The pageantry put off, or, The raree show adjourned

description below

“The Queen (left), irradiated, wearing a gown patterned with astrological symbols, and holding a wand inscribed ‘Vox Populi’, steps from a circle of cloud, an apparition which terrifies the King and three of his Ministers (left). The King wears coronation robes, his crown rises from his head. The Queen says with a commanding gesture: “That Cap becomes you not alone [sic] Off with the Bauble tread it under foot! [‘Taming of the Shrew’, V. ii] tis not the time for Pageantry & Waste, while thousands starve for Want? & while your Royal Mistress suffer [sic] Scorn, Reproach & Persecution, from the Dastard Hands of Secret Enemies.” The Ministers are Canning (?), Castlereagh, and Sidmouth. The King’s chair is overturned. See British Museum Satires No. 13769, &c.”–British Museum online catalogue.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title:The pageantry put off, or, The raree show adjourned [graphic].
  • Publication:[London] : Pub. July 13, 1820, by S.W. Fores, 41 Picadilli [sic], [13 July 1820]

Catalog Record

820.07.13.01+

Acquired June 2024

New bauble’s for the Chinese temple we are but children of a larger growth

description below

Caricature of the British Prime Minister presenting crowns to King George IV in the Brighton Pavilion, surrounded by Chinese objects and figures. The King is seen from behind, brandishing a scepter and sovereign’s orb

  • Title: New bauble’s for the Chinese temple we are but children of a larger growth.
  • Creator: Heath, William, 1795-1840
  • Published: London, 30 March 1820

Catalog Record

820.03.30.07+

Acquired July 2024

The sublime porte pacified

description below

Tzar Nicolas I, depicted as a crowned bear, hugs Sultan Mahmud II, causing him to drop his sword; the Duke of Wellington tries to restrain the Russian. A commentary on the Russian successes in the Russo-Turkish War, which ended with the Treaty of Adrianople of 14 September 1829 that gave Russia most of the eastern shore of the Black Sea and the mouth of the Danube. Mahmud was also forced to recognise Greek independence

  • Title: The sublime porte pacified
  • Publication: London?, approximately 1829

Catalog Record

829.00.00.121

Acquired June 2024

The Queen of Hearts cover’d with diamonds

description below

“A companion print to British Museum Satires No. 6979. A bust portrait of Queen Charlotte, directed to the left, taking a pinch of snuff. She wears a jewelled oriental turban; her hair is studded with jewels, and jewels cover her neck and ornament her dress. A large ear-ring is conspicuous. In the upper left corner of the print, under the words ‘The Pun’, is a large heart-shaped jewel surmounted with a crown; it stands, embedded in diamonds, in a box inscribed ‘Bulse’.”–British Museum online catalogue

  • Title: The Queen of Hearts cover’d with diamonds
  • Production: London?, approximately 1786

Catalog Record

786.00.00.85

Acquired June 2024

State of the nation “an ower true tale”

description below

“A stout cylindrical shaft stretches across the upper part of the design, inscribed ‘Manufactures & Commerce’. To this cling by both hands four ragged and desperate artisans, wearing aprons, but it has broken in the middle so that they, and others clinging to them, are about to fall into the swirling clouds at the base of the design. Two larger and stouter men, respectably dressed employers, cling frantically to the legs or garments of the four artisans. At the base of this inverted pyramid is a stout figure, half-bishop, half-King, clinging to coat-tails and pocket of the two men above him. A bloated episcopal face is half covered by a battered crown (right), while a large mitre tilts to the left, and the figure, Church and State, is clothed half in surplice (left), half in ermine-trimmed robe, with one episcopal leg, and one leg with a garter inscribed ‘[Hon]i Soit’ [George IV as in British Museum Satires No. 15819 by the same artist]. Above the broken shaft is a large irradiated inscription: ‘Manufactures & Commerce support the Workmen | they the Merchants & Masters who are the | chief tax payers & thereby support | The great tax eater Church-and- State.'”–British Museum online catalogue.

  • Title: State of the nation [graphic] : “an ower true tale”.
  • Publication: [London] : Publishd. by Thos. McLean, 26 Haymarket, June 10, 1829

Catalog Record

829.06.10.01+

Acquired June 2024

Iohn Bull refreshing the bears memory

description below

“John Bull, a sturdy citizen, displays to the Tsar who is a crowned bear on its hind-legs (left), an enormous open book: ‘John Bulls Journal’. This rests on the ground, and reaches to John’s chest; he points to the right.-hand page: ‘The Great the Magnanimous Catherine of Russia seized upon One third of the Kingdom of Poland and Kept it to herself – These Peaceful Danes Seiz’d on the City of Hamburgh.’ He says: “So you say Master Bruin, that my visit to Denmark has no parallel in History- do be so good as to turn your spectacles to this page and refresh Your Memory.” The bear peers gloomily through huge spectacles at the page. Round his neck is a collar: ‘This Bear belongs to Napoleo[n]’.”–British Museum online catalogue.

  • Printmaker: Cruikshank, Isaac, 1764-1811, printmaker.
  • Title: Iohn Bull refreshing the bears memory [graphic] / Cruickshank [sic] sct.
  • Publication: London : Published by T. Tegg, 111 Cheapside, Decr. 20, 1807.

Catalog Record

807.12.20.01+

Acquired February 2024

A congress for peace

description below

“Plate from the ‘Satirist’, xiii. 193. In the text the title continues ‘. . ., “alias” War’. A satire on the Congress of Prague. Four sovereigns, completely unlike the men in question, in conference. The Tsar sits behind a small rectangular table on which are displayed implements of war in miniature: cannon, pyramids of cannon-balls, muskets, swords, drums, &c., and flags on one of which are fleurs-de-lis. On the left stand the King of Prussia and the Emperor of Austria, on the right is Napoleon. Alexander extends his hands rhetorically, turning to the left, with a puckered scowl, to say to the two Germans: “Come Gentlemen see first if you can agree–if not we’ll all fight!” He has quasi-Kalmuck features, and wears an odd-shaped crown, an ermine-bordered robe, with a jewelled necklace and a Greek cross. Frederick William III, on the extreme left, clutches the hilt of his sword and puts his left hand to his cocked hat as if ready to doff it, he turns to Francis I, towards whom a label issues from his mouth: “I am ready to treat or to fight”; a second label floats to the left, inscribed ‘Infernal Scoundrel’. Francis I, looking distracted, stands directed to the right, legs apart, and in his left hand is his sabre, the blade of which curves over the Tsar’s head, but both hands touch his crown, and he says: “I will wear an independant Crown.” He wears hussar uniform, cloak, sash, and elaborately embroidered tunic and pantaloons. Napoleon, tall and burly, with heavy whisker and aquiline profile, wears a plumed bicorne with tricolour cockade and very tattered uniform leaving his legs almost bare, with one dilapidated jack-boot and one damaged stocking; he has a long sword. He stands aggressively with arms dramatically extended, saying, “My Friends! all we wish is Peace.” A chain is attached to each great toe, which is fastened to the necks of two miserable princes, tiny figures standing between his outstretched legs. One (left), Charles IV of Spain, wearing a crown and robe, grotesquely knock-kneed and despairing, stands full-face. The other, wearing a crown with uniform and sword, stoops in profile, looking up abjectly at Napoleon’s legs. On the extreme right, in the middle distance, is a tall Spanish don, much emaciated, wrapped in a cloak. He looks down with folded arms at a fat British officer beside him, who says: “I ll countenance Austria into our interests.” The Spaniard: “I’ll be damned if I go to meet a Frenchman in Prague, while there is a Frenchman to meet in Spain!!!” Behind them in the background a tiny Napoleon, wearing a grotesque crown and holding a sword, marches downhill at the head of his soldiers carrying flags; he has a melancholy expression and approaches the edge of a precipitous descent.”–British Museum online catalogue.

  • Printmaker: Brooke, William Henry, 1772-1860, printmaker, artist.
  • Title: A congress for peace [graphic] / Satirist invt. ; W.H. Ekoorb [that is, Brooke] delt. et fecit.
  • Publication: [London] : [publisher not identified], [1 September 1813]

Catalog Record

813.09.01.02

Acquired September 2023

Johnny Bull on the look-out

description below

“John Bull (right), a fat citizen wearing spectacles, holds aside a curtain, revealing Napoleon and Joséphine enthroned, side by side. He stands in profile to the left, a large pistol under his left arm, his left hand in his coat-pocket. He says: “Boney – Boney, that wont do – You must not Play my King & Queen.” Napoleon, wearing a huge bicorne, a drawn sabre in his right hand, frowns at John. Joséphine wears a crown, holds sceptre and orb and looks complacently to the left. Both sit with right foot planted regally on a stool, and left leg arrogantly thrust forward.”–British Museum online catalogue.

  • Title: Johnny Bull on the look-out, or, Bonaparte detected drilling his rib at the play of King & Queen of England [graphic] : scene St. Cloud.
  • Publication: [London] : Publish’d Septr. 12, 1803, by Laurie & Whittle, 53 Fleet Street, London, [12 September 1803]

Catalog Record

803.09.12.01

Acquired November 2023

The political cocks

description below

“Two fighting-cocks, with the heads of Napoleon and Pitt, face each other across the English Channel. Napoleon (left) has a large ruff of tricolour feathers and enormously long spurs, but his wings and tail feathers are clipped. His cliff is the higher; he leans forward, saying, “Eh Master Billy, if I could but take a flight over this Brook I would soon stop your Crowing, I would Knock you off that Perch, I swear by Mahomet, the Pope and all the Idols I have ever Worshiped.” Pitt stands on a large royal crown which brings his feet almost to a level with those of Bonaparte; he stands erect, thus towering above his rival; he has very short spurs but a fine tail and wings; he crows: “Tuck a roo – too that you never can do!!!” Below them lies the sea with a fleet of ships in full sail close to the English coast.”–British Museum online catalogue.

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: The political cocks [graphic].
  • Publication: [London] : Pubd. March 27th, 1803, by S.W. Fores, 50 Piccadilly, [27 March 1803]

Catalog Record

803.03.27.01

Acquired November 2023

Long faces at Bayonne

description below

“Napoleon (left) and Joseph sit side by side on low seats or stools, both with a hand on each knee. They have large, elongated heads broadly caricatured (as in British Museum Satires No. 10604, &c.) and look sideways at each other with drawn-down mouths and wrinkled foreheads. Napoleon is in uniform, wearing a feathered bicorne; Joseph wears a crown with Spanish dress, ermine-trimmed robe, and the order of the Golden Fleece. His seat is, very inconspicuously, a commode. At his feet is a sceptre with a scroll inscribed ‘Servata Fides Cineri’. Napoleon says: “A pretty piece of Business we have made of it Brother Joe.” Joseph: “I always told you Nap, what would come of makeing too free with the Spaniards.””–British Museum online catalogue.

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: Long faces at Bayonne, or, King Nap and King Joe in the dumps [graphic].
  • Publication: [London] : Pubd. Augt. 1808 by Walker, No. 7 Cornhill, [August 1808]

Catalog Record

808.08.00.01+

Acquired February 2024