Review of Gerhard Lutz and Rebecca Müller, eds., Die Bronze, der Tod und die Erinnerung. Das Grabmal des Wolfhard von Roth im Augsburger Dom (Passau: Klinger, 2020), in Speculum 98.4 (2023): 1279-81.
Review of Thomas E.A. Dale, Pygmalion’s Power: Romanesque Sculpture, the Senses, and Religious Experience (University Park: Pennsylvania State University Press, 2019), in The Medieval Review 22.014.12.
Review of Philippe Cordez and Evelin Wetter, Die Krone der Hildegard von Bingen (Riggisberg: Abegg-Stiftung, 2019), in Speculum 96 (July 2021): 798-99.
Review of Richard K. Emmerson, Apocalypse Illuminated: The Visual Exegesis of Revelation in Medieval Illustrated Manuscripts (University Park: Pennsylvania State University Press, 2018), in Speculum 96 (April 2021): 492-94.
Double-review of Nicole R. Meyers, ed., Art and Nature in the Middle Ages, with contributions by Michel Pastoureau, Elisabeth Taburet-Delahaye, and Michel Zink (New Haven and London: Yale University Press for the Dallas Museum of Art, 2016); and Bryan C. Keene and Alexandra Kaczenski, Sacred Landscapes: Nature in Renaissance Manuscripts (Los Angeles: The J. Paul Getty Museum, 2017), for Speculum 95 (April 2020): 578-81.
Review of Willibald Sauerländer, Reims, la reine des cathedrals: Cité céleste et lieu de mémoire, trans. by Jean Torrent (Paris: Fondation Maison des sciences et de l’homme and Centre allemande d’histoire de l’art, 2018), for H-France Review 20 (June 2020), no. 89: https://h-france.net/vol20reviews/vol20no89jung.pdf
Review of Jeffrey F. Hamburger and Nigel F. Palmer, with a Conservation Report by Ulrike Bürger. The Prayer Book of Ursula Begerin, Vol. 1: Art-Historical and Literary Introduction; Vol. 2: Reproductions and Critical Edition. (Dietikon-Zurich: Urs Graf, 2015), The Medieval Review 19.06.26: https://scholarworks.iu.edu/journals/index.php/tmr/article/view/27654
Review of The Saturated Sensorium: Principles of Perception and Mediation in the Middle Ages, ed. Hans Henrik Lohfert Jørgensen, Henning Laugerud, and Laura Katrine Skinnebach (Aarhus: Aarhus University Press, 2015), in Material Religion 13, no. 4 (2017): 534-35.
Review of Mary Carruthers, The Experience of Beauty in the Middle Ages (Oxford:Oxford University Press, 2013), Speculum 92 (Jan. 2017): 229-32.
Review of Sarah Blick and Laura D. Gelfand, eds., Push Me, Pull You. Volume 1:Imaginative and Emotional Interaction in Late Medieval and Renaissance Art; Volume 2: Physical and Spatial Interaction in Late Medieval and Renaissance Art (Leiden and Boston: Brill, 2011), The Medieval Review, 15.09.15.
Review of Herbert L. Kessler and David Nirenberg, eds., Judaism and Christian Art: AestheticAnxieties from the Catacombs to Colonialism (Philadelphia: University of Pennsylvania Press, 2011) and Nina Rowe, The Jew, the Cathedral, and the Medieval City: Synagoga and Ecclesia in the Thirteenth Century (Cambridge: Cambridge University Press, 2011), Art Bulletin 95 (Sept. 2013), 488-93.
Review of Winfried Wilhelmy, ed., Seliges Lächeln und höllisches Gelächter. Das Lachen in Kunst und Kultur des Mittelalters (Regensburg: Schnell und Steiner 2012), in: sehepunkte 13 (2013), Nr. 6 [15.06.2013].
Review of Nino Zchomelidse and Giovanni Freni, eds., Meaning in Motion: The Semantics of Movement in Medieval Art (Princeton: Department of Art and Archaeology, 2011), The Mediaeval Journal 3 (2013): 150-53.
Review of exhibition Der Naumburger Meister: Bildhauer und Architekt im Europa derKathedralen in Naumburg, Germany, for International Center of Medieval Art Newsletter, Dec. 2011, pp. 8-10.
Review of Kristin Marek, Die Körper des Königs: Effigies, Bildpolitik und Heiligkeit (Munich: Wilhelm Fink, 2009), in: sehepunkte 10 (2010), Nr. 10 [15.10.2010].
Review of Gerhard Weilandt, Die Sebalduskirche in Nürnberg: Bild und Gesellschaft im Zeitalter der Gotik und Renaissance (Petersberg: Michael Imhof, 2007), in: H-ArtHist, Oct 9, 2010.
Review of Peter Draper, The Formation of English Gothic: Architecture and Identity (New Haven: Yale University Press, 2006), in Journal of British Studies 47 (Oct. 2008), 909-10.
Review of Godehard Hoffmann, Das Gabelkreuz in St. Maria im Kapitol zu Köln und das Phänomen der Crucifixi dolorosi in Europa, with contributions by Hans-Wilhelm Schwanz, Regina Urbanek und Uwe Pleninger (Worms: Wernersche Verlagsanstalt 2006), in SEHEPUNKTE 7 (2007), Nr. 12 [15.12.2007].
Review of Jean A. Givens, Observation and Image-Making in Gothic Art (Cambridge and New York: Cambridge University Press, 2005), in Journal of Religion (April 2007).
Review of Viola Belghaus, Der erzählte Körper. Die Inszenierung der Reliquien Karls des Großen und Elisabeths von Thüringen (Berlin: Dietrich Reimer, 2005), in: KUNSTFORM 7, no. 3 (March 2006).
Review of Images of Cult and Devotion: Function and Reception of Christian Images in Medieval and Post-Medieval Europe, ed. Ulla Hastrup and Søren Kaspersen (Copenhagen: Museum Tusculanum Press, 2004), in Visual Resources 22, no. 2 (2006).
Review of Monika Schmelzer, Der mittelalterliche Lettner im deutschsprachigen Raum: Typologie und Funktion (Petersberg: Michael Imhof, 2004), in Speculum 81 (July 2006): 918-20.
Review of Stephen Murray, A Gothic Sermon: Making a Contract with the Mother of God, Saint Mary of Amiens (Berkeley: University of California Press, 2004), in: KUNSTFORM 6, no. 10 (2005).
Review of Kunst und Liturgie. Choranlagen des Spätmittelalters: Ihre Architektur, Ausstattung und Nutzung, ed. Anna Moraht-Fromm (Stuttgart: Thorbecke, 2003), in: KUNSTFORM 5, no. 7/8 (2004).
Review of Debra Higgs Strickland, Saracens, Demons, and Jews: Making Monsters in Medieval Art (Princeton: Princeton University Press, 2003), in Journal of Religion 84 (2004): 614-15.
Review of Björn R. Tammen, Musik und Bild im Chorraum mittelalterlicher Kirchen, 1100-1500 (Berlin: Reimer, 2000), in Speculum 79 (2004): 1160-62.