that Perch, I swear by Mahomet, the Pope and all the Idols I have ever Worshiped.” Pitt stands on a large royal crown which brings his feet almost to a level with those of Bonaparte; he stands erect, thus towering above his rival; he has very short spurs but a fine tail and wings; he crows: “Tuck a roo – too that you never can do!!!” Below them lies the sea with a fleet of ships in full sail close to the English coast.”–British Museum online catalogue.

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: The political cocks [graphic].
  • Publication: [London] : Pubd. March 27th, 1803, by S.W. Fores, 50 Piccadilly, [27 March 1803]

Catalog Record

803.03.27.01

Acquired November 2023