Lady P aragraph championizing

description below

“Lady Perceval sits at an ornate writing-table, pen in hand. A serpent issues from her breast, coils round her arm, and darts its fang at the tip of her pen. She frowns meditatively, saying, “Now then for something strong but not libellous, I hate half measures we must rush upon the enemy–suprise [sic], astound him–and unhorse him by Terror–John Bull have at you! I’ll open your eyes–.” The table is littered with papers and books; some are docketed: ‘For the Star’, ‘To the Editor of the Star’, ‘For the News’, ‘Extracts from the Book’, one is ‘Copy’, a book is ‘Politicks’, and a large paper is displayed: ‘Select Scraps from Shakespeare–with my own comments “Some achieve greatness “some have greatness thrust upon them …. Querie was this not the case with Nunky [Spencer Perceval], why not happen …. Son–.’ Other papers and books lie on the floor: newspapers are ‘The News’ and ‘The Star’, a paper is headed ‘Memorandums Billy Austin [see British Museum Satires No. 12027]–the Will–‘ Books are ‘Life of Lord Nelson’, ‘A very Woman by Massinger’, ‘Machiavael’, ‘Johnson’, ‘Indiscretion a Novel’, ‘Don Quixote’. On the left John Mitford, identified by a letter in his coat-pocket ‘To John Mit–‘, stands facing the wall, and hanging one picture over another: he places a view of a country inn, ‘The Tigers Head’ above one of ‘[War]burton’s Mad House’, saying, “Come this is a prettier picture than the other [left] shall catch some fish in this neighbourhood.” He is fashionably dressed, wearing Hessian boots. This picture is on the left of a row: a large picture of ‘Alecto’ (cf. British Museum Satires No. 7721), naked, wreathed in serpents, and brandishing scourge and fire-brand, with a background of flames hangs between three-quarter length portraits of ‘Lady Douglas’ and ‘Lady A Hamilton’. The former covers her face with a tragic gesture; a dagger lies on a table beside her, she seems to contemplate suicide. The latter clasps her hands. Over the chimneypiece (right) is a three-quarter length portrait of ‘Lord P . . . . val’ concealing his face with his hat; below, and partly hiding the frame, is a statuette of a knight killing a dragon. On the chimney-piece there is also a bottle labelled ‘Cephalic’ (for diseases of the head). Papers are burning in the grate, one inscribed ‘To[o] Libellous’.”–British Museum online catalogue.

 

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: Lady P aragraph championizing [graphic].
  • Publication: [London] : Pubd. March 4th, 1814, by S.W. Fores, No. 50 Piccadilly, [4 March 1814]

Catalog Record

814.03.04.02

Acquired November 2022

Snuff and twopenny

description below

An ugly woman with only two teeth and with holes in her sleeve, shown half-length to left, a scarf over her head and tied under her chin, one hand around a tankard, holding up the other hand with thumb and forefinger pinched together, a small round snuff box on the table.

 

  • Title: Snuff and twopenny [graphic].
  • Publication: [Alnwick] : Printed and published by W. Davison, Alnwick, [between 1812 and 1817]

Catalog Record

812.00.00.107 Impression 2

Acquired August 2022

A royal salute

description below

A caricature of Queen Caroline embracing her lover Bartolomeo Bergami.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: A royal salute [graphic] : le cannon est en bas.
  • Publication: [London] : Pub. Aug. 28, 1820, by S.W. Fores, 41 Picadilli [sic], [28 August 1820]

Catalog Record

820.08.28.01.1+

Acquired April 2023

Punishment of the Tcha

description below

“A Chinese man undergoing punishment, with his head and right hand locked into a sort of stocks formed of planks of wood onto which are nailed placards, with a guard and onlookers.”–British Museum online catalogue.

 

  • Printmaker: Hall, John, 1739-1797, printmaker.
  • Title: Punishment of the Tcha [graphic] / W. Alexander del. ; Ino. Hall sculp.
  • Publication: London : Published April 12, 1796, by G. Nicol, [12 April 1796]

Catalog Record

796.04.12.03+

Acquired June 2022

The camelopard, or, A new hobby

description below

“George IV sits jauntily astride a tall high-stepping giraffe, at the base of the neck, hands on hips. Lady Conyngham (left) sits sideways on the sloping back, close to the tail, her vast posterior projecting. She smiles over her shoulder. He wears a straw hat with wide curving brim. She is décolletée, with large gigot sleeves and feathers in her hair. Four Nubians (right) bow obsequiously.”–British Museum online catalogue.

 

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: The camelopard, or, A new hobby [graphic].
  • Publication: [London] : [publisher not identified], [not before August 1827]

Catalog Record

827.08.00.01+

Acquired November 2022

Always a character

description below

A caricatured portrait of comedian John Liston, standing before the Theatre Royal. Leaning against a bollard is a placard advertising the play ‘Fish out of Water’ in which he was starring as ‘Sam Savoury’.

  • Printmaker: Ash, William, active 1823, printmaker, artist.
  • Title: Always a character [graphic] / Wm. Ash invt. & fet.
  • Publication: [London] : Pubd. Novr. 25th, 1823, by G. Humphrey, 24, St. James’s St. & 74, New-Bond St., London, [25 November 1823]

Catalog Record

823.11.25.01

Acquired April 2023

A duett at the Hanover Square concert

description below

Two women stand on a balcony, mouths open in song and eyes cast downward at their music sheet. They wear corsetted dresses and feathered head wear. A satire of the duet performed by Harriet Abrams (1758-1821), the English soprano and composer, and her sister Theodosia (ca. 1770-1849), a contralto, on 9 May 1788 at Hanover Square Rooms. The piece performed was ‘Gia che mia sposa sei’ by Antonio Sacchini, and the occasion was the annual benefit concert for the tenor Samuel Harrison.

 

  • Title: A duett at the Hanover Square concert [graphic] / JN [monogram] 1788.
  • Publication: London : Pub. by W. Holland, No. 50 Oxford Street, Augst. 5, 1789.

Catalog Record

789.08.05.01

Acquired November 2022

The rival queans, or, A scene in The beggars opera

description below

“Mrs. Clarke (left) and Mrs. Carey (right) (see British Museum Satires No. 11050) berate each other; both wear evening dress, with feathers in their hair, those of Mrs. Carey being the taller. The Duke, wearing regimentals, watches the quarrel, equally distant from both. Mrs. Clarke, arms akimbo, says: “Why how now Madam Carey, although you are so Warey In saveing of your cash, John Bull and I we both will try, And settle all your hash.” [see 1803 Isaac Cruikshank print for an earlier use of this phrase, BM impression 1868,0808.7141/ PPA108823] Mrs. Carey retorts: “Why how now Madam Clarke—— Why since you thus can chatter—— And thus betray your spark—— I wonder whats the matter with, you, Madam Clarke!!” The Duke looks at Mrs. Clarke, stopping his ears, a leg raised in angry protest; he says: “Zounds! the thunder of Valencienes was Music to this”. Behind Mrs. Clarke is a cockatoo on a high perch, screaming: “go it! go it”; a chair has been overturned, and a mastiff, its collar inscribed ‘John Bull’, barks at the Duke. A small dog behind Mrs. Carey also barks. She stands with her back to the fire. On the chimney-piece a china Cupid aims his arrow at a heart on the trunk of a tree.”–British Museum online catalogue.

 

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: The rival queans, or, A scene in The beggars opera [graphic].
  • Publication: [London] : Pubd. March 1809 by Walker, Cornhill, [March 1809]

Catalog Record

809.03.00.08+

Acquired November 2022

The cat’s-paw!

description below

A satire of William IV’s involvement in the debate leading up to the Reform Act of 1832: A cat with the face of William IV is being persuaded to pull a hot chestnut from a blazing fire by a bewigged monkey (Lord Chancellor Henry Brougham). The fire is labelled with words such as ‘rights’, ‘reform’, and ‘popularity’. A portrait of Whig Prime Minister Charles Grey, 2nd Earl Grey, hangs above the fireplace.

 

  • Title: The cat’s-paw! [graphic] / E. Brookes delt.
  • Publication: [London] : Pubd. by Marianne Humphreys, St. James’s Stt., [approximately 1832]

Catalog Record

832.00.00.52

Acquired November 2022

A little man’s night’s comforts

description below

Napoleon in bed wearing a nightshirt holds a map of Malta while visions of poison, soldiers poisoned in the hospital at Jaffe, the massacre at Paris 18 Vendimiaire, the invasion of England, ghosts of the 3800 murdered Turks on the sand hills of Syria, the surrender of Ajacio in 1793, Wellington seeking revenge, his attempting poison and murder by his own soldiers.

 

  • Title: A little man’s night’s comforts, or, Boney’s visions [graphic] / Lt. B.
  • Publication: [London?] : [publisher not identified], pubd. 14 July 1803.

Catalog Record

803.07.14.01+

Acquired June 2022