The Matthew-orama for 1827, or, Cockney gleanings

description below

Mathews in sixteen of the impersonations in his yearly entertainment.

  • Printmaker: Jones, Thomas Howell, active 1823-1848, printmaker.
  • Title: The Matthew-orama for 1827, or, Cockney gleanings, ain’t that a good un now? [graphic] / drawn & etched by Thos. Jones.
  • Publication: [London] : Pubd. March 26, 1827, by G. Humphrey, 27 St. Jamess St., London, [26 March 1827]

Catalog Record

827.03.26.01++ Impression 2

Acquired April 2022

To the most noble George Marquis of Townshend

description below

“A mounted officer of the Norfolk rangers, his blued sword drawn, a Tarleton helmet on his head, in green uniform with black facings and silver lace, a sword-belt across his chest and a sash about his waist, other members of the corps exercising in the fields beyond, the colours of the regiment below.”–British Museum online catalogue.

  • Printmaker: Tomkins, Charles, 1757-1823, printmaker, artist.
  • Title: To the most noble George Marquis of Townshend, the officers and gentlemen of the Norfolk Rangers, this portrait and representation of their uniform is inscribed by the proprietors [graphic] / drawn & engrav’d by Chas. Tomkins.
  • Publication: [London] : Pubd. as the act directs, Decr. 1, 1799, for the proprietors by Egerton, Whitehall, [1 December 1799]

Catalog Record


Acquired June 2021

Apparition du globe aerostatique de Mr. Blanchard

description belowA scene in rural France: A farmer holding onto a plow drawn by a team of oxen, shepherds with their sheep, and a man fishing in a stream, all look up in astonishment at the air balloon overhead. This print references the third flight of Jean-Pierre Blanchard, his second with American John Jeffries and the first flight over the English Channel.


  • Printmaker: Bonvallet, L. (Louis), approximately 1748-1818, printmaker.
  • Title: Apparition du globe aerostatique de Mr. Blanchard, entre Calais et Boulogne parti de Douvres le 7 de Janvier 1785 à 1 heure 1/2 [graphic] / dessiné par Desrais ; gravé́ par L. Bonvalet.
  • Publication: A Paris : Chez Basset rue St. Jacques au coin de celle des Mathurins, [1785]

Catalog Record


Acquired January 2021

Tant va la cruche à l’eau qu’enfin elle se brise

description below

“By the efforts of Pitt, who directs Addington, and of a jester wearing cap and bells, an earthenware jug representing George III is lowered into the sea and fatally damaged by striking a rock inscribed ‘Malte’. ‘Addington’ is a man of straw (his body formed of a bundle of straw), a puppet attached to a pole placarded with his name; Pitt (left) pulls threads attached to the dangling arms and legs, but looks round horrified at the disaster resulting from his machinations. The jester crouches on a rock (right); under his foot is a document: ‘Traité d’Amiens’ [see British Musueum Satires No. 9852, &c.]; he holds in both hands the rope, lowering the royal pitcher, but the other end of the rope is round Addington’s hand and thus is manipulated by Pitt. Malta is a small castellated island with a church and a sharp rock which has gashed the pitcher just where it is decorated with a dog-like lion from whose head a crown falls. The mouth of the pitcher is a profile portrait of George III crowned, and looking down with angry dismay at the fatal rock.”–British Museum online catalogue.


  • Title:Tant va la cruche à l’eau qu’enfin elle se brise [graphic].
  • Publication:A Paris : Chez Martinet, Rue du Coq, Saint Honoré, [ca. May 1803]

Catalog Record


Acquired May 2020