William Hogarth copper plate

copper plate

Copy of a self-portrait by William Hogarth; the artist is portrayed as if on an oval canvas resting on a pile of books; in the foreground, his dog Trump, his burin and palette.

 

  • Creator: Smith, Benjamin, -1833, engraver.
  • Title: William Hogarth [realia] : from the original picture in the collection of John & Josiah Boydell / painted by W. Hogarth ; engraved by Benj. Smith.
  • Manufacture: [London] : Published June 4, 1795, by J. & J. Boydell, No. 90 Cheapside; & at the Shakspeare Gallery, Pall Mall, [4 June 1795]

Catalog Record

Hogarth 795.06.04.02

Acquired July 2022

The rival queans, or, A scene in The beggars opera

description below

“Mrs. Clarke (left) and Mrs. Carey (right) (see British Museum Satires No. 11050) berate each other; both wear evening dress, with feathers in their hair, those of Mrs. Carey being the taller. The Duke, wearing regimentals, watches the quarrel, equally distant from both. Mrs. Clarke, arms akimbo, says: “Why how now Madam Carey, although you are so Warey In saveing of your cash, John Bull and I we both will try, And settle all your hash.” [see 1803 Isaac Cruikshank print for an earlier use of this phrase, BM impression 1868,0808.7141/ PPA108823] Mrs. Carey retorts: “Why how now Madam Clarke—— Why since you thus can chatter—— And thus betray your spark—— I wonder whats the matter with, you, Madam Clarke!!” The Duke looks at Mrs. Clarke, stopping his ears, a leg raised in angry protest; he says: “Zounds! the thunder of Valencienes was Music to this”. Behind Mrs. Clarke is a cockatoo on a high perch, screaming: “go it! go it”; a chair has been overturned, and a mastiff, its collar inscribed ‘John Bull’, barks at the Duke. A small dog behind Mrs. Carey also barks. She stands with her back to the fire. On the chimney-piece a china Cupid aims his arrow at a heart on the trunk of a tree.”–British Museum online catalogue.

 

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: The rival queans, or, A scene in The beggars opera [graphic].
  • Publication: [London] : Pubd. March 1809 by Walker, Cornhill, [March 1809]

Catalog Record

809.03.00.08+

Acquired November 2022

High life below stairs

description below

“Interior of a kitchen showing servants at leisure: a stout woman dances with a black man in the centre accompanied by a man with a wooden leg who sits playing a violin on the left; watched by others on the right, a young woman standing on a chair and supported by a young man, while a seated man wearing a tricorn smiles and points at her and an elderly woman stands with her arms folded under her apron, a dog at her heels; two posters pasted on the wall behind, shelves, bellows and other kitchen implements in the background.”–British Museum online catalogue, description of a print of the same design.

 

  • Artist: Grose, Francis, 1731?-1791, artist.
  • Title: [High life below stairs] [art original].
  • Production: [England], [not after 1767]

Catalog Record

Drawings G877 no. 1 Box D205

Acquired October 2022

Symmetry

description below

Two men stand on the sidewalk under a street lamp, one of whom is a dustman with a pipe sticking out of his cap who asks the other, a large tradesman in an apron about his emaciated, muzzled dog. The dialogue below the title reads: I say Joe, what makes you Muzzle Brutus? Vy he’s such a beggar for grub, he’d spile his shape in 5 minnits if it was off, and he only got sight of a butcher’s shop

  • Title: Symmetry [graphic].
  • Publication: [London] : Published by G. Tregear, 123 Cheapside, London, [not after 1833]

Catalog Record

833.00.00.17+

Acquired February 2022

Spectators at a print-shop

description below

“Satire; an extravagantly dressed woman catches a fashionable man by the arm as she points with her fan at a mezzotint droll in a print-shop window; a small dog looks up at her; an old gentleman with a stick standing on the right, stares at the prints and is surprised by a man with a warrant for his arrest.”–British Museum online catalogue.

  • Printmaker: Smith, John Raphael, 1752-1812, printmaker.
  • Title: Spectators at a print-shop in St. Paul’s Church Yard [graphic].
  • Edition: [State with plate no.].
  • Publication: [London] : Printed for Carington Bowles, at his map & print warehouse, No. 69 in St. Pauls Church Yard, London, published as the act directs […] [not before 25 June 1774]

Catalog Record

774.06.25.01

Acquired November 2021

A sharp bite

description below

Three gentleman sit in a row boat fishing. As the man on the right tumbles off his chair into the river as waves hit their small boat, he accidently hooks his companion in the nose. A third man (left) looks on in horror as the man in the middle cries out in pain. Their dog has also fallen in the river from where he looks on the scene.

  • Title: sharp bite [graphic].
  • Publication: London : Published by Thos. McLean, 26 Haymarket, [1824?]

Catalog Record

824.00.00.12 Impression 2

Acquired July 2020

Taking a fly

description below

A scene beside a river: In the foreground two men who had been fishing have been pulled into the river by the rope attached to a ferry that is crossing to the other side when the horse that is pulling it bolts down stream. A third man is about to fall into the water as well as a fourth companion chases the runaway horse and his owner.

  • Title: Taking a fly [graphic].
  • Publication: London : Published by Thos. McLean, 26 Haymarket, [1824?]

Catalog Record

824.00.00.11 Impression 2

Acquired July 2020

The Norfolk method of improving the breed

description below

“Thomas Coke of Norfolk leads his bride through a pastoral landscape; he prances gaily along hat in hand, turning to look at her, and singing, Oh the Days when I was Young; in his left hand is a book: Coke upon Littleton [see British Museum Satires No. 14423]. She takes his left arm, holding back the gauze veil that floats from a bonnet trimmed with flowers and towering feathers. Her tight-waisted pelisse has a deep crimson border. She is gravely demure, but sings: Of all the Gay Lads that Dance on the Green, Old Tommys the Lad for Me. He looks younger than 67, she older than 18. Behind them (right) is a country church, before them a signpost pointing To the Breeding Park and To the Nursery. An old ram branded C approaches a sheep; a French greyhound prances towards a decrepit and shaggy dog.”–British Museum online catalogue.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: The Norfolk method of improving the breed [graphic].
  • Publication: [London] : Pub. March 26th, 1822, by S.W. Fores, 41 Picadilly [sic], [26 March 1822]

Catalog Record

822.03.26.01+

Acquired May 2021

Evening

description below

The third print in the series “Four Times of the Day” is set at Sadler’s Wells. “A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton’s Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof.”–British Museum online catalogue.

  • Printmaker: Cook, Thomas, approximately 1744-1818, printmaker.
  • Title: Evening [graphic] / designed by Wm. Hogarth ; engraved by T. Cook.
  • Publication: [London] : Published December the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London, [1 December 1797]

Catalog Record

Hogarth 797.12.01.01++ Box 310

Acquired January 2021

Going to court he’s arrested at St. James’s Gate

description below

“Piracy of plate IV of Hogarth’s Rake’s Progress with considerable differences: a scene in St James’s Street with the Rake (here named Ramble) emerging from a sedan-chair to be arrested for debt; figures in the foreground include a Welshman, probably the creditor, honouring St David’s day (March 1st) with a leek in his hat, “Nanny” offering a handful of money to reprieve her former lover, and a lamp-lighter carelessly spilling oil on the Rake’s coat; in the distance to left, a group of street-boys point to “Taffy”, a mannikin, perched on a lamp-post, and beyond the gate of St James’s Palace.”–British Museum online catalogue.

  • Printmaker: Bowles, Thomas, -1767, printmaker.
  • Title: Going to court he’s arrested at St. James’s Gate [graphic].
  • Publication: [London] : [John Bowles], [1735]

Catalog Record

Hogarth 735.00.00.20+ Box 200

Acquired January 2021