View of Piazza della Signoria in Florence

description below

A small audience sitting on benches on a tribune next to the equestrian statue of Cosimo I de’ Medici in Piazza della Signoria, watching a military parade of the guards of the Grand Duke Pietro Leopoldo of Lorena (1765-1790), son of the Empress Maria Theresa of Habsburg and brother of Joseph II. The soldiers, forming an L-shaped cordon and led by four battalion officers, are recognizable by their tricorns and the bayonets. At the center of the square, under the grand building of Palazzo Vecchio, stands a troop of drummers. Figures in the the foreground include a group of cavalrymen bearing a banner and followed by a cart on the right; a lady and gentleman waiting for a landau carriage at center; and a figure, maybe a soldier on look-out, watching the scene in Palazzo Uguccioni’s shadow on the left.

 

  • Creator: Patch, Thomas, 1725-1782, artist.
  • Title: [View of Piazza della Signoria in Florence with the Grand Duke’s military guard] [art original].
  • Production: [Florence], [not after 1782]

Catalog Record

Drawings P294 no. 1 Box D205

Acquired September 2022

A scene in the honey moon, or, Conjugal felicity

description below

“The Duke (left) and Duchess of St. Albans stand facing each other; the little Duke staggering under an ornamental basket which supports a side of bacon, inscribed Best Wiltshire. The Duchess holds on her shoulder a cutter in which are seated six oarsmen with oars held erect, and a helmsman. The Duke is dressed as Grand Falconer (see British Museum Satires No. 15596) and wears a hood with bells indicating both a fool’s cap and the hood and bells of falconry. Two speeches float from his head: [1] “In love connubial, formed to live and last, This gift records a blissful twelvemonth past We claim, then boldly claim the flitch Dunmow First of the blest, who keep the marriag Vow”. [2] I thought the flitch to small a present on this auspicious day so I have brought the Gammon with it Love. The Duchess answers: Thanks for your Bacon Duke well have you Saved it – and in return accept of this small Testimony of my affection. She wears Court dress, coronet, and feathers. The boatmen wear yellow and green liveries, and on the prow is a falcon’s head; the back of the seat in the stern is decorated with a falcon perched on a melon resting on a heap of sovereigns. In the foreground are spectators: on the left the Dukes of Cumberland (wearing his hat) and Sussex stand together with Prince Leopold behind them; on the right is Sir Francis Burdett (son-in-law of Coutts), very thin, surprised, and displeased. In the background are other spectators, their heads concealed by the boat, and on the right a group of singers, some in Tyrolean costume, with (?) Braham and Miss Stephens; they sing: a boat a boat.”–British Museum online catalogue.

 

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: A scene in the honey moon, or, Conjugal felicity [graphic] / [man with an umbrella] Esqr. del.
  • Publication: [London] : Pub. by T. McLean, 26 Haymarket …, [1828?]

Catalog Record

828.00.00.115+

Acquire June 2020

A hint to duellists

description below

“A court scene. The judge, Bayley (right), addresses the apprehensive prisoner at the bar, Wellington (left): ‘”If a party, wilfully & intentionally does an act likely in its results to produce death, & death actually ensues, the act so done by him is done with what the Law calls “malice afore thought” & the party is guilty of murder!”‘ The jury, in a raised box, Counsel seated in the well of the court, and a shorthand-writer standing on the extreme left, stare at judge or prisoner. The heads of spectators fill the space under the jury-box.”–British Museum online catalogue.

 

  • Printmaker: Doyle, John, 1797-1868, printmaker.
  • Title: A hint to duellists [graphic] / HB [monogram].
  • Publication: [London] : Pubd. by Thomas McLean, 26 Haymarket, April 13th, 1830.

Catalog Record

830.04.13.01+

Acquired June 2020

Coelum ipsum petimus stultitia

Coelum ipsum petimus stultitia

“A companion print to British Museum Satires Nos. 6700, 6701, 6703. An enormous balloon not completely inflated rests on a platform suspended between two masts; it is exploding, flames and thick clouds of smoke pour from a crease in its contour, a number of men with faggots on their backs run from the balloon, others are on the platform, which is covered by a large cloth or net which hangs in folds. In the air (left), as if having sprung from the exploding part of the balloon, is a small balloon in the form of a head, identical with that in British Museum Satires No. 6704, with the same inscription and passenger. From it streams, in place of a rope, the tail of a kite. This evidently represents the bursting of Keegan’s balloon in the garden of Foley House. “–British Museum online catalogue.

  • Printmaker: Sandby, Paul, 1731-1809, printmaker.
  • Title: Coelum ipsum petimus stultitia [graphic].
  • Publication: [London?] : [publisher not identified], [1784]

Catalog RecordĀ 

784.00.00.79+

Acquired April 2019

Last dying speech…of the unfortunate malefactors

Click for larger image

Click for larger image

An account of the execution of nine criminals on 1 December 1785: James Nesbitt, John Isaacs, George Manning alias Francis Hill, Michael Smith, William Powley, William Vandeput, Daniel East, James Beaman, and Francis Storer. The description of the crimes of each individual is followed by a moral in verse.

  • Title: Last dying speech and confession, life, character, and behaviour of the unfortunate malefactors, executed this day before the Debtors Door, Newgate : with a copy of the letter which Mr. Francis Storer sent to his wife and the verses which Mr. Vandeput wrote in his cell the night before he suffered.
  • Published: [London] : Printed and sold in Long-Lane, West Smithfield, [1785?]

Catalog Record

File 52 L349 785

Acquired April 2013