Turtle soup. Soup maigre. Pea soup. Mutton broth

description below

Four caricatures of men eating soup each type identified below the image: a rich man with rhinophyma eats “Turtle Soup”; a tall, thin soldier with a queue hairstyle eats “Soup Maigre”; a dustman eats “Pea Soup”; and a thin man in an upholstered armchair and wearing a cap and slippers eats “Mutton Broth.”

  • Printmaker: Heath, Henry, active 1824-1850, printmaker.
  • Title: Turtle soup. Soup maigre. Pea soup. Mutton broth [graphic].
  • Publication: [London] : [William Cole], [1826?]

Catalog Record

826.00.00.93

Acquired September 2023

Refreshment at St. James’s

description below

Elegant and affluent customers enjoy ices in a grand room in London’s fashionable St. James’s. The female server behind the counter is elegantly dressed and looks with ease out of the window. A finely dressed gentleman leans against the counter at right, spooning ice cream into his mouth from a glass he holds in his left hand; his hat, gloves, and stick are carefully arranged on a chair next him. Two women are seated at the left side of the counter, one holding an ice cream glass and spoon. A classical fireplace on the right has additional glasses arranged upon it. A great craze in 18th-century Britain, amongst the wealthy, was ice cream. Establishments such as The Pineapple on Berkeley Square (close by St James’s), owned by Domenico Negri, offered “All Sorts of Ice, Fruits & Creams” (see the elaborate trade card in the British Museum). This print was intended as a companion piece to “Refreshment at St. Giles’s” which, in contrast, shows two women and a man being served gin by a female proprietor from a makeshift and run-down bar.

  • Printmaker: Stubbs, George Townly, -1815?, printmaker.
  • Title: Refreshment at St. James’s [graphic] / Chas. Ansell delt. ; Geo. Townly Stubbs sculpt.
  • Publication: [London] : [G.T. Stubbs], [approximately June 1789]

Catalog Record

789.06.00.01+

Acquired September 2023

The peace soup shop

description below

“John Bull sits full face holding a bowl of soup, between Addington, the cook, and the protesting Windham on the extreme right. On the left Pitt sits in profile to the left before an enormous kitchen fire, over which hangs a giant cauldron; he blows the fire with bellows, saying, ‘I dont know how it is – but I manage this Soup business rather awkwardly – I suppose it is from being so much used to the stewing and Broiling line.’ Addington, who wears the Speaker’s wig with apron and over-sleeves, and holds a long ladle, says: ‘Though I say it that made it – you never tasted better soup in your life’. Windham (right) stands in profile to the left his knees flexed, saying, ‘O’ Mr Bull – Mr Bull – if you have any regard for your Constitution – dont touch it – the Cayen of Jacobinism flavours every spoonful – and the Fire that boil it I consider as a Funeral Pile for all your well wishes – do Johnny take some of my Cheese-parings – they are very wholesome, and easy of Digestion.’ John says, his eyes turned towards Addington, his spoon raised to his mouth: ‘I don’t mind what he says – my Hearty I say it’s very good Soup – and a d——d deal better [word erased] than your Gin. I should like a little more bread for all that, and it would be quite as well – if it did not taste so strong of the Ceylon pepper.'”British Museum online catalogue.

 

  • Printmaker: Roberts, Piercy, active 1791-1805, printmaker.
  • Title: The peace soup shop [graphic] / Woodward delin. ; etch’d by Roberts.
  • Publication: [London] : [publisher not identified], [ca. March 1802]

Catalog Record 

802.03.00.04+

Acquired September 2020

O’ the roast beef of old England…

description below

Engraving of William Hogarth’s 1748 painting ‘O the Roast Beef of Old England’ (London, Tate Britain), which he had himself published as a print. The scene is set at the Gate of Calais (after the painting in the Tate Gallery) with a fat monk prodding a large sirloin of beef carried by a cook, on either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef; on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier’s hand takes him by the shoulder; beyond, through the gate, is a religious procession.

 

  • Title: O’ the roast beef of old England &c. [graphic] / painted by W. Hogarth.
  • Publication: London : Printed for Robt. Sayer, No. 53 Fleet Street, [not before 1766]

Catalog Record

Hogarth 766.00.00.03+ Box 200

Acquired March 2020

Body fanner, nut-cracker & wine helper

description below

A stout man reclines on a chaise-longue; a small cup meets his lips, from which he drinks wine. Above this, a small tube from which cracked nuts descend. On the wall are two wheels and the mechanism which pours and decants the wine, and cracks the nuts.

 

  • Title: Body fanner, nut-cracker & wine helper, for the heats of summer [graphic].
  • Publication: London : Pubd. by T. McLean, 26 Haymarket, Jan. 1, 1830.
  • Manufacture: [London] : Printed by J. Netherclift.

Catalog Record

830.01.01.08+

Acquired November 2020

A capital joke

description belowA group of gentlemen seated at an oval table, with glasses full of wine, laugh uproariously at a joke as they look down at the dog at the foot of the table.

 

  • Title: A capital joke [graphic].
  • Publication: London : Pub. Sept. 1823 by J. Dickinson, 114 New Bond St., [September 1823]

Catalog Record

823.09.00.02

Acquired June 2020

The tailor and cobler

A tailor and cobbler, both are partially bald, are seated with their backs to roaring fire in the grate of a fireplace. The cobbler is sitting at a table with a glass and tankard in front of him; he is smoking a pipe and blowing the smoke into the tailor’s face. The tailor sits slumped forward in a state of evident inebriation and his own pipe lies broken on the floor. On the wall behind them is a picture of a man seated under a tree sketching(?) the rural scene in front of him, a church with a steeple in the distance.

  • Title: The tailor and cobler [graphic].
  • Publication: [Alnwick] : Printed and published by W. Davison, Alnwick, [between 1812 and 1817]

Catalog Record 

812.00.00.115

Acquired September 2019

Let us all be unhappy together

“Popular print, satire, after print published by Laurie & Whittle in 1794 (British Museum satires no. 8596): five men sit at a small square table on which are glasses and an empty punch-bowl, all have expressions of deep melancholy: one reverses his glass, another breaks his pipe, the bowl of which still smokes, the third weeps, the fourth looks down with a gesture of deprecating misery, the fifth looking towards the viewer.”–British Museum online catalogue.

  • Title: Let us all be unhappy together [graphic].
  • Publication: [Alnwick] : Printed and published by W. Davison, Alnwick, [between 1812 and 1817]

Catalog Record

812.00.00.98

Acquired September 2019

The smoaking club

description below“Elderly men sit and stand, all smoking long pipes; large clouds of smoke issue from their mouths, but little or nothing comes from the bowls of their pipes. Most sit or stand silently morose; two standing men (left) appear to be puffing smoke in each other’s faces. One leans back, apparently asleep, but smoking. An ugly man seated on the extreme right takes the hand of a pretty young woman who stands opposite him; he holds a large key. She slips a note into the hand of a fierce-looking military officer who stands with his back to her. On the wall (right) is a placard: ‘At a general meeting of this Society, it was resolv’d by a Majority of Independent members, that any member may be Indulg’d with having the Key brought him, by his Servant or hand-maid, but on no pretence whatever be followd by that bane of good fellowship calld the White Sergeant.’ Above the door are framed Rules: ‘Ist No Gemman to be a member of this Society who cannot smoke three pipes at one sitting – NB no Spitting 2d No members pipe to be more than 14 Inches nor less than nine unless permitted so to do by the Landlady 3d Every member to find his own Stopper 4th Any member who puffs designedly in the face of another, to be find sixpence or be puff’d at in return by the whole company 5th All fines to be spent in Porter T. Twig Secy’ On the back wall is a large print of Sir Walter Raleigh seated smoking (right) while a servant raises a bucket to fling at the smoke.”–British Museum online catalogue.

  • Printmaker: Scott, Edmund, approximately 1746-1810, printmaker.
  • Title: The smoaking club [graphic] / I. Boyne delt. ; E. Scott sculpt.
  • Publication: London : Publish’d 10 Jany. 1792 by Bull & Jeffryes, Ludgate Hill], [10 January 1792]

Catalog Record

792.01.10.03++

Acquired March 2019

The shepherds holyday

see description below“Rural scene with two couples dancing on the left while a man pipes and plays a drum under a tree on the right, and another couple watch at a table in front of him, smoking and drinking; village in the background.”–British Museum online catalogue.

  • Title: The shepherds holyday [graphic].
  • Publication: [London] : Published Oct. 24th, 1794, by John Fairburn, map, chart & printseller, No. 146 Minories, London, [24 October 1793]

Catalog Record 

793.10.24.03+

Acquired June 2019