Mathews in sixteen of the impersonations in his yearly entertainment.
827.03.26.01++ Impression 2
Acquired April 2022
“A mounted officer of the Norfolk rangers, his blued sword drawn, a Tarleton helmet on his head, in green uniform with black facings and silver lace, a sword-belt across his chest and a sash about his waist, other members of the corps exercising in the fields beyond, the colours of the regiment below.”–British Museum online catalogue.
799.12.01.01
Acquired June 2021
A scene in rural France: A farmer holding onto a plow drawn by a team of oxen, shepherds with their sheep, and a man fishing in a stream, all look up in astonishment at the air balloon overhead. This print references the third flight of Jean-Pierre Blanchard, his second with American John Jeffries and the first flight over the English Channel.
785.01.00.01+
Acquired January 2021
“By the efforts of Pitt, who directs Addington, and of a jester wearing cap and bells, an earthenware jug representing George III is lowered into the sea and fatally damaged by striking a rock inscribed ‘Malte’. ‘Addington’ is a man of straw (his body formed of a bundle of straw), a puppet attached to a pole placarded with his name; Pitt (left) pulls threads attached to the dangling arms and legs, but looks round horrified at the disaster resulting from his machinations. The jester crouches on a rock (right); under his foot is a document: ‘Traité d’Amiens’ [see British Musueum Satires No. 9852, &c.]; he holds in both hands the rope, lowering the royal pitcher, but the other end of the rope is round Addington’s hand and thus is manipulated by Pitt. Malta is a small castellated island with a church and a sharp rock which has gashed the pitcher just where it is decorated with a dog-like lion from whose head a crown falls. The mouth of the pitcher is a profile portrait of George III crowned, and looking down with angry dismay at the fatal rock.”–British Museum online catalogue.
803.05.00.01+
Acquired May 2020