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Works Cited

Amot, Julie. The Cinema of Latin America, 2004. pp. 109-116

BENACERRAF, MARGOT, et al. “AN INTERVIEW WITH MARGOT BENACERRAF: REVERÓN, ARAYA, AND THE INSTITUTIONALIZATION OF CINEMA IN VENEZUELA.” Journal of Film and Video, vol. 44, no. 3/4, University of Illinois Press, 1992, pp. 51–75, http://www.jstor.org/stable/20687983.

Benacerraf, Margot. “Araya”. 1959. Video.

Boal, Augusto. Theatre of the Oppressed, Theatre Communications Group, 2013. ProQuest Ebook Central, https://ebookcentral-proquest-com.yale.idm.oclc.org/lib/yale-ebooks/detail.action?docID=1394257.

Boal, Augusto. “The Joker System: An Experiment by the Arena Theatre of São Paulo.” The Drama Review: TDR, vol. 14, no. 2, The MIT Press, 1970, pp. 91–96. JSTOR, https://doi.org/10.2307/1144533.

Campbell, Leon G., and Carlos E. Cortés. “Film as a Revolutionary Weapon: A Jorge Sanjinés Retrospective.” The History Teacher, vol. 12, no. 3, Society for History Education, 1979, pp. 383–402, https://doi.org/10.2307/491146.

Fernandez, Emilio. “Maria Candelaria.” 1943. Video.

Gomez, Felipe. “Short Film and Documentary Third Cinema in Colombia: the case of Luis Ospina.” Centro de documentacion digital.

Guzman, Patricio. “The Battle of Chile”. 1975, 1976, 1979. Video.

ICARUS Films. “Press kit for the first home-video DVD release in North America of Patricio Guzman’s landmark, three-part documentary film”. (2009).

Noriega, Chon A. Visible Nations: Latin American Cinema and Video. First edition ed. University of Minnesota Press, 2000. Project MUSE muse.jhu.edu/book/32534.

Ospina, L. & Mayolo, C. “Oiga, Vea!” 1971.  Video.

Sanjines 1. “Our Aim: To make a cinema at work for the people”.

Sanjines, Jorge. “Yawar Malku.” 1969. Video.

Solas, Humberto. “Lucia.” 1968. Video.

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