File 63 G787 803+
Acquired November 2021
“Trade card of Archibald Robertson, drawing master, at Savill Row Passage, adjoining Squib’s Auction Room; a street with Robertson’s shop to the right, figures on the pavement, an arched passageway at the end of the street; in oval with figures at the bottom corners; text below.”–British Museum online catalogue.
File 66 777 R649
Acquired November 2021
A trade card illustrated with craftsmen engaged in the activities of their trade as carpenters and architects as well as furnishing funerals.
File 66 811 B468
Acquired November 2021
Trade card for the Dawbarn family grocery warehouse, situated in Aldermanbury, London. It shows a man wearing typical Chinese dress, sitting on boxes on the banks of a river. Behind him looms a large pagoda, and to his right a box, an urn, and a basket overflowing with goods.
File 66 816 F198
Acquired November 2021
“Trade card of Peter Griffin, printseller, at Dial and Three Crowns, Next the Globe Tavern, Fleet Street, from the late Overtons; text on sheet at the centre with clock face and three crowns above; with various prints overlapping behind it, including maps, portraits, satires, and ornaments.”–British Museum online catalogue.
File 66 747 G852
Acquired November 2021
“Title page to catalogue of John Bowles, printer and printseller, at the Black Horse, Cornhill, London; text in rectangle at the centre, with naval scene showing two ships on the sea below; behind the text a map, a letter to Mr John Bowles, a landscape and a study of eyes.”–British Museum online catalogue.
File 66 733 C593
Acquired November 2021
“Broadside; the text in five columns: small cuts I-X on the left and right, each with an eight-line verse below it; cuts XI and XII above and below the three centre columns. Cut I. The Queen’s arrival in England, and Marriage. The Prince leads her ashore from a small boat. Cut II. Taking farewell of Charlotte [1814]. Mother and daughter weep, turning from each other; the Princess approaches a ship’s boat, Cut III. Her Return–Landing at Dover [June 1820]. She is rowed to shore by two sailors. Cut IV. Her Trial in the House of Lords. A simplified but recognizable view. Cut V. Her Acquittal. She drives in an open carriage past Carlton House. Cut VI. Procession to St. Paul’s. A similar carriage scene with St. Paul’s in the background. Cut VII. The Highlanders’ Address. Highlanders in a carriage with banners (cf. British Museum Satires No. 13934). Cut VIII. Refused Admittance into the Abbey. She gestures at the partly closed door between a sentry and the rejecting doorkeeper. Cut IX. Death-Bed of the Queen. The bed surrounded by weeping mourners. Cut X. Embarkation of Her Body at Harwich. The coffin is swung by tackle into a ship’s boat. Cut XI. The Queen’s Funeral Procession at Brunswick. The coffin, with crown and royal arms, is borne towards a church door (right) where girls scatter flowers. Cut XII. Queen Caroline’s Tomb. Britannia weeps, and her Lion registers anger, beside the tomb of Caroline The Injured Queen of England, topped by a large urn on which is her bust portrait. The text includes the funeral prayer, ‘A Dirge’ and ‘An Elegy . . .’ (28 11.): 11. 7-10: ‘A seperation hardly to be borne, Her only Daughter from her arms was torn! And next discarded–driven from her home, An unprotected Wanderer to roam!’ The verses below Cut XII end: ‘For the King shall be Judg’d with the poor of the earth, And, perhaps the poor man will be greater than he. Until that great day we leave Caroline’s wrongs, Meantime, may, “Repentance” her foes o’ertake; O grant it kind POWER, to whom alone it belongs’ AMEN. Here an end of this Hist’ry we make.”–British Museum online catalogue.
File 53 C292 821A++
Acquired November 2021
63 770 B438
Acquired November 2021
A view from the street of the bookseller William Darton’s shop at No. 58 Holborn in London, with the shop window filled with prints and books. Above the windows Darton advertises the scope of his wares: “Books in all languages on the arts, sciences &c.; Maps, plans, charts, prints & games; Works of merit soon as published. A woman and two children are shown looking in the windows while a second woman and child are shown entering the shop. A horse-drawn carriage enters the scene from the right. On the left, a man sits beside a lamppost with a basker and dog at his side.
File 66 822 W716
Acquired November 2021
“Satire; an extravagantly dressed woman catches a fashionable man by the arm as she points with her fan at a mezzotint droll in a print-shop window; a small dog looks up at her; an old gentleman with a stick standing on the right, stares at the prints and is surprised by a man with a warrant for his arrest.”–British Museum online catalogue.
774.06.25.01
Acquired November 2021