“A symbolical bust of Napoleon, dressed as a Roman emperor, is on a rectangular base on which are title and inscription : ‘Symbolical of the Effects produced by that Cause which the enlightened (Fox) [Depicted] in ye Eighteenth Century sagaciously predicted would ultimately prove a Stupendous Monument of Human Wisdom!!!’ The head is turned in profile to the left.; the features are conventional but express ferocity, with glaring eye and fierce frown. It wears a fantastic helmet wreathed with laurel from which blood drips. The wreath is entwined by serpents, whose (three) heads are clustered at the back with words in large letters issuing from their jaws: ‘Rapine’, ‘Lust’, ‘Murder’. The word ‘Invasion’ issues in the same manner from the mouth. Above the wreath the helmet is encircled by a band on which are quasi-zodiacal signs: a scorpion, a sickle, a crescent, an arrow, a caduceus, a goat-like monster. On the helmet sits a grinning Devil, playing a fiddle and spreading his webbed wings over the idol‘s head, while from under one wing Death, a skeleton, peers out; he holds a javelin poised to strike and a cup of poison inscribed ‘Jaffa’ [see British Museum Satires No. 10063]. The shoulders are covered by drapery, drawn aside to reveal (rotten) ribs and a torn and bleeding heart which is transfixed by a dagger and a barbed spear. A scroll floats from the dagger inscribed ‘Wilsons Narrative’; the spear has a scroll inscribed ‘British Press’ and is surmounted by a cap of Liberty. Fragments torn from the heart are inscribed ‘Acre’ [see British Museum Satires No. 9412], ‘Egypt’ [see British Museum Satires No. 9250, &c], and ‘Irel[and]’, while in the middle of the heart is a triangular patch: ‘England’. The heart is surmounted by a crown made of blood-stained daggers with a central fleur-de-lis.”–British Museum online catalogue.
Printmaker: Barth, J. S., printmaker.
Title: A Gallicidol [graphic] / J. Boyne del. ; J. Barth sc.
Publication: London : Published by R. Cribb, 20 Augt. 1803.
An old woman dressed in her nightcap and gown, her one breast hanging exposed from her gown, climbs into bed in which her husband already lies. She expels gas from her bottom in the direction of the candle on the ground in front of the fireplace with such force that it lifts the cat off the ground and bends the candle. Above the fireplace is a broadside entitled: The storm by Mr. Dodd, cease rude boreas balstering railes … On the table below the window (left) is a bowl labeled “Pease porridge” and a wig on a stand. On the ground at her feet lies a corset, shoes and other garments. Above the bed are boxed and breeches; a man’s coat is hung on the back of the chair to the right of the hearth.
Creator: Nixon, John, -1818, artist.
Title:A patentextinguisher, being a safe & easy mode of putting out a candle.
Capt. Keith struggles as he is attacked by two Indians one of whom has grabbed his rifle while another Indian stands with his tomahawk raised above the Captain’s head. The Captain’s wife with her child in her arms reaches up towards her husband as she kneels in a row boat. Other Europeans are shown in the background left and on the right, frightened, fleeing, or struggling with a band of Indians.
Printmaker: Elmes, William, active 1797-1820, printmaker.
Title: Capt. Keith & family betrayed & made prisoners by the American Indians [graphic] / Elmes.
Publication: London : Pub. by T. Tegg, Oct. 22, 1808.
Depiction of the dance probably performed by the Illinois to strengthen peace between the tribes. The Calumet, a large pipe, was usually presented to the honoured guest. The tribe surrounds the circle in which two men dance with arrows above their heads; the circle includes arrangements of bows and arrows and tomahawks.
Title: The dance of the calumet of the sun, or pipe of peace, performed on the most solemn occasions by the Indian nations in North America [graphic].
Publication: London : Pub. by T. Tegg, Jany. 21, 1809.
“A decrepit old man stands at the door of a house of ill fame at the corner of Portland Street; Mrs Burke is on the door-plate. One hand is on the knocker; he turns to scowl at a woman (right) who holds out a bunch of water-cress from a large shallow basket slung from the hip. A child clings to her shoulders; a little girl (left) with a small basket also offers him a bunch. Two young courtesans lean from a first-floor window. In the background (right), behind a spiked gate, are trees and a large house (or houses).”–British Museum online catalogue.
Printmaker: Merke, Henri, printmaker.
Title: Water cresses, come buy my water cresses [graphic] / Rowlandson delin. ; Merke sculp.
Publication: London : Pub. Mar. 1, 1799, at R. Ackermann’s, 101 Strand, [1 March 1799]
“A stout and burly woman stands at a street-door with a large basket of buns. A young woman and three children buy; the children help themselves, the woman holds a plate which she fills with buns. In the background (left) is a Georgian church with pediment and cupola; a fat parson in his surplice hurries along to escape from a woman and two children, who beg from him.”–British Museum online catalogue.
Printmaker: Merke, Henri, printmaker.
Title: Hot cross bunns, two a penny bunns [graphic] / Rowlandson delin. ; Merke sculp.
Publication: London : Pubd. May 4, 1799, at Ackermann’s Gallery, 101 Strand, [4 May 1799]
“Interior of a gothic vault, with a tomb on the left lit by a hanging lamp and decorated with a reclining man in tudor dress holding a baton; to right are a couple leaning against a pillar, and a man holding a torch gesturing towards the tomb …”–British Museum online catalogue.
Printmaker: Manskirch, Franz Joseph, 1768-1840, printmaker.
Title: [Interior of a gothiccrypt] [graphic] / Mannskirsch delt. & sculp.
Publication: London : Pubd. Feby. 16, 1799, at R. Ackermanns, 101 Strand …, [16 February 1799]