French alias Corsican villainy, or, The contrast to English humanity

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description below

“Two designs placed side by side, the title so arranged that ‘The Contrast’ applies to both, the first four and last two words to the two designs respectively. [1] A scene outside Jaffa where the French flag flies from a fort on a rock at whose base are hospital tents (left), in which the sick can be seen. In the foreground Napoleon (a poor portrait) points with an imperious gesture to a bottle of ‘Opium’ in the hand of a distressed doctor in civilian dress. He says: “Don’t talk to me of Humanity & the feelings of a generous heart, I say Poison those Sick dogs they are a burthen to me, & can no longer fight my Battles!!! I say destroy them – As for those Turks, them up in the Garrison, turn all the Guns upon them, Men, Women, & Children & blow them to atoms, they are too bold & resolute for me to suffer them to live, they are in my Way.” In the middle distance (left) is a body of Turks, their arms tied behind them, guarded by a French soldier who points at Napoleon. Behind Napoleon two French officers exchange glances, acutely dismayed at the orders.” … [2] Two black soldiers, in neat regimentals, prepare to kill three haggard French officers. One raises an axe to smite a bound prisoner. Two British officers (left) interpose with outstretched arms; one says: “We know they are our Enemies, & yours, & the Enemies of all Mankind, nevertheless Humanity is so strongly planted in the Breast of an Englisman [sic], that he can become an humble beggar, for the lives, even of his enemies, when they are subdued.” The other adds: “A mercy unexpected, undeserved surprises more.”–British Museum online catalogue.

On the verso are newspaper clippings on a variety of topics: Sir Lionel Darell and the benevolence of the King to grant him land for his greenhouses in Richmond Park; “Observations on the rot of sheep”; Poem entitled “Leamington Spa”; “Balloon Ascension” an extract from a letter from Bristol, dated Sept 26.; an report of the death of Simon Southward, a miller who was a prisoner for 43 years for debt and the delusion of being the Earl of Derby.

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: French alias Corsican villainy, or, The contrast to English humanity [graphic].
  • Publication: [London] : Pubd. Jany. 13, 1804, by S.W. Fores, No. 50 Piccadilly, [13 January 1804]

Catalog Record

804.01.13.01+

Acquired February 2024

Triumph of love and folly

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Print showing George IV being carried in a sedan chair by two men wearing judicial wigs and robes, one carries a sceptor; on the top of the chair sits Queen Caroline holding a noise maker, she tells the porters to “Keep joging, I’le be your Pilot, don’t fear his Wakeing – I have Composed his Highness, I warrant you.” George IV pours out the contents of a bottle labeled “opium” and on the ground next to the chair is a broken bottle also labeled “opium.”
“Political satire: the Prince Regent carried in a chair by two judges, with Mrs Fitzherbert on the roof with two babies, followed by the cabinet.”–British Museum online catalogue.

  • Printmaker: Elmes, William, active 1797-1820, printmaker.
  • Title: Triumph of love and folly [graphic] / E-s [Elmes].
  • Publication: London : Pubd. Aprl. 24, 1812, by Thos. Tegg, 111 Cheapside, [24 April 1812]

Catalog Record

824.04.24.01+

Acquired September 2023