Tag Archives: George III

Summer amusement at Farmer G-‘s near Windsor

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“The interior of a dairy: George III (left), in shirt-sleeves, is churning; the Queen, dressed as a farmer’s wife, sits in the window counting the coins which the Princess Royal pours on to the table. The Princess has a basket on her arm and is dressed like a country-girl. The Queen says, “Bless me, Child, you have made a very bad market! Good Heavens is it possible the people can be so unreasonable these plentiful times to expect six eggs for a groat! You shall tramp to London next market day.” The King adds, “A very bad market girl, indeed, a very bad market girl – Limy shall go next” (cf. British Museum Satires No. 6947). Behind the King are shelves with bowls of cream, a furtive cat drinks from one of them. Above them, three milk-scores are chalked on the wall, headed, ‘Cartwheel’s score’, ‘The Widow Waggonrut’, and ‘Mrs Towser’. On the ground (left) is a pile of cheeses. Outside the wide doorway (right) Pitt, elegantly dressed, is milking a cow with a fastidious air; he sings: “I made war with Kate, a buxom Northern Lass: But such my cruel fate – ” Thurlow, wearing a smock, stands with his back to Pitt, cracking a whip; he says, “She bid you kiss her A——! Damn the Whip I’ll never learn the right smack of a Carter.””–British Museum online catalogue.

  • Printmaker: Newton, Richard, 1777-1798, printmaker.
  • Title: Summer amusement at Farmer G-‘s near Windsor [graphic].
  • Publication: London : Pubd. August 9, 1791, by W. Holland, No. 50 Oxford Street, [9 August 1791]

Catalog Record

791.08.09.01+

Acquired September 2023

The Royal Family of Great Britain

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A group portrait of George III, Queen Charlotte, and their thirteen surviving children each numbered with a key below. The youngest children play with kites and marbles. In the background Princess Amelia (the youngest) jumps into the arms of her brother, Prince Ernest Augustus. The older members of the family form small groupings that are engaged in conversation. In the foreground are books, charts, and globes, suggesting their education and cultural pursuits.

  • Title: The Royal Family of Great Britain [graphic].
  • Publication: [London] : Printed and sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London, [ca. 1785?]

Catalog Record

785.00.00.119

Acquired February 2022

Ode on His Majesty’s recovery

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title page

  • Author: Pratt, Mr. (Samuel Jackson), 1749-1814, author.
  • Title: Ode on His Majesty’s recovery / by the author of Sympathy and humanity.
  • Publication: London : Printed at the Logographic Press; and sold by J. Walter, No. 169, opposite Old Bond-Street, Piccadilly, MDCCLXXXIX [1789]

Catalog Record

53 P88 789

Acquired April 2020

Farmer George’s wonderful monkey

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“Social satire; Pitt the Younger portrayed as a monkey, with regalia and his crown hanging on a chain around his neck, in a field labelled “Windsor Park”; below the image a text explains that this animal is confounding naturalists, who suppose it to be an offspring of the devil.”–British Museum online catalogue.

 

  • Printmaker: O’Keeffe, W., active 1794-1805, printmaker.
  • Title: Farmer George’s wonderful monkey [graphic] / WOK [monogram]
  • Publication: [London] : Pubd. by J. Aitken, Castle Street, Leicester Fields, July 2nd, 1795.

Catalog Record

795.07.02.02+

Acquired November 2020

Tant va la cruche à l’eau qu’enfin elle se brise

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“By the efforts of Pitt, who directs Addington, and of a jester wearing cap and bells, an earthenware jug representing George III is lowered into the sea and fatally damaged by striking a rock inscribed ‘Malte’. ‘Addington’ is a man of straw (his body formed of a bundle of straw), a puppet attached to a pole placarded with his name; Pitt (left) pulls threads attached to the dangling arms and legs, but looks round horrified at the disaster resulting from his machinations. The jester crouches on a rock (right); under his foot is a document: ‘Traité d’Amiens’ [see British Musueum Satires No. 9852, &c.]; he holds in both hands the rope, lowering the royal pitcher, but the other end of the rope is round Addington’s hand and thus is manipulated by Pitt. Malta is a small castellated island with a church and a sharp rock which has gashed the pitcher just where it is decorated with a dog-like lion from whose head a crown falls. The mouth of the pitcher is a profile portrait of George III crowned, and looking down with angry dismay at the fatal rock.”–British Museum online catalogue.

 

  • Title:Tant va la cruche à l’eau qu’enfin elle se brise [graphic].
  • Publication:A Paris : Chez Martinet, Rue du Coq, Saint Honoré, [ca. May 1803]

Catalog Record

803.05.00.01+

Acquired May 2020

The reconciliation

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The reconciliation. Detailed description below

“The King steps forward to embrace the Prince of Wales, who throws himself into his father’s arms, saying, “against Heaven – and before thee, and am no more worthy——” (the words fade out). George III wears court dress, the Prince’s dress is tattered and dishevelled, his pocket hangs inside out, the garter at his knee – ‘Honi soit’ – is loose. Behind the King stands the Queen on the door-step, half-smiling, her arms outstretched. Two pleased princesses look over her shoulder. Just outside the door stand Pitt and Moira watching the reconciliation, Pitt with a benign expression, Moira more doubtfully; both wear footmen’s court-livery, of military cut; Moira wears jack-boots. Pitt holds a paper: ‘New Union Act Britains best Hope’, implying that he is the author of the ‘Union’. Moira holds Pitt’s arm. Beside the house (right) are a tree and a balustrade, against which grow a rose-bush and a thistle.”–British Museum online catalogue, description of the Gillray print of which this is a copy.
“A close copy by Williams, with additions, apparently ante-dated … Behind the Prince Lord Dartmouth, Lord Chamberlain, stands full face, holding his wand, his gold key attached to his coat. Pitt and Moira turn their eyes slyly towards each other: both weep large burlesqued tears, as do the Queen and Dartmouth.”–British Museum online catalogue.

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: The reconciliation [graphic].
  • Publication: [London] : Pubd. Novr. 18, 1804, by S.W. Fores, No. 50 Piccadilly, [18 November 1804]

Catalog Record 

804.11.18.01+

Acquired May 2019

To all to whom these presents shall come….

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A certificate recording the appointment 31 May 1781 of “Henry Hastings gentleman to be collector for … the district of Colchester and Maldon … for administering the oaths … taken by paper-makers … for proving that paper brought to be stamped as stock in hand, was really, and bona fide made in Great Britain, before the commencement of … An act for repealing the present duties upon paper, pasteboards, millboards and scaleboards, made in Great Britain, and for granting other duties in lieu thereof … and also the oath taken by such makers of paper, for ascertaining the value of such paper …”. The cost of war with America caused the British government to increase taxes. In 1781 the existing excise duty on paper was abolished and replaced with a more complicated scheme which imposed seventy-eight different rates applied on the various types of paper. Transitional arrangements allowed that paper produced before the new system came into force could be taxed at the old rate, the holder of this certificate being required to take oaths from papermakers concerning such previously-manusfactured paper stock.

  • Title: To all to whom these presents shall come, greeting. Know ye, that we whose names are hereunto set, and seals affixed, being the major part of the Chief Commissioners and Governors for the management of the receipt of excise, and other duties put under our management and receipt, in pursuance of the powers and authorities to us given, have constitued, deputed and appointed …
  • Publication: [London] : [publisher not identified], [1781]

Catalog Record 

File 66 780 T627+

Acquired July 2017

The golden image that Nebuchadnezzar the king had set up

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“A sequel to British Museum Satires no. 6438. George III, seated on a balloon, points downwards with his sceptre to an image of Pitt (right) as a naked child, on a column which is inscribed ‘Family Presumption’. The king looks down at North, Fox, and Burke, saying, “I command you O Shadrach Mesech & Abednego!” The three stand (left) in attitudes expressing intense self-righteousness; they say: “Know O King we will not worship ye Golden Image”; on each head rests a tongue of flame. They stand outside a dilapidated building on the extreme left inscribed ‘St Stephens’, shored up by a beam, whose base is at their feet, inscribed ‘Resolutions Unrescinded’. From its coping-stone flies an ensign flag inscribed ‘Firm S.P.Q.B.’ The king’s balloon is inscribed ‘Prerogative’; its lower axis emits a blast inscribed ‘Gracious Answer’. Behind the balloon and Pitt are clouds inscribed ‘Breath of Popularity’. Pitt stands sucking his finger (cf. British Museum Satires no. 6417); on his head is a sugar-loaf surmounted by a flag inscribed ‘Feby 28′, an emblem of the Grocers’ Company which had entertained him on that day, see British Museum Satires no. 6442. Kneeling figures do obeisance before the image of Pitt, those in the foreground representing the least reputable trades: a lamplighter (left), with his ladder and oil-can, kneels in profile to the right; a butcher prostrates himself; a chimney-sweep kneels with clasped hands; a ragged scavenger, his shovel and basket beside him, kneels in profile to the left, the basket stands on a paper inscribed ‘[Worshipfu]ll Company of Scavenger[s]’. In the foreground lie papers inscribed ‘Garret Address’ (an allusion to the mock elections of Garratt), ‘Address’, and ‘The worshipfull Company of Chimney Sweepers’. A crowd of kneeling figures (left) is worshipping the idol; they hold standards, three of which are inscribed ‘Bristol’, ‘Westminster’, and ‘London’, representing the addresses to the king which had been compared by Fox to those made to Charles II, see British Museum Satires no. 6438, &c.”–British Museum online catalogue.

  • Printmaker: Collings, Samuel, printmaker.
  • Title: The golden image that Nebuchadnezzar the king had set up [graphic] / Annibal Scratch del. et sculp.
  • Publication: [London] : Pub. by W. Wells, No. 132 Fleet Street, March 11th, 1784.

Catalog Record

784.03.11.05+

Acquired May 2017

The fall of the Wolsey of the Woolsack / Vices overlook’d in the new proclamation

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“Thurlow, seated on the Woolsack, and George III who stands on the extreme left, tug at the bag of the Great Seal, while Pitt and Grenville (right) attempt to dislodge the Chancellor. The King, in profile to the right, tugs with both hands, saying, “What! What! What! – pull against me Neddy? pull against me? – no! no! no! – ‘twont do!” –excerpt from British Museum online catalogue

With an impression on the verso of a reprint of James Gillray’s, with number in upper right ’80’: Vices overlook’d in the new proclamation. [London] : Pubd. May 24th 1792 by H. Humphrey, N. 18, Old Bond Street, [24 May 1792].

  • Printmaker: Gillray, James, 1756-1815, printmaker.
  • Title: The fall of the Wolsey of the Woolsack [graphic].
  • Edition: [State with plate no.].
  • Publication: [London] : Pubd. May 24th, 1792, by H. Humphrey, No. 18 Old Bond Street [i.e. H.G. Bohn], [1849?]

Catalog Record

792.05.24.02.01+

Acquired February 2017

Household accounts for Prince Frederick, Duke of York

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lwlacq000196 (697x1024)

Leaves from an account book, in various hands, listing salary payments to household and stable staff and payments for boardwages, allowances, and extraordinaries as well as payments from the Exchequer and other allowances, for the periods ending 5 July 1790, 10 October 1794. 5 July 1798, and 11 November 1798. Also contains 5 pages of accounts for servants of Prince William, Edward, Ernest, Augustus and Adolphius for the period 5 July 1798 and signed 11 November 1798 by King George III.

  • Title: Household accounts for Prince Frederick, Duke of York, 1790 July 5-29 September 1798.

Catalog Record

Folio LWL Mss Vol. 221

Acquired March 2016