Relieving the distress’d travellers

description below

A fashionable couple walk on a country road past a cottage. A woman carrying a small child and carrying bags on her back approach them from behind and one of her small children on foot doffs his cap and reaches out his hand for alms. Another small child, also cap in hand, hangs onto his mother’s skirts. Also on the road, heading in the opposite direction is a wagon filled with recruits and soldiers and one woman holding onto a large trunk.

  • Title: Relieving the distress’d travellers [graphic].
  • Publication: [London] : Printed for & sold by Bowles & Carver, No. 69 St Paul’s Church Yard, London, [approximately 1812]
  • Manufacture: [printed 1812]

Catalog Record

812.00.00.130

Acquired September 2023

Blanchisseuse des Indes Occidentales

description below

Three West Indian washer women sit or stand in or near a stream. The one on land balances a basket of clean wash on her head and has a baby strapped to her back.

  • Printmaker: Ruotte, Louis Charles, 1754-1806, printmaker.
  • Title: Blanchisseuse des Indes Occidentales [graphic] = The West India washer-woman / A. Brunias pinx. ; L. Ruotte direxit.
  • Edition: [State with monogram dividing dedication.].
  • Publication: A Paris : Chez Depeuille, rue St. Denis, la boutique attenant St. Jacques l’Hopital, No. 416 et au Palais Royal, au Pavillon près le bassin, [approximately 1770?]

Catalog Record

770.00.00.190.01

Acquired February 2024

They took her away

description below

A young woman presumably a prostitute, bare breasted and with a dejected look on her face, is being led up the steps of a building by a beadle or constable, her head bowed in shame. Her infant has been left in the arms of an older woman, stands at the base of the stairs on the right. Another, older child, seated on a lower step in the foreground, looks up at the scene. The building has barred windows.

  • Artist: Rowlandson, Thomas, 1756-1827, artist.
  • Title: [They took her away] [art original] / T. Rowlandson.
  • Production: [England], [late 18th century?]

Catalog Record

Drawings R79 no. 23 Box D207

Acquired June 2023

The fair stationer in Hyde Park 1780

description below

“View of a row of tents and temporary shelters, one with the sign “Lloyds Coffee House”, a group of four ladies outside, in foreground to right four children play, trees in background on left, a building in distance on right.”–British Museum online catalogue.

  • Printmaker: Sandby, Paul, 1731-1809, printmaker.
  • Title: The fair stationer in Hyde Park 1780 [graphic] : A distant view of Coll. Sloans Mess House &c. / P. Sandby.
  • Publication: [London] : Publishd. as the act directs by P. Sandby, [ca. 1780]

Catalog Record

780.00.00.139+

Acquired May 2021

A Christmas box

description below

“A front elevation of a theatre-box crammed with delighted children fills the design. In the front row are a lady and four little girls. In the middle sits the father, one small boy on his knee, an arm round another child. Eight more children fill the box. Behind them a lady chooses fruit from an old woman’s basket. Two men stand behind. Over the front of the box hangs a playbill: During the Xmas Holidays–Pantomime of Harliquin–Clown by Mr G [Grimaldi].”–British Museum online catalogue.

  • Printmaker: Cruikshank, George, 1792-1878, printmaker.
  • Title: A Christmas box [graphic] / S.K. invt. ; G. Ck. fect.
  • Publication: [London] : Pubd. Decr. 26th, 1826, by S. Knights, Sweetings [A]lley, Royal Exchange, [26 December 1826]

Catalog Record

826.12.26.01

Acquired November 2020

Morning

description below

An old woman, the prude, is standing near a crowd of people huddled around a bonfire in Covent Garden. She is crossing Covent Garden Piazza, disapproving of the amorous scenes outside the notorious Tom King’s Coffee House. The print shows the morning and is part of a series representing the progress of the day.

  • Printmaker: Cook, Thomas, approximately 1744-1818, printmaker.
  • Title: Morning [graphic] / designed by Wm. Hogarth ; engraved by T. Cook.
  • Publication: [London] : Published August the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London, [1 August 1797]

Catalog Record

Hogarth 797.08.01.01++ Box 310

Acquired January 2021

Evening

description below

The third print in the series “Four Times of the Day” is set at Sadler’s Wells. “A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton’s Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof.”–British Museum online catalogue.

  • Printmaker: Cook, Thomas, approximately 1744-1818, printmaker.
  • Title: Evening [graphic] / designed by Wm. Hogarth ; engraved by T. Cook.
  • Publication: [London] : Published December the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London, [1 December 1797]

Catalog Record

Hogarth 797.12.01.01++ Box 310

Acquired January 2021

Confined in the Fleet Prison

description below

“Copy of a room in the Fleet Prison; Tom sits at a table, to left, on which is a rejection letter from John Rich to whom he has submitted a play; his wife clenches her fists, the gaoler asks for garnish money and a boy asks payment for a tankard of ale; to left, Sarah Young has fainted and is being administered smelling salts by one woman while another slaps her hand, her child clings to her skirt; she is supported by an older man with a beard who has dropped a sheet containing a scheme for paying the national debt (a reference to such a scheme put forward by Hogarth’s father); in the background an alchemist works at a forge.”–British Museum online catalogue.

  • Title: Confined in the Fleet Prison [graphic].
  • Publication: [London] : Published with the consent of Mr. William Hogarth by Tho. Bakewell, according to act of Parliament, July 1735.

Catalog Record

Hogarth 735.07.00.01+ Box 200

Acquired January 2021

 

Noon

description below

A copy of the second print in William Hogarth’s series “Four Times of the Day”: Set outside St Giles’s-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist’s head on a platter and reading “Good Eating”, a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.

  • Printmaker: Cook, Thomas, approximately 1744-1818, printmaker.
  • Title: Noon [graphic] / designed by Wm. Hogarth ; engraved by T. Cook.
  • Publication: [London] : Published October the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London, [1 October 1797]

Catalog Record

Hogarth 797.10.01.03++ Box 310

Acquired January 2021

Night

description below

A copy of the fourth print in William Hogarth’s series “Four Times of the Day”, set at the intersection of Rummer Court and Charing Cross. Le Sueur’s equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as “Oak Apple Day”). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber’s which is decorated with oak leaves and advertises “Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum”; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio.

  • Printmaker: Cook, Thomas, approximately 1744-1818, printmaker.
  • Title: Night [graphic] / designed by Wm. Hogarth ; engraved by T. Cook.
  • Published: [London] : Published February the 1.st 1798 by G.G. & J. Robinson Pater-noster Row London, [1 February 1798]

Catalog Record

Hogarth 798.02.01.01++ Box 310

Acquired January 2021