French volunteers marching to the conquest of Great Britain

description below

“A mounted officer with drawn sabre heads a procession of ‘Volunteers’ linked by a chain to his horse and to each other. The horse is a well-bred animal with handsome trappings, but the rider is lean and has torn breeches. He is followed by a file of three whose necks are attached to the horse and whose hands or arms are pinioned. All are miserable wretches, barelegged and ragged; the last, less abject, has sabots and takes snuff. He is chained to the neck of a donkey on whose back is a pannier containing three despairing conscripts. To the animal’s tail is tied a low truck on which a moribund shackled man lies on his back, his knees drawn up. To the truck is chained, in a stooping position, a man whose hands are tied behind his back, his nails being long talons. Birds, scenting carrion, fly towards the procession. Below the design: ‘Dedicated (by an Eye Witness) to the Volunteers of Great Britain’.”–British Museum online catalogue.

  • Printmaker: Gillray, James, 1756-1815, printmaker.
  • Title: French volunteers marching to the conquest of Great Britain [graphic] / C.L.S.
  • Publication: London : Pubd. Octr. 25th, 1803, by H. Humphrey, 27 St. Jamess [sic] Street, [25 October 1803]

Catalog Record

803.10.25.01++

Acquired March 2020

John Bull, or, An Englishman’s fireside!

lwlpr31422_m

Satire on attempts to enforce Observance of the Sabbath. John Bull sits miserably in a corner of a room. In the five lines etched at the top of the image, we learn that he has no food or tobacco and is unable to go out for fear of the ‘Arm’d Blue Devil’ (i.e., a bearded ‘bobby’ or a Metropolitan Policeman, a member of the force founded by Sir Robert Peel in 1829) who can be seen through a window with a cracked pane. John Bull complainant about “Observing the Sabbath with a vengeance” is a response to Sir Andrew Agnew, the Member of Parliament for Wigtownshire, attempt to enforce better Observance of the Sabbath through the introduction of four bills to the House of Commons between 1830 and 1847. On his third attempt Charles Dickens wrote ‘Sunday Under Three Heads’ (1836), a personal attack on Agnew, whom he described as a fanatic, motivated by resentment of the idea that those poorer than himself might have any pleasure in life. Agnew left Parliament in 1837, ending the campaign.

  • Printmaker: Grant, C. J. (Charles Jameson), active 1830-1852, printmaker.
  • Title: John Bull, or, An Englishman’s fireside! [graphic] / C.J. Grant.
  • Published: London : Pub. by G. Tregear, 123 Cheapside, April 1833.

Catalog Record & Digital Collection

834.04.00.01

Acquired March 2014

The hungry epicure disappointed

Click for larger image

A man with a queue wig and wearing spectacles (right) sits expectantly at a small round tea table set for two; his hands on the table clutch his knife and fork, his napkin tied around his neck like a bib. He leans forward as he eyes the food approach carried by a woman in a mop cap and wearing spectacles who stands full length (left) holding a long handled frying pan heaped high with dark ashes. He says, “Come, come, Dame isn’t my eggs and bacon done yet. I’m literally famish’d in waiting.” She replies, “I am very sorry to inform your worship that just as I had done ’em so nice all this here soot fell into the pan.”

  • Creator: Grant, C. J. (Charles Jameson), active 1830-1852, artist.
  • Title: The hungry epicure disappointed [drawing].
  • Created: [England, between 1830 and 1852?]

Catalog Record & Digital Collection

Drawings G761 no. 8 Box120

Acquired November 2013