Copy (not reversed) of the first state of Plate 2 of Hogarth’s ‘The Rake’s Progress’ (Paulson 133): a fashionable interior with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master (said to be named Dubois), a prizefighter with quarter-staffs (said to be James Figg), a dancing master (John Essex?), a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey.–British Museum online catalogue.
- Title: Attended by his levee in London [graphic].
- Publication: [London] : Publish’d wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill, March 25, 1768
Hogarth 768.03.25.02+ Box 210
Acquired December 2019
In seven scenes in a design of two tiers, citizens dispute the oppressive fees imposed by a zealous tax collector who 
A man sits in an armchair facing right, resting his gouty left foot on a footrest; a cane rests between his legs. He rings a bell and looks over his right shoulder at a young servant who is leaving the room through a door on the left. A hill is visible through a window on the right.
The interior of a well-furnished room. The dentist stands in front of a middle-aged woman seated in a chair (right); he holds her forehead with one hand, with the other he applies a small instrument to her mouth. She grasps a shawl in her left hand. A black boy in livery stands behind the dentist (left) holding an open case of instruments; he looks round grinning. A young woman stands clasping her hands and looking with an expression of horrified concern at the operation. The dentist wears a bag-wig. A cat arches its back and meows. Through a draped sash-window is a steeple. On the wall is a bird in a cage and an oval landscape. Below it is a settee on which sheef of paper.
