Iohny Mac-Cree in the dumps!!

description below

“Two elderly Scots discuss the Melville case; one, wearing old-fashioned court dress with a sword, takes snuff from the other’s ram’s-horn mull; he says: “Touch the Sillar!!! – T’is a on disgrace on aw Scotland!” They have sly, twisted expressions. Melville (left), weeping, clutches the back of the speaker’s coat. He wears Highland dress, and says: “What my ain Countrymen turn their backs on me! then tis aw up with Johny Mac-cree [see British Museum Satires No. 10378]”. On the right, Pitt runs off furtively to the right, saying, “I must cut out this Connexion – & leave him to his fate”.”–British Museum online catalogue.

  • Printmaker: Cruikshank, Isaac, 1764-1811, printmaker.
  • Title: Iohny Mac-Cree in the dumps!! [graphic] / I. Ck.
  • Publication: [London] : Published April 12 – 1805 by S.W. Fores, 50 Piccadilly, London, [12 April 1805]

Catalog Record

805.04.12.02+

Acquired February 2024

Polly & Lucy takeing off the restrictions

description below

“The Regent, as Macheath, wearing military uniform and heavily shackled, stands between Mrs. Fitzherbert, who kneels at his feet (left) removing his leg-irons, and Lady Hertford (right), who stands beside him taking the fetters from his wrists (inscribed ‘Restri[ctions]’), He sings “How happy could I be with either.” Mrs. Fitzherbert, a long rosary dangling from her waist, says: “The Benediction of His Holiness light on the Defender of Our Faith.” Lady Hertford, sultana-like in a jewelled turban, says: “You heard of the Row & the Rowly Powly Song before Our house the Other Night?!!” Behind and on the right Eldon stands full-face between Perceval and McMahon, who face each other in profile. Perceval, in his Chancellor of the Exchequer’s gown, and holding a brief-bag, says: “The Greys won’t move without their own Coachman tho the Brewer [Whitbread] has offerd his black to do the dirty Work.” Eldon, in a huge wig, holds the Purse of the Great Seal; he says: “We must hire Jobs for the Night Work but we are Pro’ Rogued.” McMahon, in military uniform, has a number of ribbons and stars hanging over his arm; he says: “These Garters & Ribbonds are all returned.” On the wall are two pictures: George Hanger, bestriding his pony (as in No. 8889) with a burly bailiff seated behind him, rides in the direction of a sign-post, with a noose hanging from it, pointing ‘To the Kings Bench’. This is ‘George & his Hanger On, takeing a ride together to a Lodging in Surry’. The other is Sheridan as Bacchus, but dressed as Harlequin (cf. British Museum Satires No. 9916), bestriding a cask of ‘Old Sherry’.”–British Museum online catalogue.

  • Printmaker: Cruikshank, George, 1792-1878, printmaker.
  • Title: Polly & Lucy takeing off the restrictions [graphic] : vide Beggars opera / G. Cruikshank sulp.
  • Publication: [London] : Published March 1812 by J. Jonhston, 98 Cheapside, [March 1812]

Catalog Record

812.03.00.03+

Acquired February 2024

Long faces at Bayonne

description below

“Napoleon (left) and Joseph sit side by side on low seats or stools, both with a hand on each knee. They have large, elongated heads broadly caricatured (as in British Museum Satires No. 10604, &c.) and look sideways at each other with drawn-down mouths and wrinkled foreheads. Napoleon is in uniform, wearing a feathered bicorne; Joseph wears a crown with Spanish dress, ermine-trimmed robe, and the order of the Golden Fleece. His seat is, very inconspicuously, a commode. At his feet is a sceptre with a scroll inscribed ‘Servata Fides Cineri’. Napoleon says: “A pretty piece of Business we have made of it Brother Joe.” Joseph: “I always told you Nap, what would come of makeing too free with the Spaniards.””–British Museum online catalogue.

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: Long faces at Bayonne, or, King Nap and King Joe in the dumps [graphic].
  • Publication: [London] : Pubd. Augt. 1808 by Walker, No. 7 Cornhill, [August 1808]

Catalog Record

808.08.00.01+

Acquired February 2024

Diamond cut diamond, or, A whimsical information

description below

“The Lord Mayor sits (right) in profile to the left in a chair of state facing a city officer in a long gown holding a wand who leads in a file of five amused ‘cits’, three men and two women. The officer says: “Here are a number of People brought before your Honor, by your Honor’s Order, for not keeping the pavement clean before their Houses in Frosty Weather – according to the Act of Parliament for that purpose; but the worst of all is – here is a Worthy Alderman, lays information, that the pavement before your Honor’s Door is as much neglected as any of the rest – and moreover says that he himself had a fall there in the late Frost, which shook him so much, that he has been unable to digest Turtle or Venison ever since – A material injury to one of the Body Corporate.” The alderman, who heads the file, clasps an enormous paunch. The Mayor answers, proffering a coin: “Well, Well, if that is the case, take my five Shillings, and say no more about the Business.” The Mayor wears spectacles and a chain of office; he has not the plebeian appearance of the alderman and his companions. (Charles Price was Lord Mayor 1802-3.)”–British Museum online catalogue.

  • Printmaker: Roberts, P. (Piercy), active 1785-1824, printmaker, publisher.
  • Title: Diamond cut diamond, or, A whimsical information [graphic] / Woodward delin. ; etch’d by Roberts.
  • Publication: London : Pubd. by P. Roberts, 28 Middle Row, Holborn, [1803?]

Catalog Record

803.00.00.53+

Acquired February 2024

Castel Sardo

description below

View of the hilltop town, Castelsardo in Sardinia, Italy.

  • Printmaker: Whitby, Mary Anne Theresa, 1783-1850, printmaker, artist.
  • Title: Castel Sardo [graphic] / M.A.T. Withby, litho., Newlands, 1828.
  • Publication: [Hampshire, England] : [privately printed], [1828]

Catalog Record

828.00.00.107

Acquired June 2023

A new Chancery suit removed to the Scotch bar

description below

Print shows a Gretna Green marriage in an open-fronted smithy. Erskine, disguised in woman’s dress with a huge feathered bonnet over a barrister’s wig, holds the right hand of a demure-looking woman, modishly dressed and apparently pregnant. He holds a paper: ‘Breach of Promise’. With them are three young children. The smith wears Highland dress; he holds a red-hot bar on the anvil and raises his hammer, saying, “I shall make a good thing of this Piece at last.” Erskine says: “I have bother’d the Courts in London many times, I’ll now try my hand at the Scotch Bar–as to Miss C– she may do her worst since I have got my Letters back.” The woman says: “Now who dare say, Blacks the White of my Eye.” In the background (right) a young woman rushes down a slope towards the smithy, shouting, “Oh Stop Stop Stop, false Man, I will yet seek redress tho you have got back your letters–” Beside her is a sign-post pointing ‘To Gretna Green’. A little boy with Erskine’s features, wearing tartan trousers, stands on tip-toe to watch the smith; on the ground beside him is a toy (or emblem), a cock on a pair of breeches. A little girl stands by her mother nursing a doll fashionably dressed as a woman, but with Erskine’s profile. Another boy with a toy horse on a string stands in back view watching ‘Miss C’. Behind the smith is the furnace; on the wall hang many rings: ‘Rings to fit all Hands.’

 

  • Printmaker: Cruikshank, Robert, 1789-1856, printmaker.
  • Title: A new Chancery suit removed to the Scotch bar, or, More legitimates [graphic] / I.R.C. fecit.
  • Publication: [London] : Pubd. Feby. 4th, 1819, by S.W. Fores, 50 Piccadilly & 312 Oxford Street, [4 February 1819]

Catalog record

819.02.04.01+

Acquired November 2022

Boadicea, Queen of Britain, overthrowing her enemies

description below

“Caricature with Caroline as Boadicea in a chariot riding over her accusers, followed by a crowd of supporters.”–British Museum online catalogue.

 

  • Title: Boadicea, Queen of Britain, overthrowing her enemies [graphic] : humbly dedicated to Caroline, Queen of Great Britain and Ireland.
  • Publication: [London] : Published November 1820 by John Fairburn, Broadway, Ludgate Hill, London, [November 1820]

Catalog Record

820.11.00.03+

Acquired November 2022

Returned from the ball

description below

“Young woman dressed in her ballgown half-reclines on a settee in her bedroom while her elderly maid yawns with tiredness.”–British Museum online catalogue.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: Returned from the ball [graphic] / [figure of Paul Pry holding a candle].
  • Publication: [London] : Pub. by T. McLean, 26 Haymarket, [approximately 1829]

Catalog Record

829.00.00.118+

Acquired May 2023

Royal love letters

description below

Heading to a broadside printed in two columns. Prince Frederick, Duke of York and Albany, is dressed in an officer’s uniform and seated at a writing desk next to a window. He turns to gaze at a portrait on the wall of his mistress, Mary Anne Clark. Printed beneath the satirical illustration are a love poem and a quoted extract from a love letter, taken from the work ‘The Authentic and Impartial Life of Mrs. Mary Anne Clarke’ that was published after the Duke severed ties with her in 1809.

 

  • Title: Royal love letters [graphic].
  • Publication: [London] : Published by M.C. Springsguth, [approximately 1809]

Catalog Record

809.00.00.65+

Acquired November 2022