Lyndhurst in Chancellor’s wig and gown, stands between Wellington (left, standing beside a writing table) and Brougham (right, also in a wig and gown), who face each other in profile. Lyndhurst looks at Wellington while gesturing with his left arm at Brougham who steps toward him. In a speech balloon, Lyndhurst says: My honourable & learned Friend wishes to Enroll himself amoung Your Graces political friends.
Printmaker: Doyle, John, 1797-1868, printmaker.
Title: A broad hint [graphic] / HB.
Publication: [London] : Pubd. by S. Gans, 15 Southampton St., Strand, [ca. July 1829]
Manufacture: [London] : Printed by C. Ingrey, 310 Strand
Copy in reverse of the first state of Plate 1 of Hogarth’s ‘The Rake’s Progress’ (Paulson 132): the Jacobean interior of the house of Tom Rakewell’s late father with Tom at left being measured for a suit as he gives a handful of coins to the pregnant Sarah Young; behind him sits a lawyer compiling inventories; on the floor are boxes of miscellaneous goods, piles of mortgages, indentures, bond certificates and other documents; an old woman brings faggots to light a fire and an upholsterer attaching fabric (purchased from William Tothall of Covent Garden) to the wall reveals a hiding place for coins which tumble out.–British Museum online catalogue.
Title: Taking possession of his father’s effects [graphic].
Publication: [London] : Publish’d wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill, March 25, 1768.
Caricature with Queen Caroline with her arms linked to those of Bergami and her lawyer, as they step along the road between St Omer and Calais. The Queen wears a watch at her waist and two miniature portraits hang from cords at her bosom. In the background her coach awaits with a coachman in tall boots smiling at the scene. A re-issue with new background of a plate first published on 19 January 1821.
“A magistrate sits behind his table listening intently to the angry harangue of a naval officer (right) who faces the accused (left), demure-looking, plainly-dressed woman, wearing a checked apron tucked round her waist, but evidently a prostitute. She is supported by two keen-looking lawyers. The officer, who is paunchy and wears very wide white trousers, stands with legs apart, right arm extended with pointing forefinger. He shouts: No. No. I’ve found my Breeches, but consider your Worship how I shall be Quized–The L–d H–h-A–l knows all about it. I never was before the Public but once, shant forget that in a hurry–Yes–yes I found the breeches, but where’s my Silver Gilt Trafalgar Medal eh? I’ll have it if it costs me a Thousand Pounds. I could’ent live without it. Ay Ay she’s the Thief but I will not hang her unless your worship wishes it–If I had her aboard my Ship D–n me I’de give her a round dozen–I would. Behind him stand a footboy in livery and two rough-looking men. The woman extends both arms and says pathetically I never robbed you Sir. The lawyer says: There’s no proof you cant Harm–her.”–British Museum online catalogue.
Caricature with Queen Caroline on the arms of Bergami (left) and Alderman Wood (right), jubilant on the sidewalk before the door of “Mother Wood”. The Queen wears a watch at her waist and two miniature portraits hanging from cords from her bosom.
“An altered copy of British Museum number 3764 (circa 1792), a mezzotint after Dighton. The dress of the two non-barristers has been modernized, one or two background heads have been omitted. The principal barrister has been altered from a grotesque to a portrait of MacNally, adapted, in reverse, from No. 11409. It is he who holds out his hand for coins to a melancholy countryman, and has a large brief inscribed ‘Gaffer Flatscull agt Ralph Clodpole’. This and all other inscriptions are as in No. 3764. The attorney (right), who stands in profile to the left holding a pamphlet: ‘Practic'[sic] of petty Fogging’, wears a top-hat and has short cropped hair, and is better characterized than in the original and may be a portrait.”–British Museum online catalogue.
Title: The first day of term, or, The devil among the lawyers [graphic].
Published: [Dublin : Pub’d by T. O’Callaghan, 11 Bride St., one door from Ross Lane, 1809?]
A fine series of letters from William Tate of Tate and Whiteside, Merchants of Lime Street, London. Acting as one of Adam’s major contacts in the capital and his sometimes business partner, Tate supplied Adams with wine and fruit, looked after his financial interests, procured books and other articles for him, reported on shipping movements and acted as a conduit for Adams in his financial dealings with America and Jamaica.
A collection of 140 bills and invoices made out to attorney Charles Wren or his wife Mary, dated 1793-1797, issued primarily by businesses in London and Newcastle; they document the personal and household expenses of a prosperous provincial lawyer and his household.