When two ride upon one horse one must ride behind

description below

“William IV rides (left to right) on a country road, with a large document under his arm: ‘Plan Bridge over Canal for Public’; Wellington sits insecurely behind the saddle. Both are in civilian dress. The King: ‘Now I’ve got him up behind I’ll just do as I like’. Wellington (slyly): ‘This is a very bad Seat, not such a one as I have been used to lately. I am afraid I shall be off.–Open the Park indeed for the Public: I don’t like giving way to the Public!!!’ A signpost (left) points (right) ‘To Holland House’.”–British Museum online catalogue.

  • Printmaker: Heath, Henry, active 1824-1850, printmaker.
  • Title: When two ride upon one horse one must ride behind [graphic]/H. Heath fect.
  • Publication: [London] : Published 1830 by S.W. Fores, 41 Piccadilly, London, [approximately July 1830]

Catalog Record

830.07.00.03+

Acquired September 2023

Townsend the umpire of love

description below

“Townsend, the Bow Street Officer, holding up his constable’s staff, chases a man away from a country house, a corner of which appears on the right. A third man, Wellesley-Pole, shelters behind the constable, stretching out his arms towards his fleeing rival; he turns his head to listen to a pretty young woman who stands on a small iron balcony immediately behind him, with an open sash-window behind her. She says: “Risk not thy Precious life my Love in bold encounter with that dareing Scott.” He answers: “no no my dear I’ll shelter me behind the arm of Justice, & hunt him from his Scent by one of the most famous Bull Dogs in the Kingdom, & teach him never never to Dare to woo the [sic] from my Longing Arms Oh thou Golden Angel.” A paper inscribed ‘Scot’ projects from the fugitive’s pocket. Townsend says: “I’ll teach you worsted working rascall to dare to set up in opposition to the Irish Secretary D-n your Impudence.” A signpost points (left) to ‘Norwhich’ and (right) ‘To Chippenham’.”–British Museum online catalogue.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: Townsend the umpire of love, or, The Poled Scott hunted off after a long struggle [graphic].
  • Publication: [London] : Pub. Jan. 7, 1812, by S.W. Fores, 50 Picadilli [sic], [7 January 1812]

Catalog Record

812.01.07.01

Acquired February 2022

The Norfolk method of improving the breed

description below

“Thomas Coke of Norfolk leads his bride through a pastoral landscape; he prances gaily along hat in hand, turning to look at her, and singing, Oh the Days when I was Young; in his left hand is a book: Coke upon Littleton [see British Museum Satires No. 14423]. She takes his left arm, holding back the gauze veil that floats from a bonnet trimmed with flowers and towering feathers. Her tight-waisted pelisse has a deep crimson border. She is gravely demure, but sings: Of all the Gay Lads that Dance on the Green, Old Tommys the Lad for Me. He looks younger than 67, she older than 18. Behind them (right) is a country church, before them a signpost pointing To the Breeding Park and To the Nursery. An old ram branded C approaches a sheep; a French greyhound prances towards a decrepit and shaggy dog.”–British Museum online catalogue.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: The Norfolk method of improving the breed [graphic].
  • Publication: [London] : Pub. March 26th, 1822, by S.W. Fores, 41 Picadilly [sic], [26 March 1822]

Catalog Record

822.03.26.01+

Acquired May 2021

French privateers, cruising in the English Channel

description below“Six French émigrés are grouped at the roadside beside a signpost (right) pointing (left) to ‘London’ and (right) to ‘Dover’. A lean and elderly woman holding a clipped poodle stands with her left hand in the arm of a man wearing a cocked hat with a tricolour cockade, and a long coat reaching almost to his ankles; he holds a tasselled cane. Next him is a stout man wearing a long cloak, and a boy or dwarfish man. On the right are two women holding large muffs. A second clipped poodle runs beside them. In the background a coach (right) inscribed ‘London Dover Canterbury’ is driving towards London with outside passengers; one, a sailor, waves his hat. The gable end of a cottage (left) and trees complete the background.”–British Museum online catalogue.

  • Title: French privateers, cruising in the English Channel [graphic].
  • Publication: [London] : Printed for & sold by Carington Bowles, No. 69 St. Paul’s Church Yard, London, published as the act directs, 4 June 1792.

Catalog Record 

792.06.04.01+

Acquired November 2019

Bat, Cat and Mat

Caricature with Queen Caroline with her arms linked to those of Bergami and her lawyer

Caricature with Queen Caroline with her arms linked to those of Bergami and her lawyer, as they step along the road between St Omer and Calais. The Queen wears a watch at her waist and two miniature portraits hang from cords at her bosom. In the background her coach awaits with a coachman in tall boots smiling at the scene. A re-issue with new background of a plate first published on 19 January 1821.

  • Printmaker: Lane, Theodore, 1800-1828, printmaker.
  • Title: Bat, Cat and Mat [graphic] : how happy could I be with either.
  • Publication: London : Published by G. Humphrey, 27 St. James’s St., June 1, 1821.

Catalog Record 

821.06.01.04

Acquired March 2019