Jeffery’s edition of The castle of Otranto

printed book

  • Author: Walpole, Horace, 1717-1797.
  • Uniform Title: [Castle of Otranto]
  • Title: Jeffery’s edition of The castle of Otranto, a gothic story. Translated by William Marshal, gent. from the original Italian of Onuphrio Muralto …
  • Edition:A new edition.
  • Publication: London : Printed by Cooper and Graham, and sold by the publishers, No. 11, Pall-Mall, 1796.

Catalog Record

24 17 796 Copy 6

Acquired October 2022

A little man’s night’s comforts

description below

Napoleon in bed wearing a nightshirt holds a map of Malta while visions of poison, soldiers poisoned in the hospital at Jaffe, the massacre at Paris 18 Vendimiaire, the invasion of England, ghosts of the 3800 murdered Turks on the sand hills of Syria, the surrender of Ajacio in 1793, Wellington seeking revenge, his attempting poison and murder by his own soldiers.

 

  • Title: A little man’s night’s comforts, or, Boney’s visions [graphic] / Lt. B.
  • Publication: [London?] : [publisher not identified], pubd. 14 July 1803.

Catalog Record

803.07.14.01+

Acquired June 2022

At a meeting of the dealers in hats and gloves

printed text

  • Title: At a meeting of the dealers in hats and gloves, held this day at Robert Marflitt’s, the sign of the Bell in Scarborough aforesaid (pursuant to a recommendation from the Commissioners of the Stamp-Duties) to consider of some method to prevent the evasion of the stamps ordered by Act of Parliament to be affixed thereto and charged therewith.
  • Publication: [Scarborough, England] : [publisher not identified], [1790]

Catalog Record

File 66 790 At862+

Acquired May 2022

The castle of Otranto : a Gothic story

printed text

  • Author: Walpole, Horace, 1717-1797.
  • Title: The castle of Otranto : a Gothic story. / translated by William Marshall, Gent. From the original Italian of Onuphrio Muralto, Canon of the Church of St. Nicholas, at Otranto.
  • Edition: A new edition.
  • Publication: London : Printed for Alex. Cleugh and Co. No. 14, Ratcliff-Highway; and W. Phorson, Berwick., 1795.

Catalog Record

24 17 795C

Acquired January 2022

James Macleane, the gentleman highwayman at the bar

description below“A broadside on the trial of the robber James Maclaine; with an etching showing the interior of a court room, the judges seated on the left, Maclaine standing on the right, in the middle background a lady standing, giving evidence in his favour; and with engraved title and letterpress text giving an account of the trial in three columns.”–British Museum online catalogue.

 

  • Author: Maclaine, James, 1724-1750.
  • Title: James Macleane, the gentleman highwayman at the bar.
  • Published: [London] : Printed for T. Fox in the Old Baily. Publishd according to Act of Parliament Sept 29, 1750.

Catalog Record

750.09.29.01+

Acquired May 2020

Farmer George’s wonderful monkey

description below

“Social satire; Pitt the Younger portrayed as a monkey, with regalia and his crown hanging on a chain around his neck, in a field labelled “Windsor Park”; below the image a text explains that this animal is confounding naturalists, who suppose it to be an offspring of the devil.”–British Museum online catalogue.

 

  • Printmaker: O’Keeffe, W., active 1794-1805, printmaker.
  • Title: Farmer George’s wonderful monkey [graphic] / WOK [monogram]
  • Publication: [London] : Pubd. by J. Aitken, Castle Street, Leicester Fields, July 2nd, 1795.

Catalog Record

795.07.02.02+

Acquired November 2020

French volunteers marching to the conquest of Great Britain

description below

“A mounted officer with drawn sabre heads a procession of ‘Volunteers’ linked by a chain to his horse and to each other. The horse is a well-bred animal with handsome trappings, but the rider is lean and has torn breeches. He is followed by a file of three whose necks are attached to the horse and whose hands or arms are pinioned. All are miserable wretches, barelegged and ragged; the last, less abject, has sabots and takes snuff. He is chained to the neck of a donkey on whose back is a pannier containing three despairing conscripts. To the animal’s tail is tied a low truck on which a moribund shackled man lies on his back, his knees drawn up. To the truck is chained, in a stooping position, a man whose hands are tied behind his back, his nails being long talons. Birds, scenting carrion, fly towards the procession. Below the design: ‘Dedicated (by an Eye Witness) to the Volunteers of Great Britain’.”–British Museum online catalogue.

  • Printmaker: Gillray, James, 1756-1815, printmaker.
  • Title: French volunteers marching to the conquest of Great Britain [graphic] / C.L.S.
  • Publication: London : Pubd. Octr. 25th, 1803, by H. Humphrey, 27 St. Jamess [sic] Street, [25 October 1803]

Catalog Record

803.10.25.01++

Acquired March 2020

A North-ern ass

description below

“Satire on the election for County Durham, 14 April 1784: Sir Thomas Clavering and Sir John Upton, one headless, holding a caption labelled ‘The Irish Faction for ever’ and carrying the other, who has no feet, on his back, who says ‘I serv’d you as long as I could stand’ and carries captions lavelled ‘Coal owners Bill’ and ‘A command in India’; both seated on an ass facing left, which brays ‘Thus I go to Parliament and am not the first Ass that has farted for preferment, but this is dirty work and hard Labour’ and which has a collar labelled ‘I speak for my Master / Populus me sibilat at plaudo ipse domi’ and strips at the saddle labelled ‘Curse all Pitts / But a Coal-Pitt’; with the ass’ droppings falling on a crest with the motto ‘Diem Perdidi’; a mitre, crozier and sword and label ‘At rest’ on the ground in the centre, playing cards and papers labelled ‘Turnpike Speech / Election Speech’ to left; a milestone to right labelled ‘From Durham / T: C / J: E / 14 April 1784’.”–British Museum online catalogue.

 

  • Printmaker: Hutchinson, W., active 1773-1784, printmaker.
  • Title: A North-ern ass [graphic].
  • Publication: [London?] : [publisher not identified], [1784]

Catalog Record

784.00.00.80

Acquired November 2020

The Westminster ceceder

description below

“Fox stoops to support on his back Horne Tooke, who is about to climb into the window of ‘St Stephe[n’s] Chap[el]’, the name on a slab over the door, partly cut off by the right margin. The door is being closed by Lord Temple, who says: “He shall not pollute this holy Temple”. Tooke rests his right foot on Fox’s back, his hands grasping the sill; his left toe is in a cranny in the wall above a placard headed: ‘Old Sarum Dilly takes only one at the Brazenface’. He looks down at Fox, saying, “don’t give way I am not quite in Yet”. Fox, his head towards the door, one foot supported on a book: ‘Powerfull Reasons for Non attendance’, says: “Come on with you!! and mind and button your great Coat to hide the Old Cassock.” Tooke’s greatcoat hangs open, showing his coat, and the skirt of a short cassock over knee-breeches. On the wall beside him is a torn placard: ‘A New Edition The Diversions of Purley by the Rev John H…’ The keystone of the arch over the door, on the extreme right, is a satyr’s head, leering at Tooke with protruding tongue.”–British Museum online catalogue.

 

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: The Westminster ceceder [sic] on fresh duty [graphic].
  • Publication: [London] : Pub’d. March 14, 1801 by S.W. Fores, 50 Piccadilly, [14 March 1801]

Catalog Record

801.03.14.02+

Acquired November 2020

Iohn Bull on a bed of roses

description below

“John Bull, a plebeian, stout and dishevelled, lies on his back on a tangle of large roses with vicious thorns. These are on a heap of stones and under the stump of a decayed oak tree (left). He exclaims: “Oh Lord! Oh Lord! if this be the Bed of Roses they make such a noise about I’d sooner lye with the Old Sow and her Farrow in the Dog Days! – My Dame will roar woundidly when she comes to bed! Ecod it’s as bad as lying on a Harrow upside down.” The stones (left to right) are ‘Expedition to Holland’ [1799, see British Museum Satires No. 9412, &c], ‘Expedition to Ferrol’, ‘Jobs and Contracts’, ‘Pension List’, ‘Indemnity for the past & Security for the Future’, ‘No Peace possible with the child and Champion of Jacobinism’, ‘Places’, ‘Subsidies’. The roses are: ‘Candle Tax’, ‘Hair Powder Tax’, ‘Hat Tax’, ‘Paper Tax’, ‘Snuff Tax’, ‘Game Tax’, ‘Wine Tax’, ‘Property Tax’, ‘Salt Tax’, ‘Land Tax’, ‘Stamp Tax’, ‘Assessed Taxes’, ‘Income Tax’, ‘Table Beer Tax’, ‘House Tax’, ‘Window Tax’, ‘Excise Duty’, ‘Horse Tax’, ‘Tobacco Tax’, ‘Soap Tax’, ‘Servant Tax’, ‘Malt Tax’, ‘Hop Tax’, ‘Sugar Tax’, ‘Legacy Tax’, ‘Tea Tax’, ‘Cyder Tax’. On the two extremities of the ‘bed’ are clusters of thorny buds; these are inscribed ‘1807’, ‘1808’, and [once] ‘1809’, those on the left being labelled ‘National Debt’. In the distance St. Paul’s is indicated. Bushes on the right are wind-swept.”–British Museum online catalogue.

 

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: Iohn Bull on a bed of roses [graphic].
  • Publication: [London] : Pubd. July 1806 by Wm. Holland, Cockspur Street, [July 1806]

Catalog Record

806.07.00.01+

Acquired November 2020