Loose principles

description below

“Fox rises from a close-stool; Sheridan (left) is about to apply a syringe, inscribed ‘R——ts [Regent’s] Clyster’, to his rectum. Burke (right), wearing a Jesuit’s biretta (cf. British Museum Satires No. 6026), gropes in the close-stool, holding in his left hand its lid, inscribed ‘Not searching from Precedents but Consequences’ (a characteristic dictum); he says, “To Ordure – Ordure” (Burke was often called to order for his speeches on the Regency, cf. British Museum Satires No. 7499, &c). Fox says, “Exegi Monumentum cere perennias, or the finishing Stroke” (perhaps an allusion to the revolution Pillar, see British Museum Satires No. 7396). In his hand is a paper inscribed ‘Magna Charta Non Posteris sed Posterioribus’; his posterior is inscribed ‘Patriotic Bum’ and ‘Vox Populi’. He stands on a paper inscribed ‘Resolutions of P——l——t.’ Sheridan is ‘Principal Promoter of loose Principles’; under his right foot is an open book: ‘Congreve Plays School for Scandal’, probably implying plagiarism by Sheridan (cf. Moore, ‘Life of Sheridan’, p. 180, where resemblances between ‘The School for Scandal’ and ‘The Double Dealer’ are noted). The background is a library wall: a book-case containing folio volumes in some disorder is flanked by scowling busts of ‘Wat Tyler’ and ‘Jack Kade’. The books are inscribed: ‘The Laws of Pharaoh’ (Faro, cf. British Museum Satires No. 5972), ‘Political Prints’, ‘Life of Oliver Cromwell’ (cf. British Museum Satires No. 6380, &c), ‘Cataline’ (cf. British Museum Satires No. 6784), ‘Memoirs of Sam House’.”–British Museum online catalogue.

 

  • Printmaker: Rowlandson, Thomas, 1756-1827, printmaker.
  • Title: Loose principles [graphic].
  • Publication: [London] : Pubd. Jany. 21, 1789, by S. Fores, No. 3 Piccadilly, [21 January 1789]

Catalog Record

789.01.21.01+

Acquired May 2020

Le plan de campagne de 1806

description below

A French satire on the British administration, who are gathered around a table with bottles and glasses (two of which are toppled over) and a battle plan (’Plan de Berlin’) drawn on the tablecloth. In1806, French forces under Napoleon occupied Prussia, pursued the remnants of the shattered Prussian Army, and captured Berlin.

 

  • Title: Le plan de campagne de 1806, ou, Les deliberations des politiques anglais sur la guere [graphic].
  • Publication: A Paris : Chez Martinet, [1806]

Catalog Record

806.00.00.54+

Acquired May 2020

Portrait of a woman in a large hat

description below

A portrait of a woman in the rondel frame; in profile, head and shoulders only, looking down and to the right, wearing an extravagant hat; possibly a performer.

 

  • Printmaker: Laurie, Robert, 1755-1836, printmaker.
  • Title: [Portrait of a woman in a large hat] [graphic] / Robt. Dighton pinxit ; R. Laurie fecit.
  • Publication: London : Printed for R. Sayer & J. Bennett, No. 53 Fleet Street, 26 Feby. 1778, as the act directs.

Catalog Record

778.02.26.01

Acquired May 2020

A man-trap

description below

“A fashionably-dressed young woman reclining to left on a garden bench, looking provocative; roses and a sign-post lettered ‘Spring Guns set here’ behind to right, and a tree behind to left.”–British Museum online

 

  • Title: A man-trap [graphic].
  • Publication: [London] : Printed for Carington Bowles, No. 69 in St. Pauls Church Yard, London. Publish’d as the act directs, [between 1766 and 1789]

Catalog Record

766.00.00.69

Acquired May 2020