A faithful representation of the trial ….

“A realistic view of the House receding in perspective to the Throne, above which is inset an oval bust portrait of Bartolomo Bergami, wearing a cluster of five decorations, see British Museum Satires no. 13810. Some figures and objects have numbers referring to notes in the lower margin. Counsel are in a line across the foreground on each side of the centre figures, who are Gurney the short-hand writer and Majocchi facing the interpreter. The Queen is inconspicuously seated behind Brougham, next a smaller lady who must be the tall Lady Anne Hamilton. Eldon is at the Table in front of the Woolsack. On the Table is 13 Green Bag [see British Museum Satires no. 13735].”–British Museum online catalogue.

  • TitleA faithful representation of the trial of Her Most Gracious Majesty Caroline Queen of England, in the House of Lords, 1820 [graphic].
  • Publication[London] : [publisher not identified], [ca. November 1820]

Catalog Record

Drawer 820.11.00.01

Acquired April 2017

Authentic account of all the fairs in England and Wales

  • AuthorOwen, W. (William), -1793.
  • Uniform Title[Authentic account of all the fairs in England and Wales]
  • TitleAn authentic account published by the King’s authority, of all the fairs in England and Wales : as they have been settled to be held since the alteration of the stile. Noting likewise the commodities which each of the said fairs is remarkable for furnishing.
  • EditionThe second edition.
  • PublishedLondon : Printed for W. Owen, at Homer’s Head, near Temple-Bar, Fleet-street, and R. Goadby, at Sherborne, in Dorsetshire, MDCCLIX [1759]

Catalog Record

62 759 Ow97

Acquired April 2017

The wedding day

“The fat, moustached, Duchess of St. Albans and the slim Duke dance with vigour and agility, each poised on the left toe, arms interlaced, and hands meeting above their heads. From the Duchess’s small coronet rise giant ostrich feathers which curve above the heads of both and above which a big ducal coronet is suspended. He sings: My Wife shall dance, And I will sing so merry we’ll pass this_ day. She: For I hold it one of the wisest things to drive dull care away–. The musicians are two cynical cupids; one (left) sits on large sacks of sovereigns inscribed Cash; coins pour from a slit in a sack and lie on the carpet with a banker’s money-scoop. He fiddles: Money in both pockets. The other (right), seated on the apex of a huge melon from which a slice has been cut, plays bagpipes: And auld Robin Gray [Coutts] was a gued Old Man to me! with variations.”–British Museum online catalogue.

  • PrintmakerHeath, Henry, active 1824-1850, printmaker.
  • TitleThe wedding day [graphic] / H. Heath delt
  • Publication[London] : [publisher not identified], published June 28, 1827.

Catalog Record 

827.06.28.01+

Acquired April 2017

The origin of Fairlop Fair

Broadside celebrating Fairlop Fair, held annually held on the first Friday in July. The broadside gives a short account of the origins of the fair, reproduces two songs sung by a Mr. Hemingway and a Mr. Lidard during the fair, and shows the festivities in an impressive woodcut which was printed from a woodblock fashioned from the celebrated Fairlop Oak. The Fairlop Oak was an impressive oak in the Hainault Forest near a lake at Fairlop Waters. In 1725 Daniel Day (d. 1767), a ship-builder, took some friends for a picnic there, repeating this for a number of summers until it gradually developed into a larger event, attended by ship-, boat- and barge-builders and their associated trades, though it was always held without a charter. By the early 19th century it was a well attended fair, known for its sometimes riotous behaviour. Day always made a point of arriving at the fair in a boat on wheels and this tradition continued. These impressive modes of transport, festooned with lights and sails, full of people in garish costumes making music and breaking into song were one of the features of the fair, and a well-known spectacle in the East End of London when they set off. By 1813 the Fairlop Oak had lost a great deal of its crown. The broadside here records its girth as being 36 feet. The tree was blown down in a gale in 1820, and its timber was used for a variety of celebratory furniture but also for the block from which the present woodcut was carved.

  • TitleThe origin of Fairlop Fair, &c. : taken from an original drawing by an eminent artist & printed off a wood cut engraved on a block of the celebrated tree.
  • Publication[Ilford, England] : J.W. Peele, [1824]

Catalog Record

File 74 824 P374

Acquired April 2017

 

The history of North-Allerton, in the county of York

 

  • TitleThe history of North-Allerton, in the county of York. To which is added a description of the Castle-hills. By Miss A. Crosfield.
  • PublishedNorthallerton, Printed by and for J. Langdale, and sold by Messrs. Wilson, Spence, and Mawman, York, 1791.

Catalog Record 

64 N878 823

Acquired April 2017