“Hedwig of Silesia,” in The Palgrave Encyclopedia of Women’s Writing in the Global Middle Ages, ed. Michelle Sauer, Diane Watt, and Liz Herbert McAvoy (Palgrave Macmillan 2022–. My contribution was added in 2025).
“Caroline Bynum and Medieval Art History in America: Perspectives from an Art Historian and Student,” Common Knowledge 30 (Jan. 2024): 76-123. Jung 2024_BYNUM AND ART HISTORY
“La mise en œuvre de la sculpture gothique à l’époque de la reproduction photographique,” in Art médiéval et médiévalisme, ed. Philippe Cordez (Heidelberg: arthistoricum.net, 2025 (2024) (Passages online, Band 9).
“Liturgical Furnishings and Material Splendor in the Gothic Church,” in The Cambridge Guide to the Architecture of Christianity, Vol. 1, ed. Richard A. Etlin, Ann Marie Yasin, and Stephen Murray (Cambridge University Press, 2023), 420-433. Jung 2023_LITURGICAL FURNISHINGS
“Unruly Gothic,” in Lateness and Modernity in Medieval Architecture, ed. Alice Isabella Sullivan and Kyle G. Sweeney (Leiden and Boston: Brill, 2023), 423-46. Jung 2023_UNRULY GOTHIC
“Walking to Heaven in Gothic Sculpture,” in Kunstgeschichte(n): Festschrift für Stephan Albrecht, ed. Katharina Christa Schüppel und Magdalena Tebel (Bamberg: University of Bamberg Press, 2023), 12-26. Jung 2023_WALKING TO HEAVEN
“Gothic Sculpture in France and Beyond,” in Willibald Sauerländer und die Kunstgeschichte, ed. Franz Hefele and Ulrich Pfisterer (Passau: Klinger, 2022), 55-87. Jung 2022_SAUERLANDER AND GOTHIC
“In Praise of the Pigeon: Interpretive Adventures at Naumburg Cathedral,” in How Do Images Work? Strategies of Visual Communication in Medieval Art, ed. Christine Beier, Tim Juckes, and Assaf Pinkus (Turnhout: Brepols, 2022), 149-64. Jung 2022_PIGEONS AND NAUMBURG
“The Work of Gothic Sculpture in the Age of its Photographic Reproduction,” for The Lives and Afterlives of Medieval Iconography, ed. Pamela A. Patton and Henry D. Schilb (University Park: Pennsylvania State University Press, 2021), 161-94.
“The Gerichtspfeiler as Gedankenpfeiler: Movement, Medium, and Memory in the South Transept of Strasbourg Cathedral,” Vorträge aus dem Warburg-Haus 14 (2020): 7-41, 145-53.
“Epilogue: The Strangeness of Crucifixes,” in Christ on the Cross: The Boston Crucifix and the Rise of Monumental Wood Sculpture, 970-1200, ed. Shirin Fozi and Gerhard Lutz (Turnhout: Brepols, 2020), 406-19. Jung 2020_STRANGENESS OF CRUCIFIXES
“Reflections on Africans in Gothic Sculpture,” a three-part essay published in Yale University Press Art and Architecture blog, July-December: https://yalebooks.yale.edu/2020/07/21/reflections-on-africans-in-gothic-sculpture-part-1/, https://yalebooks.yale.edu/2020/09/10/reflections-on-africans-in-gothic-sculpture-part-2/, https://yalebooks.yale.edu/2020/12/21/reflections-on-africans-in-gothic-sculpture-part-3/
“France, Germany, and the Historiography of Gothic Sculpture,” in A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, 2nd expanded edition, ed. Conrad Rudolph (Blackwell, 2019), 513-46.
“The Boots of St. Hedwig: Thoughts on the Limits of the Agency of Things,” in The Agency of Things in Medieval and Early Modern Art: Materials, Power and Manipulation, ed. Grażyna Jurkowlaniec, Ika Matyjaszkiewicz, and Zuzanna Sarnecka (New York: Routledge, 2018), 173-96.
“Compassion as Moral Virtue: Another Look at the Wise and Foolish Virgins in Gothic Sculpture,” in Faces of Charisma: Image, Text, Object in Byzantium and the Medieval West, ed. Brigitte Bedos-Rezak and Martha Dana Rust (Leiden and Boston: Brill, 2018), 76-127.
“The Medieval Choir Screen in Sacred Space: The Dynamic Interiors of Vezzolano and Breisach,” British Art Studies 5 (April 2017). https://doi.org/10.17658/issn.2058-5462/issue-05/jjung. (Multimedia presentation, 28 minutes)
“Die Kluge und Törichte Jungfrauen am Nordquerhaus des Magdeburger Doms und ihre Stelle in der Geschichte der europäischen Kunst,“ in Der Magdeburger Dom im europäischen Kontext, ed. Wolfgang Schenkluhn and Andreas Waschbüsch (Regensburg: Schnell und Steiner, 2011), 199-214.
“Das Programm des Westlettners,” in Der Naumburger Meister: Bildhauer und Architekt im Europe der Kathedralen, 2 vols., ed. Hartmut Krohm and Holger Kunde (Petersberg: Imhof, 2011), vol. 2, 1137-46.
“The Tactile and the Visionary: Notes on the Place of Sculpture in the Medieval Religious Imagination,” in Looking Beyond: Visions, Dreams, and Insights in Medieval Art and History, ed. Colum Hourihane (Princeton: Index of Christian Art, 2010), 203-40.
“The Passion, the Jews, and the Crisis of the Individual on the Naumburg West Choir Screen,” in Beyond the Yellow Badge: Anti-Judaism and Antisemitism in Medieval and Early Modern Visual Culture, ed. Mitchell B. Merback (Leiden: E.J. Brill, 2008), 145-77.
“Crystalline Wombs and Pregnant Hearts: The Exuberant Bodies of the Katharinenthal Visitation Group,” in History in the Comic Mode: Medieval Communities and the Matter of Person, ed. Rachel Fulton and Bruce W. Holsinger (New York: Columbia University Press, 2007), 223-37.
“Dynamic Bodies and the Beholder’s Share: The Wise and Foolish Virgins of Magdeburg Cathedral,” in Bild und Körper im Mittelalter, ed. Kristin Marek, Raphaèle Preisinger, Marius Rimmele and Katrin Kärcher (Munich: Wilhelm Fink, 2006), 135-60.
“Seeing through Screens: The Gothic Choir Enclosure as Frame,” in Thresholds of the Sacred: Architectural, Art Historical, Liturgical and Theological Perspectives on Religious Screens, East and West, ed. Sharon Gerstel (Washington, DC: Dumbarton Oaks, 2006), 185-213.
“The Stone Bible: Faith in Images” and catalogue entry “Female Head from San Vicente Martír, Frías,” in Set in Stone: The Face in Medieval Sculpture, ed. Charles T. Little (New York: Metropolitan Museum of Art, 2006), 74-76, 110-11.
“Gothic Sculpture,” in Encyclopedia of Sculpture, ed. Antonia Boström (Chicago: Fitzroy Dearborn, 2004).
“Peasant Meal or Lord’s Feast? The Social Iconography of the Naumburg Last Supper.” Gesta 42 (2003): 39-61.
“Beyond the Barrier: The Unifying Role of the Choir Screen in Gothic Churches.” Art Bulletin 82 (Dec. 2000): 622-57. (Recipient of College Art Association’s Arthur Kingsley Porter Prize, 2001; subject of feature article by Volker Gebhardt, Frankfurter Allgemeine Zeitung, 4 April 2001. For a PDF, please click here.)
“From Jericho to Jerusalem: The Violent Transformation of Archbishop Engelbert of Cologne,” in Last Things: Death and the Apocalypse in the Middle Ages, ed. Caroline Walker Bynum and Paul Freedman (Philadelphia: University of Pennsylvania Press, 2000), 60-82.