A harlot’s progress. Plate V

description belowA copy in reverse of William Hogarth’s Plate 5 of A harlot’s progress: In a squalid room Moll Hackabout, wrapped in a sheet, is dying while two doctors (Richard Rock and Jean Misaubin) argue over their remedies. Her serving-woman reaches out to them in alarm to get their attention for the invalid, while another woman rifles through Moll’s portmanteau (with her initials as in Plate 1). A small boy knelling next to Moll’s chair scratches his head as he turns a joint of meat roasting in front of the fire while a pot overflows on the grate. An over-turned table with an advertisement “Practical scheme … ‘Anodyne” litters the floor in the foreground.

  • Title: A harlot’s progress. Plate V [graphic] : In a high salivation at the point of death = Elle meurt en passant par le grand-reméde / invented & painted by Wm. Hogarth.
  • Publication: [London] : [publisher not identified], [not before 25 March 1768]

Catalog Record

Hogarth 768.03.25.13+ Box 210

Acquired December 2019

A harlot’s progress. Plate III

description belowA copy in reverse of William Hogarth’s Plate 3 of A harlot’s progress: In a shabby room in Drury Lane; Moll Hackabout is shown having risen late (the watch shows 11:45), attended by a serving-woman who has lost part of her nose to syphilis; in the background, the magistrate, John Gonson, enters quietly with officers to arrest her; pinned to the window frame are two portrait prints of the hero and heroines of “The Beggar’s Opera”, Captain Mackheath and Polly Peacham, (Polly replaces Dr. Sacheverell in Hogarth’s print), the wig-box of James Dalton, highwayman, sits above the bed, and one of several beer tankards on the floor carries the name of a Drury Lane tavern. A kitten plays at Moll’s feet. A copy of Bishop Gibson’s “Pastoral Letter to …” serves as a butter dish. Above the window on the left is a print after a Titian painting depicting the angel staying the hand of Abraham as he is about to slay Isaac. Medicine bottles on the window sill suggest that Molly is already ill with the disease that will later kill her.

  • Title: A harlot’s progress. Plate III [graphic] : The compleat trull at her lodgings in Drury Lane = Elle est reduite à la misère dans son logement de Drury Lane / invented & painted by Wm. Hogarth.
  • Publication: [London] : [publisher not identified], [not before 25 March 1768]

Catalog Record

Hogarth 768.03.25.11+ Box 210

Acquired December 2019

Revelling with harlots

description belowCopy in reverse of the first state of Plate 3 of Hogarth’s ‘The Rake’s Progress’ (Paulson 134): A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane’s Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform “postures”; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered “Black Joke”; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. A second version of the paintings is at the Atkins Museum (Kansas City, Missouri).

  • Title: Revelling with harlots [graphic].
  • Publication: [London] : Publish’d wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill, March 25, 1768.

Catalog Record 

Hogarth 768.03.25.03+ Box 210

Acquired December 2019

Taking possession of his father’s effects

description below

Copy in reverse of the first state of Plate 1 of Hogarth’s ‘The Rake’s Progress’ (Paulson 132): the Jacobean interior of the house of Tom Rakewell’s late father with Tom at left being measured for a suit as he gives a handful of coins to the pregnant Sarah Young; behind him sits a lawyer compiling inventories; on the floor are boxes of miscellaneous goods, piles of mortgages, indentures, bond certificates and other documents; an old woman brings faggots to light a fire and an upholsterer attaching fabric (purchased from William Tothall of Covent Garden) to the wall reveals a hiding place for coins which tumble out.–British Museum online catalogue.

  • Title: Taking possession of his father’s effects [graphic].
  • Publication: [London] : Publish’d wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill, March 25, 1768.

Catalog Record 

Hogarth 768.03.25.01+ Box 210

Acquired December 2019

Attended by his levee in London

description belowCopy (not reversed) of the first state of Plate 2 of Hogarth’s ‘The Rake’s Progress’ (Paulson 133): a fashionable interior with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master (said to be named Dubois), a prizefighter with quarter-staffs (said to be James Figg), a dancing master (John Essex?), a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey.–British Museum online catalogue.

  • Title: Attended by his levee in London [graphic].
  • Publication: [London] : Publish’d wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill, March 25, 1768

Catalog Record 

Hogarth 768.03.25.02+ Box 210

Acquired December 2019

Anticipation, or, Taxes as they will be!!

In seven scenes in a design of two tiers, citizens dispute the oppressive fees imposed by a zealous tax collector who taxes bugs, pets, a bulbous nose and a runny nose, corns on a foot, and a man’s skin. In the scene on the upper right, the tax collector penalizes a man whom he accuses of evading tax as he defecates in a bush.

  • Printmaker: Cruikshank, Isaac, 1756?-1811?, printmaker.
  • Title: Anticipation, or, Taxes as they will be!! [graphic] / Woodward delnt.
  • Publication: [London] : Pubd. June 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street …, [1 June 1796]

Catalog Record 

796.06.01.03+

Acquired October 2019

The gout

A man sits in an armchair facing right, resting his gouty left foot on a footrest; a cane rests between his legs. He rings a bell and looks over his right shoulder at a young servant who is leaving the room through a door on the left. A hill is visible through a window on the right.

  • Title: The gout [graphic].
  • Publication: [Alnwick] : Printed and published by W. Davison, Alnwick, [between 1812 and 1817]

Catalog Record 

812.00.00.104

Acquired September 2019

The town tooth drawer

The interior of a well-furnished room. The dentist stands in front of a middle-aged woman seated in a chair (right); he holds her forehead with one hand, with the other he applies a small instrument to her mouth. She grasps a shawl in her left hand. A black boy in livery stands behind the dentist (left) holding an open case of instruments; he looks round grinning. A young woman stands clasping her hands and looking with an expression of horrified concern at the operation. The dentist wears a bag-wig. A cat arches its back and meows. Through a draped sash-window is a steeple. On the wall is a bird in a cage and an oval landscape. Below it is a settee on which sheef of paper.

  • Title: The town tooth drawer [graphic].
  • Publication: [Alnwick] : Printed and published by W. Davison, Alnwick, [between 1812 and 1817]

Catalog Record 

812.00.00.100

Acquired September 2019

[Galvanism, or, The miraculous recovery of the unfortunate Miss Baily]

Galvanism. Detailed description below.

A young woman sits despairingly on the edge of a bed, with the end of a garter round her neck; the other end dangles from the bed-tester. She watches a servant holding a foppish, elderly naval officer by the collar as he flourishes a cudgel. At his feet lie a set of bellows. On the wall is a framed picture of Venus and Adonis with Cupid.

  • Artist: Cruikshank, George, 1792-1878, artist.
  • Title:[ Galvanism, or, The miraculous recovery of the unfortunate Miss Baily] [art original] / George Cruikshank.
  • Production: [England], [ca. 1807]

Catalog Record 

Drawings C889 no. 7 Box D115

Acquired March 2019

Dignity!

Caricature of Queen Caroline and Bergami seated at a table

Caricature of Queen Caroline and Bergami seated at a table set with elegant china tureens and plates. On the rigth an English officer (Captain Pechell) extends his hand graciously as he declines to sit with them. Behind him two servants(?) look on with concern.

  • Printmaker: Lane, Theodore, 1800-1828, printmaker.
  • Title: Dignity! [graphic].
  • Publication: London : Pubd. by G. Humphrey, 27 St. James’s St., June 7, 1821.

Catalog Record 

821.06.07.01

Acquired March 2019