A fat parson riding (right to left) on a small horse arrives at the high iron gate of his house, which is seen in the background. He points arrogantly to a groom in livery, who stands (left) holding another horse whose front half appears on the left. The groom raises his hat. A butler stands in front of the gate. In the distance among trees (right) is a church spire.
Title: Vicar returning from duty [graphic].
Publication: [Alnwick] : Printed and published by W. Davison, Alnwick, [between 1812 and 1817]
A satire, divided into quarters, with four small scenes of different episodes of persons trying to collect their Christmas boxes. In the first square in the upper left, a plump supplicant in an apron holds out his hat to a scowling-faced man with a kerchief tied over his hat and a walking stick under his arm as they meet in a road outside a building with a lamp. Behind him on the wall is a sign posted “Miser’. In response to the request, the miser says “Give you a Christmass box. Curse you don’t I pay you for your meat.” On the top row, right, a thin man (a grave digger?) with a pipe in his mouth, bows to an obese clergyman, with a fat dog at his heel, as they stand in the graveyard of a church. The gravedigger asks, “Most worthy Parson give me a Christmass box.” The Parson replies, “Give you a halter you rascal. What should I give you a Christmass box for.” In the lower left, clergyman shakes his walking stick at a surprised man who is carrying a large box on his back and secured with a strap over his forehead. The clergyman says to the laborer, “If you ever ask me for a Christmass box again, I’ll physic you to death.” They are standing in front of building with a lantern and sign that reads “Gargle Apothycary.” The fourth square, lower right, shows old, hag-faced woman with a hat and muff standing in a parlor as she slaps the face of an astonished footman. She tells him, “Take that you saucy rascal for a Xmass box!” He replies, “What’s that for. I did not want a box on the ear, not I.”
Sir Harry Trewlawny’s diary with the first entry dated 1785 August 17 and the last September 2nd all in a single hand. A wonderfully chatty diary in which he talks about farming matters, the crops that are being harvested, maintaining the shoreline property, as well as the management of his current holdings, acquisition of land and leases, including the potential purchase of Bochym Manor, on The Lizard. He reports on meetings with tenants and relays friendly gossip about his circle of acquaintances. He also discusses the candidates for several curacies under his control and the ministers in his neighborhood.
A lady (Mrs. Catherine Macaulay) with an aquiline profile sits at a table opposite a clergy man (Dr. Wilson) as she writes with a quill pen. The walls are lined with full bookshelves separated in the middle by a fireplace with a mantelpiece on which sits a bust of “Alfred rex”. Both figures wear the same enormous hair as in British Museum no. 5441.
Printmaker: Darly, Mattina, printmaker.
Title: The historians [graphic] / Mattina Darly sculp.
Publication: [London] : Pub. May 1, 1777, by MDarly, 39 Strand, [1 May 1777]
A satire on the electoral Reform Bill of 1831, which was passed soon after this print was issued. Grant shows the figure of blind Justice leaning out from a mass of billowing clouds and holding her scales labelled “Reform 1813”. The load on the left side labeled “People’, though containing fewer documents — Magna Carta, Economy & Retrenchment, Peace of Plenty, Extension of the Electi[c] Franchise, Cheap Government — is heavier than the other plate “Oligarchy” which is weighted down by: Bribes, Corruption, Six Acts, Corn Law, Church, Rotten Boroughs, Corporation Charters, Law & Iniquity, Taxes, Imposts, Holy Alliance, [F?]onal Debt. A group of four men in the left foreground include a judge; the one man says “Behold! a mere feather turns the ballance in our favour and saves us from revolution & disgrace.” Just beyond them in the middle distance the King stands firmly and says “The triumph of this great & vital cause will fix my crown more firm upon my head.” On the right a group of over six men including a clergyman who wipes his brow and cries “The draft is in their favor. Our cause is lost. Oh dictatorium, dictatorium, dic-“. Another gentleman behind him cries “They may vainly recken on a paltry unit, we have yet power to rent it peicemeal [sic].” In the distance a crowd cheers, and some hold signs for “Reform” and “Support the King & his ministers”, etc.
Printmaker: Grant, C. J. (Charles Jameson), active 1830-1852.
Title: Majority one against the boroughmongers [graphic] / C.J. Grant.
Publication: [London] : Pub. by John Fairburn, Broadway, Ludgate Hill, March 26th, 1831.
“A stout and burly woman stands at a street-door with a large basket of buns. A young woman and three children buy; the children help themselves, the woman holds a plate which she fills with buns. In the background (left) is a Georgian church with pediment and cupola; a fat parson in his surplice hurries along to escape from a woman and two children, who beg from him.”–British Museum online catalogue.
Printmaker: Merke, Henri, printmaker.
Title: Hot cross bunns, two a penny bunns [graphic] / Rowlandson delin. ; Merke sculp.
Publication: London : Pubd. May 4, 1799, at Ackermann’s Gallery, 101 Strand, [4 May 1799]
“The interior of a large church or cathedral. Burke, dressed as a Jesuit, standing within a low, semicircular wall at the foot of a crucifix, marries the Prince of Wales and Mrs. Fitzherbert. The Prince is about to put the ring on her finger. Fox gives her away, holding her left wrist. Beside him (right) stands Weltje in back view but looking to the left at the ceremony. A napkin is under his left arm, bottles project from his coat-pockets, and the tags on his shoulder denote the liveried manservant. To the left of Fox appears the profile of George Hanger. On the left North sits, leaning against the altar wall, sound asleep, his legs outstretched. He wears his ribbon but is dressed as a coachman, his hat and whip beside him. All the men wear top-boots to suggest a runaway match. Behind the Prince in a choir seat is a row of kneeling monks who are chanting the marriage service. The crucifix is partly covered by a curtain, but the legs and feet are painfully distorted … On the wall and pillars of the church are four framed pictures: ‘David watching Bathsheba bathing’, ‘St. Anthony tempted by monsters’, ‘Eve tempting Adam with the apple’, and ‘Judas kissing Christ’, the last being over the head of Fox.”–British Museum online catalogue.
A personal account book kept by Miles Tarn beginning two years before he attended Queen’s College, Oxford and ending in the year of his death 1797. He provides a biographical sketch as well as details of the births, marriages, and deaths of his eleven children by his first wife, Mary (died 26 February 1784); he traces the history of the family estate at Wray beginning in 1615. The entry recording his marriage to second wife, Grace Peele of Cocersmouth is followed by an entry (in his wife’s hand?) that records the details of the time and date of his death and details of the funeral and burial. The bulk of the manuscript details his expenses. Of particular interest are the entries for the 1750’s as he set up a home in Dean after becoming rector. Items listed include: furniture, crockery, household utensils, clothing, fruit trees and gardening tools; monies lent and wages paid to workmen.
Author: Tarn, Miles, 1719-1797.
Title: Account book of Rev. Miles Tarn’s, Rector of Dean in Cumbria, 1735-1797.